Une famille vivant dans une maison de l'Indiana découvre des phénomènes étranges et démoniaques qui la convainquent, ainsi que la communauté, que la maison est un portail vers l'enfer.Une famille vivant dans une maison de l'Indiana découvre des phénomènes étranges et démoniaques qui la convainquent, ainsi que la communauté, que la maison est un portail vers l'enfer.Une famille vivant dans une maison de l'Indiana découvre des phénomènes étranges et démoniaques qui la convainquent, ainsi que la communauté, que la maison est un portail vers l'enfer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 4 nominations au total
Avis à la une
The story has a promising start in the first 15 minutes, establishing characters and their struggles. After that you just wait for something dramatic to build up and set this film apart from other entries of the genre. It never happens. The film wastes the talented cast it had to narrate its story through.
I actually felt sorry for Glenn Close, doing such absurd films. She was the only good thing about thus film.
Avoid and save precious time.
First of all, Andra Day is entirely terrible and her character Ebony is played in such a way that she deserves and earns no sympathy from the audience. I felt bad for the kids. But then I realized that they were just awful as well but in the opposite (under-developed) way.
There is your standard denial of all the weirdness happening. There is an overload of social commentary with all the doubters, "ambiguity" and disbelief over the family's plight . There is the stock Van Helsing. There is Mo'Nique ruining every scene she touches, trying and failing to undo her post-Oscar diva status.
Everything is just so overwrought with Insidiously Get Outie-ness with zero nuance. Other than Glenn Close and her ripped grandma jeans, the movie is both bland and annoying.
Now let's get into the dialog. This movie said to Hereditary, "Hold my beer." The dialog at points is hilariously awful. I laughed multiple times so hard my gut hurt. Glenn Close was the cherry on top in the chaos. Chefs kiss.
Outside of story issues. Poors cgi. Some rough edits don't really improve the quality. The cinematography was well done with excitement color palette.
In all seriousness, Mo'Nique was the best part of the movie. Her scenes brought the movie back from it's satirical fridges to something with heart. I really hope to see her in more films. I think the horror genre fits Mo'Nique.
The way this initially gripping film drifted off into laughable horror territory breaks my heart. No matter how often they tell us "based on a true story", it doesn't redeem what the director did. In the end it became its own parody. Close, Day and Mo'nique deserve better. And shame on Lee Daniel's. I expected so much more of you.
Le saviez-vous
- AnecdotesThis film is based on the Latoya Ammons family possession.
- GaffesWhen the demon Tre is manifesting through Dre in the form of a demonic version of Alberta, you can clearly see the portions of Glenn Close's teeth that have been painted black to make it look like she has a mouth full of pointed fangs.
- Citations
Doctor: Let's not push the panic button yet, Miss Henry. I'm sure there's a logical explanation for all of this.
Cynthia Henry: I just saw a little boy break his restraints, crawl out of that bed, crawl backwards on the floor, and climb up the fucking wall! What button should I push, Doctor?
["Based on Actual Events"]
- ConnexionsFeatures La Vallée des poupées (1967)
- Bandes originalesI Know Who Holds Tomorrow
Written by Ira F. Stanphill
Performed by Andra Day
Produced by Warryn Campbell
Andra Day appears courtesy of Warner Records Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La liberación
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 52min(112 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1