Under the Shadow

I had been following the recent festival news regarding "Under the Shadow", and shortly after it premiered at the Sundance Film Festival it was promptly acquired by Netflix.

The fact that Netflix snagged it right away from other major distributors should be a real indicator of how much of a winner this movie really is.

Most people will dismiss "Under the Shadow" right away after seeing the PG-13 rating. Don't. Give it a chance, and you won't regret it. This movie doesn't rely on cheap jump scares. The way the movie is paced, it actually lets the tension and intensity accumulate, little by little, and the scares that it delivers, although few in number, are guaranteed to leave a mark.

In one particular instance, everyone in the room screamed and almost jumped out of their seats, and I do mean *everyone*, and that goes to show how well the movie does in pulling everyone in.

Even though the story is set in the 1980s, a lot of themes are, coincidentally, a big deal nowadays, such as the usage of the veil by women, and how they're actually perceived/treated as inferior to and by men, when in reality they happen to be extremely strong characters on their own, driven by what they want to do and what they want to be, and not by what others expect of them.

The Djinn, the so-called "monster" in this movie, is nothing short of amazing given the story and the context, and he's not something you're likely to forget any time soon. I will, however, do the same thing that other reviewers and critics have done before me, and I won't say anything further on this "entity", besides the fact that it's an extremely refreshing, new and interesting concept for the whole "monster movie". Go see the movie, and hopefully you'll not only be surprised and amazed, but also equally terrified.

Narges Rashidi, who plays the mother (Shideh), has a strong and gripping role, but in my humble opinion it was actually Avin Manshadi who plays her daughter, Dorsa, the one who stole the show.

In general, people think of kids (in horror movies) as annoying, and all-around bad actors who just don't have it in them to actually act the part in what's supposed to be a scary, horrifying film. In a nutshell, Avin Manshadi blew me away. The way she delivered her lines, how she acted, the very different ways she looked at her mother given the context, how she looked at her surroundings, and the fact that her gaze also never looked at the "camera" or anything of the sort, that certainly elevated the movie to something else entirely.

It made the whole thing *actually* believable, which isn't always the case when you have a kid as a main protagonist. For an underage kid, and for her first role in anything EVER (according to IMDb), I can't begin to tell you how extremely HUGE her performance actually is.

In short, this movie has very strong performances, a believable dilemma set in a very real period of our history, and a plot that doesn't leave you hanging with even more questions by the end or a twist-ending, like how many/most films usually do nowadays.

Babak Anvari (Director) is definitely on my list of people to keep an eye out for, especially when you consider that this was his first feature film. Extremely impressive, and there's no doubt in my mind that this young director has a lot to offer to the world of filmmaking in general, although I'd very much like to see him tackle some more horror projects.

If you want to see a horror movie riddled with cheap jump scares that provide easy chuckles and giggles, this movie is not for you.

If you want to see a horror movie with lots of deaths, blood and violence, this movie is definitely not for you.

If, however, you are a true fan of the genre and are looking for something new, if you can actually look past the language barrier and want to see an actual plot that gradually evolves in a slow-burn kind of way (as opposed to watching the kind of horror movies where you can just "turn your brain off" and enjoy the mindless fun without giving it a second thought), then you should give this movie a chance, by all means.

If possible, you should watch this in theaters to really get the "experience", otherwise watching it at home won't probably pack the same kind of punch, but I guess everyone is different in that aspect. Just be sure to actually invest all of your senses when watching it!

Like I said, don't go expecting a gore-filled horror fest. This is a movie that actually aims to do justice to the Horror genre and the scares it delivers... and boy, do they!

This film is very notable to me for being the first – that I am aware of – horror film to come out of a Middle Eastern Islamic country. For this reason alone, Under the Shadow is an interesting movie. Horror films generally work best when there is a sense of mystery to proceedings, the unknown being one of the scariest things there is. This was the reason that the J-Horror films from Japan were so terrifying to western audiences, as the Japanese conception of the supernatural was so different to ours meaning that things happened in those films that were highly unpredictable and unsettling. It's this same reason that a horror film from an Iranian cultural perspective is always going to feel more original in approach. And so it proves, as while there are familiar elements in this ghost story, there are also aspects that are less predictable, resulting in a fascinating movie. A woman and her young child live alone in an apartment in Tehran during the latter years of the Iran-Iraq War when the Iraqi regime were systematically firing missiles into the middle of large populated urban areas. Before long the bombs come crashing around them and just as this starts happening a strange malevolent supernatural force enters their home and begins to terrorise them also.

One of the things that made this one really stand out for me was the historical setting and social context that came with that. While on the one hand this is a claustrophobic apartment-based horror film, there are also very real terrors outside the home too. In fact, the apartment is a haven for the mother in many ways, a place where she does not have to wear restrictive clothing and can work-out to her Jane Fonda video. Beyond this safe sanctuary she has to deal with a repressive regime who may violently punish her if her clothing is not correct or if they even hear she owns a VCR. The restrictive lives of women during the Cultural Revolution is the real life horror that the protagonist experiences out with the home, while the supernatural Djinn entity is the horror she and her daughter endure within the home. At the same time there are the horrors of war constantly occurring without warning and with potential deadly consequences. Even though this film is set in the late 80's, it's quite clear that this latter factor remains horribly pertinent today, given the horrendous bombings of civilians in the Syrian Civil War which continue unabated as I write this. So, this is a movie with quite a lot going on when you think about it. The supernatural horror material escalates as the story progresses and there are some genuine jump moments and some nicely sinister imagery. It never overplays its hand though and does not descend into over-the-top shenanigans, which ultimately is to the film's overall benefit.

Lastly, and certainly not least there are a couple of excellent performances in here underpinning everything. Narges Rashidi is extremely compelling as the mother, while Avin Manshadi puts in a very strong performance as her young daughter. We really do care about these two sympathetic and realistic characters. In the final analysis, I certainly hope that this film leads to a cycle of Iranian horror films, as the horror genre is often a very good one when it comes to examining tough social issues in an accessible way. This film may be the tip of the iceberg.

"Under the Shadow" was such a wonderful surprise for me. I had already read some reviews and everybody was speechless about it. I didn't really expect something THAT good when I started watching it.

The film takes place in Iran somewhere in the 80's when the Iran-Iraq war was on. Shideh and Dorsa, a mother and a daughter, find themselves "abandoned and unprotected" after the father has to leave in order to give his services as a doctor in the war zone. This is when they start realizing that something evil haunts them in their apartment, and there is not much they can do to escape since it's dangerous to leave their home.

Many compare it to 2014's "Babadook". I can see why but at the same time I don't see so many relations to each other. The only thing that I know is that there were moments that I seriously considered turning the lights on for a while... Sometimes the graphics were not that great, definitely not disappointing but seriously, I didn't mind at all. Narges Rashidi's acting is a huge plus for the movie as long as the direction.

Scary, touching, simple though powerful, "Under the Shadow" is a pleasant surprise not only for the horror genre but for cinema in general.

The first thing that stood out about this film was it's unique setting for a horror flick, it take's place in 1980's Iran during War Of The Cities. Our main character Shideh (Played by Narges Rashidi) has just learned that she won't be able to attend Medical school due to her background in activism. On top of all that her husband is being drafted to fight in the war leaving Shideh in a war torn country raising her daughter alone. The whole set up/first half was excellent, the acting is believable and director does a great job of establishing a tense tone. It definitely did not feel like the usual set up to a horror movie, in fact if I hadn't known before hand that this was a Horror flick I probably would have just assumed it was a Drama depicting live in Iran during a hard time.

So as the story progresses the horror elements are introduced, Shideh's daughter starts having trouble sleeping because she is afraid of Djinn (Demons). Some paranormal things start happening around the house and eventually things do get a little creepy. This part of the movie started to drag a bit a bit on the tension died down a bit for me. There are some scares that were well done and caught me off guard, however a few were too obvious and came off a bit too cheesy. Overall the second half is good but parts of it just felt like a run of the mill ghost movie. Plus the last fifteen minutes or so kind of fell flat on me, I felt like that was suppose to be a big tense scene but I just wasn't feeling it.

I enjoyed "Under The Shadow", it has it's flaws but it does enough right to make it a worthwhile experience. If you are interested in watching a decent ghost movie that has very interesting setting then this one if worth a watch, it doesn't do anything mind blowing but it does a good enough job at being an effective horror film.

In western culture movies become iconic quickly. For example, entire generations who missed the original Star Wars film can nonetheless recite dialog from it. Horrow films fit the same mold. The tropes, tricks, plot arcs and even to a large degree the SFX become familiar over time because they are part of the overall experience you expect.

But what happens when a horror fan experiences a film from a different culture? Are the building blocks the same ... or different? One of the clearest exponents of this issue is this film, a modern "horror" film produced in an Islamic country that is known neither for its horror films nor really for its interest in films at all.

Which is what makes UNDER THE SHADOW SO REMARKABLE.

It is good enough to stand on its own as a horror piece. In fact, it's only possible failing -- that it builds so slowly and gradually -- can in fact be considered a major strength. It may well be that, in the west, film-makers who lack the skill to "layer" their suspense raise the temperature far too quickly? However when you consider the obvious incorporation of allegory and metaphor to overlay the plight of the heroine in her real life against her plight in the supernatural realm .. the film gets even more intriguing. Not preachy. Just interesting.

Recommended.