Les enquêtes du Département V: Délivrance

This is the best chapter among the three, in my opinion. "Department Q" is a honest, low-flying franchise; it does few things, but does them very well. It's some kind of a very very good, 2-hours long tv episode. It keeps you hooked till the end (that's something very important in crime fiction), while entertaining you with good photography, good acting, and some tongue-in-cheek humor.

A special mention for the lead actor, that delivers an outstanding interpretation here, something worth of Hollywood in my opinion.

Recommended for a relaxing evening at home, it's fiction with no flaws. On a side note, some sequences in all three movies are violent or gory and can be disturbing to some.

After watching the first 2 films of the series, I was left amazed at the intrigue of this show. They were dark and complex and left you on the edge of your seat. However, this film was below par in my opinion. I still loved it. However, it did not reach my expectations. The plot of this film is probably the darkest of the lot but I felt there wasn't as good a flow to it as the others. Nevertheless, it was a great film to watch which kept me guessing throughout, with a satisfying ending

When I went to see the film The Keeper of Lost Causes, I loved the movie so much that when I discovered it was one in a trilogy called Department Q, I had to see the others. I saw the second of the movies, The Absent One and was as impressed with it as the first. Now I'm up to A Conspiracy of Faith and I'm Definitely impress with the trilogy as a whole, but must confess, this is the weakest out of them all.

In A Conspiracy of Faith, police detective Carl ls burnt out and needs some resurgence that his job is worth it as he works the cold case Department Q. This comes at a bad time when Department Q catches the case of a 3 year old murder, and discover the killer is not done killing.

The movie takes a certain turn away form the other two. The case is not as complex, it's more right in your face, which allows for more action. It's the type of format I would expect from the second movie not the third.

On it's own A Conspiracy of Faith is a suspenseful action thriller, that's straight up protagonist vs. antagonist with a lot of dark themes and concepts that make for a remarkable film.

As part of the Department Q trilogy, it's new take on the crime drama series makes it fall into the third movie cruse.

This is the third installment in the Department Q series. Saw this few days back on a DVD. It begins with a message in a bottle from disappeared children. The movie starts as a kidnapping drama n then turns into a serial killer thriller n later explores the importance of faith. Some may compare this to Prisoners, True Detectives S1 n Marshland. Nonetheless it is a very solid crime thriller. There is sufficient tension n good amount of atmosphere. The cinematography was gorgeous. This time the movie has some decent action sequences too. Trains, helicopters, car chase. Our two leading detectives, Nikolaj Lie Kaas n Fares Fares acted good. The guy who played the serial killer acted well. He is the creepiest and most effective villain of the Department Q films.

I saw Norwegian director Hans Petter Moland's recent film In Order of Disappearance (2014) a couple of years ago. I was very impressed with that Nordic noir which was both very humorous and inventive. A Conspiracy of Faith is another thriller but one with quite a differing approach. It dispenses with the comedy of the earlier film and instead goes for a pretty downbeat approach. Hardly surprising really when you consider that the story is about two cops investigating the case of two abducted children. This kind of material is always one that is going to be somewhat dark, another recent north European film The Treatment (2014) dealt with this subject in a very head on manner and consequently was very disturbing indeed in places. A Conspiracy of Faith only goes so far with its dark material and by the end of the film slightly dissipates its impact further by having its narrative go into more standard thriller territory. But despite that, this is still another compelling bit of Nordic noir.

There are strong acting performances throughout, with a return performance from Pål Sverre Hagen - so memorable as the hilarious vegan crime boss from In Order of Disappearance - as the cold hearted psychopath. The story has added interest in that it mixes in themes of religion, with the killer himself solely targeting children from deeply religious families, exploiting the fact that these people have more faith in God than in the police. So there are a few distinctive elements interwoven into what otherwise may have been a standard serial killer thriller. I would probably rate this as less interesting as the more ambitious In Order of Disappearance but it still remains yet another pretty impressive Scandinavian noir.