Le garçon et la bête

This is a story about the bonds of a lonely human boy and a lonely monster. In this story, there is another world excepting a human world. The lonely boy loses his father by a divorce of his parent, and then loses his mother in a traffic accident. While he wanders aimlessly through the town of Shibuya, he meets a party of two monsters. After that encounter, he becomes stronger.

I'm moved by the relationship between the lonely boy and the lonely monster. They oppose each other whenever occasion arises. However, they trust each other intensely in the innermost recesses of their heart. So they want to help the companion with all his strength if he gets in a fix. Though they are not parent and child, they are bound by rigid ties as if they were real parent and child.

I think that the bond of parent and child is formed by not a blood relationship but the time which they have spent together for a long time.

Now with this movie finally getting an official release of course it has to open the same weekend as Zootopia (haven't seen but will review soon) which is killing the box office, while the Boy and the Beast had a total of 4 people in the theatre, two of which were me and my friend, and although I'm sure Zootopia is great, there needs to be love for this movie too! Japan is currently kicking anyones but in the animation department, and this film is nothing short of that, it looks beautiful almost every scene. The story it self is a simple one but the characters were so intriguing that it helped the story so much, basically a quick sum of the plot is there is a beast world and a human wanders into it to train with one of the beast, and as I mentioned I'm sure you are thinking that this is such an unoriginal plot, which in a way it is nothing new, but again you care about the characters so much that it throughly enhances the story, and the story actually has a great side plot. If you need something to watch this weekend I'm sure Zootopia is great for the family, but The Boy in The Beast is great for anyone, as it isn't too "anime" for the average person. Mamoru Hosoda really has quite a talent and with Miyazaki retiring I think he is going to cement himself as the best in animated films for years to come.

So to sum things up definitely see the Boy and the Beast, it is a fantastic time age range: 10+ score: 10/10 would recommend to go watch

Like a male version of "The Cat Returns" - full of beautiful animation, appealing characters and themes, speckled with a few moments of honesty, a lot of familiar anime tropes, and some spotty pacing/storytelling.

Fortunately, the film is sufficiently well made and intentioned that if you're able to accept the director's priorities and not get hung up by less-than-subtle exposition, it's a totally charming, indulgent time.

Movies like this fill a sweet spot: the kind of comforting sentimentality that makes you feel good on sick days.

If you're reading this, chances are you're familiar with the director's work ("Wolf Children," "Summer Wars," "Digimon," etc.). As the title of this review indicates, this movie delivers that content...more than any other film in existence. Enjoy.

Although I wouldn't place it up there with Wolf Children or even Summer Wars, The Boy and The Beast is another great film by Mamoru Hosada. The plot revolves around a beast who is on his way to becoming the grandmaster. He needs to beat one opponent to be crowned, but in order to do that he must also take in a protégé. This leads him to finding an orphan who has recently run away from home and is looking for a place to stay.

The relationship between these two becomes pretty standard, as it's reminiscent of 'Leon: The Professional'. Nevertheless, their rambunctious relationship is lovable. The film doesn't focus too much on 'the unconventional master' growing a heart and changing his ways, and I give it points for that.

The boy spends years living with the beast in the world of the beasts, so he doesn't have any human interaction while being trained until he ventures back out into the world where he befriends a human girl. This new found friend puts a strain on his relationship with the beast. But they are still there to support each other when it matters.

In conclusion, I really enjoyed this movie. There wasn't anything that I found special in it, but if you like to see a pair of people missing something from themselves and finding it within, by learning from each other, then I would recommend this anime.

Mamoru Hosoda has come a long way since his Digimon (1999-2003) days. He's been steadily rising through the ranks and in the hearts and minds of anime fans with his cult Samurai Champloo (2004-2005) series and three very memorable feature length movies over the last decade. The Girl Who Leapt Through Time (2006) made a lasting impression to be sure, but Wolf Children (2012) remains in this writer's mind one of the most insightful and sublime anime films ever. It rivals the delicate balancing of themes that make Ghibli Studios so popular yet instead of children's stories, Hosoda dabbles in adult themes making Hosoda more of a contemporary to the late Satochi Kon.

The Boy and the Beast continues the animator's winning streak providing a soulful coming-of-age tale through killer action sequences and clever thematic liberties. Ren (Sometani/Vale), a pre- teen with a bad attitude has run away from home after the death of his mother. Angry, spiteful and living on the streets of Shibuya, Japan, Ren discovers a portal to Jutengai: The Beast Kingdom where anthropomorphic creatures roam free. Inadvertently, he's entangled in a feud between two powerful warriors vying for Lord of Jutengai. The first is Iozen (Yamaji/Hennigan), a wise and popular swordsman who fathers two children and apprentices many talented disciples. The second is Kumatetsu (Yakusho/Swasey) a powerful but temperamental and lonely warrior followed only by Tatara (Oizumi/Sinclair) his wise-cracking buddy. Partially out of desperation and partially out of spite, Ren apprentices with Kumatetsu and slowly learns the martial art of Kendo.

The central conflict in Boy and the Beast ignites when Ren and Kumatetsu butt heads while training. Kumatetsu it should be noted, starts out as a very poor teacher angrily screeching "reach for the sword in your soul!" and other such nonsensical things. Kaede (Hirose/Apprill), the wise monk of the village informs Ren (nicknamed Kyuta) that his master had to learn everything himself without help. Thus he became independent yet unable to teach. It is only when Ren starts to mimic Kumatetsu and anticipate his moves, do they both start training in harmony.

The other central conflict is the internal struggle Ren battles with as he grows older. The citizens of Jutengai claim humans do not belong as they have an inner darkness. Ren's darkness manifests itself in a shadow with an open pit in his chest. This ghostly figure however is tempered by the arrival of Hyakushubo (Franky/Organ), a high-school girl who encourages him to focus on other things besides fighting. While venturing between the human and animal realm, Ren takes an interest in reading and is taught by Hyakushubo who shows patience in ways Kumatetsu never could. It is this connection as well as his re-connection with his father, that Ren is ultimately able to become whole.

Boy and the Beast features some incredibly detailed, almost photographic background art. One could watch this film on mute and still be enveloped by the beauty of the world surrounding Ren, Kumatetsu and Hyakushubo. Only Satochi Kon's Tokyo Godfathers (2003) has ever reached this level of mastery and all due credit should be given to the animators. Even little throw away habitats such as the montage of our plucky heroes meeting with "the wise masters," are awe-inspiring. Out of all the adornment however, the climax remains the most visually impressive part which more than makes-up for any narrative issues.

And yes there are some slight narrative issues. Elaborate swordplay and exciting, detailed animation aside, the third act tends to go on a tangent only loosely connected to the story at-large. We're made privy to a long festering rivalry that seems to come out of left field and are given certain rules a little too late in the game. The whole third act could have taken up the contents of a whole new movie; a sequel perhaps. Instead it's squeezed in like descriptors in a Herman Melville story.

Most people are blessed to have one person in their lives who inspires them to follow their dreams while arming them with the discipline to make those dreams a reality. Ren is given three over the course of Boy and the Beast. The first is Kumatetsu who despite his gruffness would sacrifice everything for Ren if given the chance. The second is Hyakushubo; a kind young girl who not only teaches Ren how to read but encourages him to reach for more and never be afraid of failure. The last is Ren himself; the only one who can reflect on the choices he's made and give him the motivation to learn from those choices. We may not always have a choice about what happens to us but we do have a choice on how we react, adapt and grow with each opportunity. With that Boy and the Beast illustrates it's most important lesson; you too can be your own hero.