The White King

Potential. But I think it failed to convert from the book into a film. The backdrop with violent kids just rampaging, and no one paying attention to that, to the ending that offered nothing. I have no idea what the film was wanting to achieve. I think they wanted to make this a triple series but maybe realised it was just weak material and gave up. either that or the editor is owed his or her $500 fee and withheld the last 20 minutes of the film. Watch it or not it is one of those that won't make a difference. Sad really, had a lot of potential in there. I think you could have gone to 20 random people in the street and they could have made that 50% better

This was a visually a stunning film about a charmed Dystopian world filmed on location I think in Hungary. Uncomfortable to watch through the innocent boys' eyes as he realizes all is not as it seems..... Very good acting from young newcomer and all the cast - some terrifying twins like something out of Mad Max. Jonathan Pryce always hits this characters spot on. Agyness Deyn very natural. Strangely topical in our current climate in 2017... Who really knows what is what and of course, a child sees things differently. Never read the book, which clearly has undertones of 1984 and other classics.A great first film from a new producing/writing/directing team.

"They all will have to lose something. If not you are a traitor."

"The White King" takes place in a future society. Has there been a worldwide, destructive war? A deadly epidemic? Or did a world state succeed in shutting down global communication, after which they could conquer all the on high-tech depending countries by using conventional warfare? And after this invasion, did they install a totalitarian regime? You won't get any real answers to these questions. It looks like a hermetically sealed off camp with no luxury and limited basic needs. The regime can be called fascist. Even a sort of Hitler Youth is present. There's militaristic tradition to honor "The Homeland". The food supplies are managed according to strict rules. And apparently, each home is equipped with an intercom system where the daily production and practical information are announced. The Homeland is not a humanitarian society. It's a society where coercion, control and punishment are key words. And this under the eye of strategically placed surveillance cameras.

Djata (Lorenzo Allchurch) grows up in this commune. A continuing atmosphere of threat and oppression stands in the way of a carefree youthful life. Mischiefs are punished severely (with boxing irons). And when he tries to get a football back from some older bullies (probably sons of someone high in the military hierarchy), this turns into a violent fight rather than a kind of capture-the-flag game. In addition, his father is being arrested because of politically incorrect behavior. From then on, their live won't be made easy. Their freedom is restricted and certain necessities are taken away from them.

All this is taking place at the foot of an immense statue which can be compared (In terms of dimensions) with the Christ statue in Rio de Janeiro. But in appearance, it looks like an illustration from old Russia when Marxism ruled. This image appears to be a portrait of the dictator who created this community. However, don't expect further explanation about this. The symbolism used will obviously remind you of other past regimes. One regime stricter and more dictatorial than the other. Despite the attempts to create a teenage atmosphere with Djata searching for a treasure, him visiting his influential grandparents and a short-lived intermezzo in a futuristic-looking building outside the guarded area, the atmosphere in this movie remains gloomy and sinister. This is not a dystopian movie such as "The Hunger Games" or "Divergent" where a heroine overthrows the totalitarian regime. This is a rather cynical film about a not so unthinkable world in which human freedom is non-existent. To think that in our present world there are people who actually live in such humiliating circumstances.

The only actors who looked familiar to me, were Ross Partridge and Jonathan Pryce as Djata's father and grandfather respectively. However, their roles were rather limited (although of significance). It's mainly Lorenzo Allchurch and Agyness Deyn who deliver a brilliant performance. Allchurch's naive look at the society he's living in, is gradually being replaced by a determined attitude. It's not always high-quality, award-winning acting but admirable to play such an important role at such a young age. Deyn's part wasn't necessarily self-evident either. A caring mother who tries to protect her son and who would do everything to get her deported man back. The movie doesn't contain any magical and fascinating images full of special effects. There aren't any battle scenes with rebels trying to overthrow a regime either. The story is generally fairly superficial and vague. Certain scenes were quite unnecessary. Like the confrontation with General Meade. This was solely used to show that it all takes place in a distant future. The end is quite sudden and leaves you behind with tantalizing questions. In terms of mood the film is a success. A sober and compromising atmosphere that feels like a lifelike nightmare. A nightmare that nobody wants to experience in person.

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I enjoyed this new film and also, as a small rule, I am generally really interested to see new directors'/producers work. Especially when the is a dearth of good stuff coming out of the established US/UK areas, well picked Edinburgh Film Festival!

It was interesting and although one can see allusions, references etc to established works such as Orwell, Huxley and so on - well they do say there are only 7 stories in the world! - this is a new take on it.

Loved the the boy lead actor, and Deyn (who I thought surprisingly good and natural) loved the cinematography and the story of a (particularly relevant today) dystopian society, there were others that also stood out, although I was a little surprised to see De Lint who I have not seen for a very long time on the big screen.

Moody and thought provoking with one or two touches of brilliance. Not perfect (a first film n.b.) but the fact that I was engaged throughout says it all.

Really, it's a bit an empty movie. Some great shots, clearly the crew is capable, but the movie as it's edited just doesn't go anywhere. 90 minutes of wasted time. It carries the potential to so much more but never really delivers. If you watch it, do it for the esthetics. For the movie in its entirety it is not particularly worth the time.