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5,3/10
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Ajouter une intrigue dans votre langueA young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love... Tout lireA young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love, as they try to ditch their dead-end town for a better life.A young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love, as they try to ditch their dead-end town for a better life.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Spencer Rocco Lofranco
- Billy
- (as Spencer Lofranco)
Peter Anaya
- Flavor
- (as Pedro Anaya Pérez)
Avis à la une
It was a low budget movie for sure but entertaining for what it's worth. I wish it didn't end like it did. Faith Hill was great of course. I hate when some reviewers bash other people's hard work and risk, but they themselves just play it safe all their life at a 9-5 and never take a risk or never subject themselves to creating anything because they are scared. Some people will relate to the movie and some won't, but that's just how it is. For what it's worth the sound track was pretty good (if you like hip hop). There were quite a few songs from a group called LOWC, and it's hard to believe it was made 20 years ago. http://www.lowcbigballin.com
I noticed that movies and shows I like a lot are often written and directed by the same person. That level of control and continuity ensures a story that's true to the author's intention. It certainly works with this film. This is one of those small screen gems that I enjoy immensely—well crafted and acted with a somewhat unpredictable plot.
You would think that inter-cutting the film with real life interviews would distract from the dramatic momentum, but that's not the case here. The short documentary type interviews inserted at intervals actually inform the unfolding drama —we realize by the end that those interviews are actually the foundation of the film.
This film was lovingly put together: the acting, the cinematography and the music all come together artfully, resulting in an authenticity that has left me thinking about the real life people caught in an unfortunate cycle of poverty, drugs, and crime.
You would think that inter-cutting the film with real life interviews would distract from the dramatic momentum, but that's not the case here. The short documentary type interviews inserted at intervals actually inform the unfolding drama —we realize by the end that those interviews are actually the foundation of the film.
This film was lovingly put together: the acting, the cinematography and the music all come together artfully, resulting in an authenticity that has left me thinking about the real life people caught in an unfortunate cycle of poverty, drugs, and crime.
This indie, set in Pearl, Mississippi, has solid acting and believable characters, but evoked in me quite a lot of sadness. It moves along at its own deliberate pace, relies too much on flowery flashbacks, but is strangely enhanced by cuts to brief interviews with real locals of the area, who tell some harrowing personal stories.
Chris Zylka is quite solid in the lead role of Kermit, just released from prison after serving a 2 year stint. There's nothing new to the plot element that he's trying to go straight, but will be quickly lured back into one last job to help his neighbor and new girlfriend Rachel pay her mother's medical bills.
Riley Keough is excellent in the role of Rachel, and Faith Hill is superb as Kermit's sexy and free spirit mother Arietta. In supporting roles, Brad Carter is quite believable as the lowlife Larry Pretty, who's seeking revenge against Kermit, and Steve Earle adds well to the mix as Kermit's Uncle Randy.
All in all, although this movie written and directed by Hank Bedord, who's making his feature debut here, takes some predictable paths early on but it does have some twists and turns as it progresses, which I didn't guess were coming. The film gives the viewer a look at many lost souls who are ensconced in a cycle of poverty, drugs, violence, and family loyalties, often leading to incarceration. However, if one doesn't mind the deliberate pacing or the grimness and sadness, it can be worth a watch.
Chris Zylka is quite solid in the lead role of Kermit, just released from prison after serving a 2 year stint. There's nothing new to the plot element that he's trying to go straight, but will be quickly lured back into one last job to help his neighbor and new girlfriend Rachel pay her mother's medical bills.
Riley Keough is excellent in the role of Rachel, and Faith Hill is superb as Kermit's sexy and free spirit mother Arietta. In supporting roles, Brad Carter is quite believable as the lowlife Larry Pretty, who's seeking revenge against Kermit, and Steve Earle adds well to the mix as Kermit's Uncle Randy.
All in all, although this movie written and directed by Hank Bedord, who's making his feature debut here, takes some predictable paths early on but it does have some twists and turns as it progresses, which I didn't guess were coming. The film gives the viewer a look at many lost souls who are ensconced in a cycle of poverty, drugs, violence, and family loyalties, often leading to incarceration. However, if one doesn't mind the deliberate pacing or the grimness and sadness, it can be worth a watch.
The acting feels natural, they are all more or less believable in the parts they play so that's good.
The story isn't particularly original though and fairly predictable, although instead of going the Hollywood route and squeezing out every emotion of every event the movie stays in a natural and low-key.
If that's good or not is a matter of preference I suppose but in the end I didn't feel any emotional connection with any of the characters so that's where it fails IMO.
To further the feeling of realism in the movie they have the occasional interview segments with real Dixieland people talking about various things every 10 minutes or so, which I thought was an okay idea but they did it a little too often if you ask me.
The story isn't particularly original though and fairly predictable, although instead of going the Hollywood route and squeezing out every emotion of every event the movie stays in a natural and low-key.
If that's good or not is a matter of preference I suppose but in the end I didn't feel any emotional connection with any of the characters so that's where it fails IMO.
To further the feeling of realism in the movie they have the occasional interview segments with real Dixieland people talking about various things every 10 minutes or so, which I thought was an okay idea but they did it a little too often if you ask me.
10vydia18
I loved the movie, because it deals with a situation that many ex-cons deal with once released from prison. Faith played a convincing , caring mother. I felt all the actors played their roles well. I loved her sons desire to go straight and help his girlfriend out. it showed he had a heart and was a good kid inside, just faced challenges in the environment he was in. The same for his girlfriend, a good daughter in a bad situation and only could work with what she knew. I love the fact also that Faith is so versatile in acting and singing. I know some reviews thought it was a waste of her acting ability, but I saw the opposite. she was very convincing and her love and concern for her son came thru in her acting.
Le saviez-vous
- AnecdotesWas filmed in 18 days in Mississippi. Bedford wanted initially to film in his hometown of Tennessee but the TV show Nashville had used up all of the tax breaks.
- Bandes originalesTangled Up
Written by Brad Carter
Performed by Brad Carter
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- How long is Dixieland?Alimenté par Alexa
Détails
- Durée
- 1h 32min(92 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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