Naissance d'une nation

Birth of a Nation is Nate Parker's directorial debut and I was initially sceptical about watching this film after the harsh criticism it received and the controversy around the portrayal of the events. The best way to describe this one for anybody that is not aware of the plot is "Django Unchained" meets "12 Years a Slave" although toned down slightly in budget and quality of direction. I loved this film a lot and the vision and passion that Nate Parker conveys with the script is unparalleled. Something that I was very concerned about with this film is whether or not it would fall into the trap of "The Free State of Jones" because many audiences complained that it was too long and boring however this film is consistently interesting and thought provoking from start to finish. Unfortunately, the editing throughout felt extremely rushed. It was almost as if they were scared to leave the camera on a character too long in case the audience lost interest and the editing is overall very sloppy which is one of the major flaws with the picture. I would have loved to see them take their time with the shots and extend the film to the 160 – 170-minute mark to allow for further character development but I understand why they didn't because of the hatred that previous similar films received. For the first hour of the film, it wasn't very emotionally captivating and I struggled to relate to the characters a lot. The film also loses its footing and trips over common clichés within the biographical war drama/ period piece films which takes away some of the innovation presented by the mostly superb cinematography. The characters should have been given more freedom to traverse the world as they often felt detached from the setting and environment of the film due to a lack of interaction. The film also features some very thought provoking metaphorical imagery although it often feels very forced and doesn't blend well with the structure of the narrative. An additional flaw with the film was that I felt that Nate Parker was trying way too hard in this role and was seriously desperate for acting recognition. That's perfectly understandable as this is his directorial debut although he has often quite obviously constructed scenes that allow him to stand out and seem the superior actor in relation to the rest of the cast. Moving away from criticisms on the film, what I thought it did really well was to eliminate the stigma surrounding historical settings in the film industry today where average movie goers often associate historical events as boring and tedious and I honestly can't imagine anybody being genuinely bored at this film. It just moves so fast and the events are truly brutal and relentless. Some of the scenes in this film are excruciatingly hard to watch and the film isn't scared to push the boundaries of the "15" certification. This really worked to its advantage to show the horrifying events although some viewers will be turned off by the onslaught of violence and torture. The personal peak of the film for me was the score. So expertly chosen to reflect the actions on screen and breathe life into scenes that are otherwise quite bland. The music really worked for me and there wasn't too much to the point where it felt like a music video much like other titles this year (Suicide Squad). The gore and injury detail is so well realised, absolutely horrific and shocking leaving some scenes cemented into audiences minds for days after watching the film. There was a singular scene towards the end of the film that absolutely floored me with its gruelling depiction of violence and rebellion which was followed by an uplifting and inspiring resolution and overall this film gave me way more than I could have hoped for or was expecting. The Birth of a Nation – 7.8/10

I strongly disapprove of the fact that this movie has gotten a lot of IMDb thumbs-down from people who most likely haven't seen it, but just disapprove of a movie about slavery, as well as one whose director has a problematic past.

However, that's not what I'm writing about here. I DID see the film (at a film festival), and my disappointment is based on the movie itself, not politics or anything else external. "The Birth of a Nation" is about a very important chapter in US history, yet it sanitizes that history to a ridiculous degree. I think most non-blatant-racists can agree that an uprising amongst slaves is a thing that inherently generates empathy. Yet this movie apparently doesn't agree--it needs to sanitize the mental health of Nat Turner (who was on record as saying God directly told him what to do from an early age) as well as pretend women & children weren't killed in the Turner uprising. I'm not saying these things were justifiable. What I'm saying is that they're part of a complex historical record, and shouldn't have been left out of a movie that purports to tell the "truth." That would be fine if "Birth" were one of many Nat Turner movies out there, but it's the only one most people are likely to see.

It's also a pandering, middle-of-the-road "inspirational" movie, so much less complex a take on slavery than the recent "12 Years a Slave." While that movie was a work of art, this is more like a TV movie in style and content. I just wasn't impressed by it. I wish somebody would make great Nat Turner movie. This isn't it. And sorry, a bad populist telling of the tale isn't better than no telling.

Nate Parker's stirring portrayal of Nat Turner's rebellion is a film that tries extremely hard to be something more than what it is. This is not the Oscar contender you read it to be, this is not some revelation in the vein of Roots, this is just another slavery film. Nate Parker's film sheds no new light on the brutality of slavery and does his absolute best to make sure you despise the white villains in this as anyone should as they are portrayed with much relish from the actors especially Jackie Earle Haley's menacing slave owner that serves as the main villain of the film. The problems that The Birth of a Nation has are ones that exist in it's director's overbearing ego and overwhelming goal to bring something powerful to the table. Parker succeeds haphazardly unfortunately. The Birth of a Nation tells the story of Nat Turner, a preacher turned rebellion leader as he fights racism in the south with a violent and brutal fist. The film is powerful and Jackie Earle Haley and Gabrielle Union are absolute gems in this film, with Union giving the best performance of her career and Nate Parker giving...well, a performance. The problems here lie with the film itself. The story plays like a more realistic version of Django Unchained, even lifting some inspiration from that film a little too heavily for the scenes in which the slaves are beaten and abused. However, the film also delves into the religious aspects of Turner so heavy handedly that it borders along the fine line of a parody more often than not. The other film that Parker must have had playing on his tablet while directing some scenes is Braveheart because, the last battle in particular, is riddled with countless homages to that film that border plagiarism. Between the way Parker conveys his violence and the way he immortalizes Nat Turner by making him more of a saint than he ought to be, the film gradually feels less and less genuine as the running time winds down. That was my biggest gripe with the film honestly. Nate Parker failed to convey anything human about Nat Turner outside of him witnessing the brutalization that went on around him. There is something divine in the way Parker conveys Turner and it is just too much for a film that is steeped in this much history and realism. It fails to accurately portray to rebellion as it happened. There are very few mentions of what the rebellion actually did in reality as opposed to what it did in the film. While I am not saying that Turner's Rebellion was without cause, the film dilutes the harsh realities of what Turner's Rebellion did. In a sense, I felt it was a bit disrespectful to the victims of his Rebellion both black and white. With that being said, this is a film and not a documentary, so there is some room for some creative liberties, within reason. However, this does stand as Nate Parker's first directorial effort and, for a first film, it is a damn fine effort that should lead to more work as a director. Despite this fact, it still is nowhere near enough to sustain this as a film worthy of accolades and praise. Quite frankly, there is a lot wrong with the film. The pacing is either mind-numbingly slow or so quickly cut and erratic that you can barely grasp what is going on. Also, the extreme close shots are so constant and abundant that it is just another contributing factor to it feeling very incoherent. The story is bland and has been done before and done better despite this being Nat Turner's first on-screen portrayal, the story has inspired many films that have come out in recent years such as the previously mentioned Django Unchained. The sound design, at least on the Sundance version that I saw, was very flat and felt a bit too post-production sounding. Despite all this, I can't fully write this film off. There are some truly powerful performances in the film and some well done battle sequences to enjoy but other than that, this is an average film.

Nate parker writes, produces, acts, and directs this landmark in American history. The story of Nat Turner is one that is relatively uncharted territory in the realm of cinema, with that being said, Nate Parker does a great job of of telling the story, albeit a little shortsighted as to the backlash that transpired afterwards.

Also, I don't know what this other critic user is talking about in regards to calling this movie, "racist crap" and giving it a 1 out of 10. The movie tells the story of a rebellious slave who does whatever he needs to, to achieve freedom from the oppressive south. With that being said, his story simply tells the truth of our nations racial relations at this time. In this particular context, Blacks and whites surely were not singing kumbaya, our relationship was highly one-sided, volatile, and largely disturbing. So, to anyone who is not prepared to see a small glimpse of historical truth in regards to our nations past, do not see this movie. You'll just end up like this other user, offended because this movie doesn't depict white people as saviors, heroes, etc, like most movies...it depicts a more sinister side that too often goes untold, unseen, and therefore, unnoticed.

Nat Turner (Nate Parker) grew up a slave in Virginia. It was better than most slaves and he was taught to read the bible by Elizabeth Turner. His father ran away after killing a slave catcher. Raymond Cobb (Jackie Earle Haley) is one of those evil slave catchers. With fears of a slave revolt, Reverend Walthall suggests that the debt-ridden drunk Samuel Turner (Armie Hammer) hire out Nat's preaching to soothe other restless plantations. Nat talks Samuel into buying and saving Cherry-Ann. Nat witnesses and experiences countless injustices. When he dares to baptize a white man, he is whipped. Finally, he organizes a slave revolt.

This is competently made. It is sincere but it doesn't have that extra something to put it over the top. Nate Parker is a good actor but Nat Turner is a passive character for the first half of the movie. He could have made more with the religious aspect. That would be a different angle to get at this subject matter. Whatever it is, the movie needs a new spin to angle this shot.