Childhood's End : Les Enfants d'Icare

First off i want to say that this is my first review EVER on IMDb. Just felt i needed to say what i thought when seeing the 1 star review.

Second i just want to say that i've only watched episodes 1 and 2 and yeah my English is not as good as it should.

The director have chosen a "modern" view of the vision of the author from 1954 and I was very afraid that it would ruin everything, but the series is actually pretty excellent to watch. Its fun to see how the director and actors interpreted the book and made it into the great series that its been so far. It do head into a weird direction in episode 2, but i feel i know whats going to happen next even tho most of it is not from the book.

All in all i give it a 8 out of 10 for the story, acting and CGI(AND its a SYFY series).

PS remember folks, enjoy the show and enjoy the visions you had when reading the book, together it will be an amazing journey in your mind:)

PS will update when i've seen the whole thing.

I loved the book back then when I first read it, and still remember how impressed I was. So was looking forward to watching the series.

My overall impression is - it should have been a movie. The first episode works, next two seem a bit dragged out.

Whoever wrote the plot didn't make a good job out of it because everything is patchy and I think for those who are not familiar with the book it may be hard to follow what is going on. Main negative is unnecessary romantic lines that are done just to fill time. And the message the book tries to send get lost somewhere in the process...

At the plus side, cast is great, visual effects are OK, there are many wonderful moments, 'Imagine' sequence is wonderfully done, and soundtrack is good all around. It's obvious filmmakers put a lot of thought in it and it shows.

So overall I recommend to watch it, but probably read the book first. It's better anyway.

This mini-series by the SyFy channel is from the book Childhood's End by Author C. Clarke. I have never read the book and I think that's why I liked the show so much. I LOVED it. (Most of the negative reviews are from those who read the book.)

Once I heard of the changes I realized why they occurred. They had Ricky be a humble farmer instead of a big shot diplomat because it would make him seem more like a Jesus like character. The emotional mining and discovery that Ricky did about himself and his feelings over his ex were incredibly intense and well done and not delved into in the book. Presumably this was because Clarke wasn't very good with the ladies and didn't care much for romance nor feelings and was more of a technical details kind of guy. The reasons why the children evolved in the book are stupid and make no sense. I know I might catch some flak for that but I'm sorry fanboys. What we know about evolution and diet and adaptation just come together to disprove his theory. I'm glad the show writers didn't go with what was in the book because it would have made everything laughable.

Right before I watched this I was talking to my friends about the validity of communism. Questions arose as to what would be the purpose of life without a way to feel progress? If you are always in one class and there's no going up or down forever, how would that make people feel? If they didn't have to work, would they? Would people go crazy? How would this affect our creativity in terms of art or science? Pain and suffering are necessary parts of the puzzle when driving creativity and efficiency and growth. If you're happy and content why change anything?

These questions are all discussed in the show and more.

I freaking loved Charles Dance as Karellen. He was amazing and always is. The effects for him were mostly make-up and not special effects which I found impressive and made his facial expressions much more realistic looking and expressive.

This goes in my Top 10 of the Best Science Fiction shows/movies I've ever seen. You need to see this. Caution: It is depressing and the scene at the end with the song made my heart want to break into a million pieces while I silently cried inside, but it is so good.

One of my favorite scenes was where the head of the Freedom League scoffs and accuses the aliens of pretending they want to "Buy the World a Coke". I think of that now every time I see a Coke ad.

The use of a Twitter campaign and TV ads that comically resemble political smear campaigns were hilarious and awesome. If you like dark humor and have sado-masochistic tenancies in your TV viewing then you need to check this out!

Now that the Syfy Channel has released Arthur C. Clarke's "Childhood's End" as a six hour miniseries, it is fair to compare it to the classic novel, but it should be judged on its own merits. I am pleased to say that all but one half hour is quite exciting and suspenseful. That half hour, which is near the end, suffers from bad editing.

The story combines science fiction with what could be called elements of supernaturalism, depending up on how you interpret it. Regardless, the story is captivating. With every revelation, there are even greater mysteries to be revealed--something that is unusual in fiction.

I don't want to reveal much of the story and rob anyone of the powerful surprises in "Childhood's End" and the thrill of living the story through the characters, but the story starts with occurrences that affect the lives of everyone on Earth. The narrative follows the lives of a small number of people, showing how their lives are changed and the challenges they face. Clarke's story is rife with religious imagery and symbolism. While he was an atheist, his earlier stories are filled with supernatural elements. "Childhood's End" includes some that are reminiscent of "2001: A Space Odyssey"--the work he is best known for.

How does one grade a work that is 85% awesome? That's a matter of opinion. But I hope the show gets plenty of viewers, because it is provocative--even sixty years after it was written. And it might encourage some to read about Clarke's notable career as a writer.

I will try very hard not to spoil anyone's enjoyment of the first episode. (Incidentally, the introduction in the Kindle version of Childhood's end -- and probably the latest print edition as well -- includes a major spoiler, which is a criminal act. Should you buy the book, skip the introduction until AFTER you've read the book and/or seen the series.) As other people have said, the premise revolves around some apparently benevolent aliens who invade, declaring an end of war, hunger, climate change, hatred, and the other banes of 21st century society. Most people love the idea, but pockets of opposition rise up from people who feel threatened in one way or another.

The twists and turns in the plot are complex, complicated, and often subtle. The surprise is that the series manages them very well.

The script was quite remarkable, adapting the 60-year-old novel and weaving its complexities more deftly than I had expected. The romantic aspects were largely invented for the series. Like most of Clarke's science fiction contemporaries, 20-something "boys" in the science fiction world were geeks (we called them nerds) who had little understanding and less experience with "girls". Simple ignorance explains why they had so few strong women characters. The film version brings the story into the present and at least attempts to restore the balance.

Many factors worked against this film. The film is visual to some degree, but it is mostly dialog and atmosphere. For some of us, it was an amazing novel that raised some provocative questions and didn't answer them. For me, when I heard that someone was turning the long-loved book into a movie, I reacted with skepticism, uttering my mantra over such things. It would be good or it would be terrible. It was unlikely to fall anywhere in between.

I suspect it was a difficult film to sell to advertisers -- the lifeblood of the industry. There was a lot of mystery and adventure, but little or no pyrotechnics. It might not draw a sufficient audience to justify such ambitious projects. I noticed a large number of house ads and station promos in the breaks instead of paying commercials. To the credit of the producers, writers, and director, they didn't compromise the material to draw a bigger audience. As a result, the story takes time to unfold, and some audience members might not be patient enough to stick it out. But if you want to see a genuine attempt to put a seminal and unconventional novel on the home screen, give this a try. It isn't perfect, but it was well worth the effort -- and it's well worth your time.