Bon Bini Holland

Boring, I liked the protagonist, talented, playing countless characters, all exaggeratedly comical, it reminds me a lot of Eddie Murphy, but the style doesn't please me, worn script, it serves as a little entertainment, when there is no commitment to pay attention to the film itself...

Similar to Martin Lawrence's Big Mama's House and Eddie Murphy's Nutty Professor, one actor played a bunch of quirky characters. If you like that kind of comedy, this might be for you. Steer clear if you are worried about political correctness.

Overall story about a Curaçao con artist who takes advantage of the wrong guy on the island and is sent by his family to live with his aunt in Amsterdam. While in Amsterdam his con artist juices are flowing and he tries to set up a scam on a self-made Curaçao born businessman named Ken Maduro. He discovers that he has already met Ken's daughter, Noella, and he may be in love with her...which wrecks havoc on his conscience...until the bad guys find him.

Loaded with stereotypes and Lots of ridiculous and crazy scenes including a misunderstanding in which Robert thinks he is getting to see Oprah vs going to the opera with Noella.

Puerile humour is fine but then it has to be funny. This really isn't. I managed almost 40 minutes in the hope it would improve but sadly it remained terrible. Avoid.

This movie is so bad I feel embarrassed for the actors, writers and pretty much anyone else involved. I made it to about 25 minutes expecting that it had to get better. I mean, nobody would finance, produce, act or participate is something so terrible. This movie literally has NO redeeming values. There is nothing to be had or gained here. Run away, save your children and your soul and avoid this movie at all cost, This movie is complete garbage.

This film builds on the personality of the main actor, who enjoyed success with a series of funny sketches set in a fast food restaurant in which he plays several ethnic characters. It was always going to be a challenge to extend short sketches into a feature-length plot.

The humor is based on very over the top, some might say offensive, stereotyping applied to most of the characters in the story. It is also pretty specific to the situation of Carribean immigrants in the Netherlands; Non-Dutch viewers might not get all references and consider it decidedly unfunny.

On the upside, the main actor in the story is quite charming (in the protagonist role; not so much in the other four roles he plays). The island of Curacao (and its capital Willemstad) are colourfully featured at the start. It is also refreshing that the scenes in the Netherlands are not set in Amsterdam, as always, but in the city of Rotterdam with its more diverse architecture.

All in all a mixed bag.