Polar

A good action movie is like a classic meat-and-potatoes meal; standard fare that although might be seasoned differently is both filling and unsurprising. Occasionally a genre-breaking film will surprise everyone and pop open a bottle of Malbec to serve with a little filet mignon. Usually? The plot, situation, even the action itself, is as recycled as a hot dog washed down with a Coors Light. Forgettable. Ordinary. Monotonous. Then there is Polar.

The film is Irish-carbomb crazy; chopped meat that's charbroiled yet still pink-on-the-inside, along with plenty of extra cheese.

The film's plot is insanely generic. Older hitman seeks retirement but his boss won't let him go. In fact, said boss, a maniacal Matt Lucas who was given free reign of Elton John's wardrobe circa 1987, would much rather see Duncan (Mads Mikklesen) dead than pay him his owed bank. A squad of diverse goons head out in hopes of retiring Duncan in cleverly ridiculous ways only to discover - shock - that old Duncan is more wily than initially estimated. Silliness ensues.

The slick camera-work and kinetic editing is an over-the-top, ADD-infused assault. Think Tony Scott helming John Wick. Adapted from a Dark Horse graphic novel and directed by Jonas Åkerlund, Polar looks like a full-length Rammstein music video, albeit scored by Deadmau5, and comes complete with Instagram-worthy title cards.

The film is soaked with annoying characters, absurd situations (Richard Dreyfuss on karaoke, anyone?), and a devilish weapon-fetish. Duncan, however, hi-jacks the film with his heart of plated gold, a desire for a pet, and the smooth handling of an axe.

Every plot point was slashed to bits with a dull sword. Betrayals were telegraphed as subtlety as a missile strike. And the ending was as secure as an A-Team mission. Through all that, Polar is deep-fried fun that makes an otherwise-forgettable Tuesday night slightly more memorable.

If only there were an explanation of the film's title...

The storyline is very simple, a top assassin named Mads(Duncan aka "The Black Kaiser") is settling into retirement whereas his former employer identify him as a liability to the firm. So he sends a group of ruthless killers (young assassins) to find and finish him. The movie is based on a graphic novel: "Polar: came from the cold". Although I've not read the comic but I can guarantee that the team has done justice with stylish action choreography and gun fights full of gore, contains brief nudity plus appealing cinematography and music add-on to make it 'next' in violent movie genre. The cast comprises of Katherine (Vivian), Vanessa (Camille) and equal amount of shares for Ruby(Sindy), Matt (Blut) and guest appearance from Knoxville (Michael). It is a must watch if you're fan of movies like John Wick, Punisher and Equalizer. Since it is based on a graphic novel , the one-liners are really awesome before the kill:

Vivian: Heard you stopped smoking? The black Kaiser: "Figured, it wouldn't kill me"

I don't know what critics are going to rate it but this movie has everything which can give a high dose of adrenaline rush. Just don't miss it!

I really didn't expect to like this with a 6.5 critic rating.

However, within a few minutes of watching, I found myself chuckling at the odd and playful style they took with the film, somewhat reminding me of a videogame.

It's enjoyable and I think worth a watch and a decent action film.

Quite a poor critical reception, but having just watched it myself I can't help that many of the reviews have missed the point of this violent slice of entertainment. While for the most part what they say IS true (clunky dialogue, silly, poorly paced), they could also add slick, humourous and stylish to that list. The corridor scene - a highlight in the trailer misses the mark and would have benefitted with better choreography but was enjoyable all the same. The Female characters, empowered one minute, gratuitously undressed the next, don't make sense other than to advance the plot and pleasure the men. It did feel a lot like the graphic novel in parts though and contrary to what I've read elsewhere Mads Mikkelsen's understated, world weary portrayal is brilliant, even if Hudgens is underused (as are are most of the supporting cast). Style over substance? Maybe. But as a ultra violent comic book popcorn flick I think it works pretty well, and whether it happens or not I'd love to see the sequel it sets up in the closing scenes. I'd say watch it yourself and form your own opinion.

This isn't high art, it's certainly not Oscar bait or even trying to be tongue in cheek...this is a blatantly bloody and violent thrill ride with little exposition and a single purpose: gratuitous violence with no deeper meaning.

If you watch this for any other reason, be prepared for copious disappointment. No nuance or subtlety, just a murder ballet for the masses.

I predict that as is the current trend, that the audience will love/like it while the critics lambast it...shows the growing irrelevance of the professional critic as their disconnect with the audience grows.