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Arès

  • 2016
  • 12
  • 1h 20min
NOTE IMDb
6,2/10
4,6 k
MA NOTE
Ola Rapace, Eva Lallier, and Élina Solomon in Arès (2016)
DrameScience-fictionThriller

Dans un futur proche, Arès est un ancien combattant qui vit de petits boulots de gros bras pour la police. Tout va changer lorsque sa soeur et ses filles sont fait arrêter et qu'il doit tout... Tout lireDans un futur proche, Arès est un ancien combattant qui vit de petits boulots de gros bras pour la police. Tout va changer lorsque sa soeur et ses filles sont fait arrêter et qu'il doit tout mettre en oeuvre pour les sauver.Dans un futur proche, Arès est un ancien combattant qui vit de petits boulots de gros bras pour la police. Tout va changer lorsque sa soeur et ses filles sont fait arrêter et qu'il doit tout mettre en oeuvre pour les sauver.

  • Réalisation
    • Jean-Patrick Benes
  • Scénario
    • Benjamin Dupas
    • Jérémie Guez
    • Jean-Patrick Benes
  • Casting principal
    • Ola Rapace
    • Micha Lescot
    • Thierry Hancisse
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    4,6 k
    MA NOTE
    • Réalisation
      • Jean-Patrick Benes
    • Scénario
      • Benjamin Dupas
      • Jérémie Guez
      • Jean-Patrick Benes
    • Casting principal
      • Ola Rapace
      • Micha Lescot
      • Thierry Hancisse
    • 35avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos31

    Voir l'affiche
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    Rôles principaux45

    Modifier
    Ola Rapace
    Ola Rapace
    • Arès
    Micha Lescot
    Micha Lescot
    • Myosotis
    Thierry Hancisse
    Thierry Hancisse
    • Coach
    • (as Thierry Hancisse de la Comédie Française)
    Hélène Fillières
    Hélène Fillières
    • Altman
    Ruth Vega Fernandez
    • Anna
    Eva Lallier
    • Anouk
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • PDG Donevia
    Élina Solomon
    • Mae
    Yvon Martin
    • Tyro
    Pierre Perrier
    Pierre Perrier
    • Boris
    Emilie Gavois-Kahn
    • Carla
    Jo Prestia
    Jo Prestia
    • Zito
    David Migeot
    • DG Donevia
    Vincent Parisi
    Vincent Parisi
    • Eugénique n°67
    Philippe Paimblanc
    • Chef du Board
    Vincent Deniard
    • Mastar
    Nadir Louatib
    • Jeune Arener
    Laurent Zivy
    • Panzer
    • Réalisation
      • Jean-Patrick Benes
    • Scénario
      • Benjamin Dupas
      • Jérémie Guez
      • Jean-Patrick Benes
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs35

    6,24.6K
    1
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    9
    10

    Avis à la une

    9charles000

    Amazingly well done . . .

    Amazingly well done. An excellent example of what genuine quality writing and story telling can do, without having to rely on big budget CGI and cliché' gimmicks.

    The premise of the film is not at all implausible, and much of the precursor elements that are the core criteria of this story are readily observable in current times.

    If anything, this darkish glimpse into a foreboding near future realm may be a bit too realistic for some, who are already keenly aware of these precursor elements in their current form.

    Stylistically, it does have some hints of the original Blade Runner tone to it, though not nearly as far into the future realm that BR portrays. The premise of Ares is much more gritty, down to earth, immersed into the frailties and challenges of the human condition, extruded through the mandrill of a dystopian near future world of crushing economic disparity mapped against corporate intrigues and corruption with a particularly ironic twist, the relevancy of which becomes immediately apparent within the first few minutes of the film.

    This is one of those productions which could have turned out very badly, if mishandled with clumsy direction or cheesy cardboard characters, which has become all too common in typical Hollywood productions.

    Thankfully, however, this is not one of those examples, but rather a refreshingly rare example to the contrary.

    Aside from a couple of minor plot holes, which the viewer can discover for themselves, I give this production a very solid 9 out of 10 stars.
    searchanddestroy-1

    Terrific little French anticipation movie

    That's the kind of picture that the Hollywood crap factories will unfortunately never give us, concerning the characters, the scheme and especially the ending. A very very pessimistic but realistic tale about the future of the human kind. This scheme may make the audience think of George Orwell's 1984 or Yves Boisset's LE PRIX DU DANGER. A true depressing portrait of an anti hero, a man who has nothing to lose after his sister death, a desperate man ready at anything to save his nieces against a powerful and gigantic pharmaceutic company which wants to rule the world. That's a gloomy and brutal, bloody story, not for the squeamish. Ole Rapace already played in another anticipation stuff, a mini series, SECTION ZERO, which I have already talked about and where Rapace gave a similar performance. He is an underrated actor, very convincing.
    7Evil_Herbivore

    Not bad at all

    Ares is a movie falling into the category of dystopian stories, which seem to be quite popular lately. In it, we find all traditional elements of a dystopia: super rich elite and starving, homeless masses, evil corporations willing to do whatever it takes to increase profits, violent entertainment - here in the shape of a particularly violent type of boxing in which everything goes - drugs, and general hopelessness. The protagonist is an ex-boxer, who helps the regime until he is forced to go back in the ring.

    Right up to this point I was certain this was going to be yet another movie about a brave individual beating the regime by taking part in its sick entertainment. And just when I was starting to feel truly bored, the movie became much grittier and much darker than I expected. This second part of the story is really well crafted and it is able to say a few important things about our modern society.

    The acting is really good and I would say it is one of the best aspects of the movie. I especially liked Ola Rapace as Ares, as he was able to convey both the character's love for his family and his violent nature. Also, it is quite refreshing to see actors who aren't Hollywood stars once in a while.

    Special effects, cinematography and editing may not be the best in the world, but they are quite good, especially for a European movie. The brightly-colored CGI generated skyscrapers not only look pretty good, but they also add a lot to the general atmosphere of the movie.

    To sum up, Ares may not be the best dystopian movie in the world, but it is a solid production nonetheless. It's quite ambitious and may surprise a viewer expecting another bloody and violent action movie. I know I was surprised by how good the movie is.
    9lariba-19733

    Great cyberpunk also for non-fans of the genre

    Amazing. Dystopian vision encapsulated in fairly short, yet well served story. It's barebone, it's told consequently, characters are credible (even though stereotypes are used heavily) and the makers managed not only to fit into the story large, unpleasant vision of broken society but also how it influences ordinary people relationships, way of thinking and how burdensome simple decency might be. And the level of world-building details, all of them placed well and presented naturally - oh, it's really great.

    Sci-fi was always about warning and exploring possible futures of mankind and cyberpunk sub-genre dwells on particularly disillusioned assessment of human nature. Make no mistake, this is not William Gibson copy, it is original piece and has unique touch to it (Eiffel tower burdened with giant commercial displays is really a view to remember). Yet given how the western society looks like nowadays it continues to underline and repeat the vision of very pessimistic consequences down that path. We can get a glimpse on that terrifying future walking along with Ares, ex professional boxer, riot cop hired for hours whos dream of decent, peaceful life is a corner kiosk. Ares is forced to get back on the ring and well, things go south at some point.

    The crates and secured doors. The groceries bought through small slipping hole (so the shop robbery isn't that easy). The shop-keeper speaking through mic and pushing away regular customer, a total negative of still existing cozy small-shop topos with keeper knowing his regulars and chatting with them about their lives. Such details, small touches, consequently presented throughout the movie make this world terrifyingly alive and... possible.

    Must see for cyberpunk fans, should see for anyone who likes condensed, yet complete story with good visuals.
    6Edge49

    Cool movie idea

    I'm always interested in new plot ideas and this one was different. My main gripe was that it was pretty slow. It really didn't pick up until the last 20 minutes and then ended super quick. It was a short movie and there wasn't a lot of dialogue so I didn't mind the subtitles at all.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      There is a scene in the movie where the fight manager uses a blood test to indicate that the new drug will kill 3 others but not kill the main character. If there is a blood test to determine if the new drug will kill you, why did the corporation test it on and kill over 30,000 people? And, furthermore, there would be no risk that the company would test the drug on anyone else who is at risk because they could just run the blood test first.
    • Connexions
      References Cabaret (1972)
    • Bandes originales
      Mad World
      Written by Roland Orzabal

      Performed by Jasmine Thompson

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    FAQ

    • How long is Ares?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 novembre 2016 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Ares
    • Sociétés de production
      • Albertine Productions
      • Gaumont
      • Canal+
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 109 143 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 20 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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