Ajouter une intrigue dans votre langueA girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.A girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.A girl is welcomed in a cabin along with her friend. Things don't turn out so pleasant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 1 nomination au total
Avis à la une
I did not get that much out of the movie, but I would not have rated it because it seemed pretty clear there was a lot that just blew by me that was over my head.
After reading the spoiler reviews I now understand it quite a bit better.
Still not sure who the kid in front of the fireplace was at the end, though.
Sorry to have to have everything explained to me but it is what it is.
After reading the spoiler reviews I now understand it quite a bit better.
Still not sure who the kid in front of the fireplace was at the end, though.
Sorry to have to have everything explained to me but it is what it is.
Two family tragedies merging into one haunting tale! I loved this movie. I had a feeling it was going somewhere, but I couldn't see how deep the plot went until the final scene when the entire story came together for me. I literally caught myself gasping at the end. I haven't seen a movie in a long time where I sat and pondered each scene and the entire plot for a good while after it had ended. I very much enjoyed this movie!
This film must rank as one of the best to come out of Wales, either in English or in welsh....and if you want to know something about Wales please watch this rather than John Ford's How Green Was My Valley (which by the way is surely due an authentic Welsh remake).
Sadly Yr Ymadawiad has had minimal cinematic exposure in its own country, (I saw it at a one off sub-titled screening in my local Odeon, in Swansea, at 11pm on a Saturday night), and the reason for this must inevitably be the pervading attitude in large parts of Wales towards its mother tongue.
Of the handful of welsh language (or Cymraeg) cinematic films in existence this one definitely ranks as one of the finest. It demonstrates a maturity, a depth, and a raw dramatic impact which keeps the viewer glued throughout. Having said that is it a slow paced piece, with only three main characters to keep the story alive, yet the constant twists, the slow reveals, and the mounting tension, makes for a tumultuous climax.
With shades of M.Night Shyalaman, there is something unforgettable here. An incredibly sad film, which in some ways contains elements of many other great ghost films. The characters are completely tied up in their own conflicts, pain, and obsessions. But these somehow come together,leading seamlessly to a tragic denouement.
The ultimate scene is well worth waiting for, and though it works as a stand alone cinematic twist it is especially poignant if you are 'up on' welsh social history of post-war Wales. I didn't see it coming, but it has stayed with me. A haunting, sad experience...which actually achieves something rarely seen in welsh popular art: something deep about the native culture is conveyed from the point of view of the native culture itself.
Overall, this is an accessible, original work, and certainly worth a watch for anyone be they welsh speaking or not.
Sadly Yr Ymadawiad has had minimal cinematic exposure in its own country, (I saw it at a one off sub-titled screening in my local Odeon, in Swansea, at 11pm on a Saturday night), and the reason for this must inevitably be the pervading attitude in large parts of Wales towards its mother tongue.
Of the handful of welsh language (or Cymraeg) cinematic films in existence this one definitely ranks as one of the finest. It demonstrates a maturity, a depth, and a raw dramatic impact which keeps the viewer glued throughout. Having said that is it a slow paced piece, with only three main characters to keep the story alive, yet the constant twists, the slow reveals, and the mounting tension, makes for a tumultuous climax.
With shades of M.Night Shyalaman, there is something unforgettable here. An incredibly sad film, which in some ways contains elements of many other great ghost films. The characters are completely tied up in their own conflicts, pain, and obsessions. But these somehow come together,leading seamlessly to a tragic denouement.
The ultimate scene is well worth waiting for, and though it works as a stand alone cinematic twist it is especially poignant if you are 'up on' welsh social history of post-war Wales. I didn't see it coming, but it has stayed with me. A haunting, sad experience...which actually achieves something rarely seen in welsh popular art: something deep about the native culture is conveyed from the point of view of the native culture itself.
Overall, this is an accessible, original work, and certainly worth a watch for anyone be they welsh speaking or not.
Cinematography was alright but the rest was a bigger waste of time than threasa mays primistoral time so far.
DO NOT RECOMMEND
The Passing is an excellent feature that belies its low budget production. Beautifully shot and well- acted, with an intriguing script and embellished by a wonderful score, it's a real shame this film has not found a wider audience. I wonder of the fact that it is a Welsh-language feature (the first ever, I think) has put people off? That would be a shame because the film bears comparison with any European film of a similar ilk. It's well worth seeking out. So far, The Passing is only available via the BFI website (which is how I came across it), but hopefully it will make its way onto a more mainstream platform before too long. Highly recommended.
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Détails
Box-office
- Budget
- 540 000 £GB (estimé)
- Montant brut mondial
- 4 449 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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