Jason Bourne
- 2016
- Tous publics
- 2h 3min
Jason Bourne, l'ancien agent le plus dangereux de la CIA, sort de l'ombre et tente de découvrir des vérités cachées sur son passé.Jason Bourne, l'ancien agent le plus dangereux de la CIA, sort de l'ombre et tente de découvrir des vérités cachées sur son passé.Jason Bourne, l'ancien agent le plus dangereux de la CIA, sort de l'ombre et tente de découvrir des vérités cachées sur son passé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 20 nominations au total
Matthew O'Neill
- Lead Hub Tech
- (as Matthew O'Neil)
Avis à la une
You can really tell that they were grasping at straws in this one, the first Damon installment in the Bourne series for 9 years. The plot is thin at best, and added elements for surprise's sake feel silly when they come out of the blue, or predictable when they don't. That said, the acting all around is solid, except for maybe Alicia Vikander, whose character as a whole seemed like it was just tacked on to mirror Julia Stiles' from previous movies. They really do follow the Bourne formula here: one major hand to hand scene, one major chase scene, and, yes, shaky-cam. It wasn't as bad in Ultimatum (2007) as it was in the first two and not necessarily in this one either, but the dang lighting on sets was horrid and what made it worse was that literally every action scene took place at night. The major chase at the end, too, but at least it had some really cool moments in better lighting.
Jason Bourne wants so hard to believe in its own supremacy, forces an ultimatum of thrills and spills, but ultimately lacks identity.
The original trilogy still stands out as one of the most intelligent post-Cold War spy action thrillers and it mostly succeeded in being the last word in the genre. Its huge success and relevance also gave the Bond franchise a big wake-up call. Amnesia-assassin Bourne is the real thang!
So 9 years later, Paul Greengrass and Matt Damon decided it is opportune time to inject a dose of Bourne-adrenaline and his extreme ways into us. The only problem is that instead of innovation and reinvention, it serves up last night's fried rice paradise. One shouldn't mess with paradise! Greengrass regurgitates out plot points from the three predecessors. From Operation Threadstone to Operation Blackbriar, we get yet another black-ops organisation called Ironhand that wants to stay hidden and will whack anyone to Kingdom Come to prevent its knowledge from getting out. It once again exploits Bourne's amnesia as he glimpses yet another piece of his jigsaw mind-puzzle. We get the same old CIA foggies uttering "Where's Bourne?" and everyone wearing pained expressions as Bourne evades everyone in Athens, Berlin, London and Las Vegas. We get yet again a woman who thinks she know best but Alicia Vikander has none of the gravitas of Joan Allen because she is too young to be convincing.
The screenplay does offer up an promising post-Snowden scenario but it still feels a little too familiar. These issues aside the movie is still a pulsating ride. The pace is relentless and Damon's taciturn Bourne still represents a driving force of reckoning. The spycraft and action set-pieces ooze uber-coolness and you will want to see it again just to catch how they did it. However I have one major complaint - I absolutely abhor the schizophrenic editing and jumpy hand-held shots. The camera never stays still for more than two seconds for you to marvel at the fight choreography and the vehicle mayhem-chases. In my book, hand-held shots coupled with split-second cuts are the cheapest type of cheat codes in action thrillers. With these type of cinematic trickery anybody can be a martial arts exponent and a world-class spy. No class.
This is a good dish of leftovers. It may harken you back to the days of the original trilogy but it never truly pushes the character to a new frontier re-examining his psychological state. In the end, a dish of leftovers will still serve its purpose, especially when you are famished.
The original trilogy still stands out as one of the most intelligent post-Cold War spy action thrillers and it mostly succeeded in being the last word in the genre. Its huge success and relevance also gave the Bond franchise a big wake-up call. Amnesia-assassin Bourne is the real thang!
So 9 years later, Paul Greengrass and Matt Damon decided it is opportune time to inject a dose of Bourne-adrenaline and his extreme ways into us. The only problem is that instead of innovation and reinvention, it serves up last night's fried rice paradise. One shouldn't mess with paradise! Greengrass regurgitates out plot points from the three predecessors. From Operation Threadstone to Operation Blackbriar, we get yet another black-ops organisation called Ironhand that wants to stay hidden and will whack anyone to Kingdom Come to prevent its knowledge from getting out. It once again exploits Bourne's amnesia as he glimpses yet another piece of his jigsaw mind-puzzle. We get the same old CIA foggies uttering "Where's Bourne?" and everyone wearing pained expressions as Bourne evades everyone in Athens, Berlin, London and Las Vegas. We get yet again a woman who thinks she know best but Alicia Vikander has none of the gravitas of Joan Allen because she is too young to be convincing.
The screenplay does offer up an promising post-Snowden scenario but it still feels a little too familiar. These issues aside the movie is still a pulsating ride. The pace is relentless and Damon's taciturn Bourne still represents a driving force of reckoning. The spycraft and action set-pieces ooze uber-coolness and you will want to see it again just to catch how they did it. However I have one major complaint - I absolutely abhor the schizophrenic editing and jumpy hand-held shots. The camera never stays still for more than two seconds for you to marvel at the fight choreography and the vehicle mayhem-chases. In my book, hand-held shots coupled with split-second cuts are the cheapest type of cheat codes in action thrillers. With these type of cinematic trickery anybody can be a martial arts exponent and a world-class spy. No class.
This is a good dish of leftovers. It may harken you back to the days of the original trilogy but it never truly pushes the character to a new frontier re-examining his psychological state. In the end, a dish of leftovers will still serve its purpose, especially when you are famished.
The bad: this (final?) edition of the Bourne series is an inferior mashup of all the ingredients found in the much better original first movie.
They are using the exact same story, same situations, same music, same plot turns etc... I was contineously wondering when the "new" movie would start? It wouldnt though. This movie is simply nothing else but a100% COPY PASTE operation from older material. Bummer.
Surely not terribly bad as a movie on itself, but certainly the worst (or one of the worst) Bourne edition ever, because it is missing good creative writing. It is missing spark. It is missing real suspense.
Not any good at all? The leading actors (Tommy Lee Jones, Vincent Cassel and Alicia Vikander) all deliver solid acting performances. It is THEY who prevent this movie from becoming a dud.
The chase sequences are great as well. There are only 2 of them, which are both quite thrilling to watch though. So it's not all bad for sure...hence the 6 stars...
Many of the old fans have been yearning for a sequel for years...me included, but you cant always get what you want... because you cant always revive the glorious past.
Better watch the very first Bourne movie instead and you'll be surprised how strong that movie still stands till this very day!
They are using the exact same story, same situations, same music, same plot turns etc... I was contineously wondering when the "new" movie would start? It wouldnt though. This movie is simply nothing else but a100% COPY PASTE operation from older material. Bummer.
Surely not terribly bad as a movie on itself, but certainly the worst (or one of the worst) Bourne edition ever, because it is missing good creative writing. It is missing spark. It is missing real suspense.
Not any good at all? The leading actors (Tommy Lee Jones, Vincent Cassel and Alicia Vikander) all deliver solid acting performances. It is THEY who prevent this movie from becoming a dud.
The chase sequences are great as well. There are only 2 of them, which are both quite thrilling to watch though. So it's not all bad for sure...hence the 6 stars...
Many of the old fans have been yearning for a sequel for years...me included, but you cant always get what you want... because you cant always revive the glorious past.
Better watch the very first Bourne movie instead and you'll be surprised how strong that movie still stands till this very day!
This film is quite good to be honest.Despite many problems,and a regurgitated plot being one of them,I have found this film to be really enjoyable.Matt Damon returns in the titular role after 9 years,and this time he's embroiled in a cat and mouse game played out at international locations. The camera-work is quite blurry,and dizzying at times.The action scenes are the greatest pro,especially the car chase in Las Vegas.Damon delivers a good performance but Alicia Vikander steals the show.Tommy Lee Jones is good to see too,nice to see that he is undertaking action films even at such an old age.The locations were chosen quite wisely.
On the downside,character development is kept to a minimum.There is a half-hearted attempt to tackle the timely topic of government surveillance versus citizen privacy.No scene lingers for more than 5 seconds.
I give this film a 7.While it does not match up to the original trilogy,it succeeds as a fun time at the movies.
On the downside,character development is kept to a minimum.There is a half-hearted attempt to tackle the timely topic of government surveillance versus citizen privacy.No scene lingers for more than 5 seconds.
I give this film a 7.While it does not match up to the original trilogy,it succeeds as a fun time at the movies.
Lacklustre story line lacking intelligence, dialogue, and character development.
I am a big fan of the franchise and my expectations may have been too high for this sequel. Was hoping for same kind of substance and kept waiting for something impressively unexpected, like previous. Legacy was a better film. Even fight scenes and car chases from all previous had a different "feel" than typical action films, but formula made these redundant and confusing, not fun like others. The predictable plot had me thinking, hoping for intelligent twist that did not happen. It's a good rental I suppose.
I am a big fan of the franchise and my expectations may have been too high for this sequel. Was hoping for same kind of substance and kept waiting for something impressively unexpected, like previous. Legacy was a better film. Even fight scenes and car chases from all previous had a different "feel" than typical action films, but formula made these redundant and confusing, not fun like others. The predictable plot had me thinking, hoping for intelligent twist that did not happen. It's a good rental I suppose.
Le saviez-vous
- AnecdotesMatt Damon admitted that physically training for the role of Bourne was much harder in his forties, and he had to keep to a very strict diet to maintain his physique during filming.
- GaffesMalware is uploaded to usb disk, but the files are already downloaded so you do not have to be connected to internet to have them decrypted. By being connected to internet you expose yourself.
- Citations
[from trailer]
Jason Bourne: I know who I am. I remember everything.
Nicky Parsons: Remembering everything doesn't mean you know everything.
Jason Bourne: Tell me.
- ConnexionsFeatured in Super Bowl 50 (2016)
- Bandes originalesExtreme Ways (Jason Bourne)
Written, Produced and Performed by Moby
Orchestra Arranged & Conducted by Joseph Trapanese
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Untitled Matt Damon/Bourne Sequel
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 120 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 162 434 410 $US
- Week-end de sortie aux États-Unis et au Canada
- 59 215 365 $US
- 31 juil. 2016
- Montant brut mondial
- 415 484 914 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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