Realive
- 2016
- Tous publics
- 1h 52min
Marc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter me... Tout lireMarc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter mentalement et physiquement?Marc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter mentalement et physiquement?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 2 nominations au total
- Rebecca
- (as Johanna Wallmeier)
- Boy
- (voix)
- (as Kolya Dam De Nogales)
Avis à la une
To add insult to injury, however, the 2 hour hypotech is stuffed with sentimentality and philosophy, rather than action and sex, as many sci- fi's are. For most people, action and sex are a far better filler than the heartfelt musings of a struggling soul, regardless of the context.
For those of us not seeking to escape to the future, we were treated to a salient, cerebral wine-tasting, of sorts...and a sobering one at that. The film seems to offer up so many spiritual, cultural messages, from so many vantage points, that it's impossible to label one bottle and drink from it. For the single-minded it's a mess. For others, it's an awakening to new flavors of suffering, and a perversion of our taste buds. Some things, once sweet on our tongue, now stain with an aftertaste. Other drinks, like death, may now crisply tinkle in the glass and repel us a bit less.
All I'm saying is that this film is more art than entertainment. Some people drink wine to get drunk and have sex. Others sip it carefully to explore its variety. Realive is certainly a film for the sipping class.
"Realive" is an intriguing and thought-provoking futuristic movie blending past , present and future, including a lot of flashbacks. In the film there is intense drama , philosophy , suspense , a long love story , but it results to be slow-moving and that's why is a bit boring and tiring , though the runtime is adjusted . This pessimist picture isn't an ordinary Sci-Fi , but an intelligent , brooding parable about immortality . It is a serious and cold Sci-Fi in the wake of "Code 46" or "Gattaca" . As the narrative could have been better , but the interpretation , filmmaking and compelling backdrop are all strong . It pays tribute to "Martin Scorsese's The Last temptation of Christ" with Willem Defoe in the emotive scenes when Lazarus is brought back to life . Mateo Gil direction is pretty acceptable , however , displaying some failures , inconsistent developing throughout this strange output , but he gives an usually nice bet it you want to attempt something different if not wholly successful . Performances are uniformly good , as Tom Hughes as the young who becomes the first risen cryonized body in the history mankind , the young Brit woman and Charles Chaplin's granddaughter , Oona Chaplin, as his intimate sweetheart , the French Charlotte Le Bon as the nurse who cares for him whenever he was sick or useless , Julio Perillan as Dr. Serra , Barry Ward as West , Bruno Sevilla , Melina Matthews and cameos from Tony Corvillo and Willem Defoe .
It contains an atmospheric and adequate ciinematography by Paul Esteve . As well as sensitive and stirring musical score by Lucas Vidal . The motion picture was well and decently written and directed by Mateo Gil , though it packs some flaws . Mateo is a notorious screenwriter , as he wrote various films for Alejandro Amenabar as "Agora" , "Mar Adentro", "Abre los Ojos" and "Tesis" . And he has directed a few films as the interesting thriller : "Nobody Knows Anybody" , the romantic comedy "The Laws of Thermodynamics" and a twilight Western : "Blackthorn" . The yarn will appeal to intelligent science fiction movies enthusiasts . Rating : 6/ 10 . Acceptable and passable . Well worth watching .
Considering a movie has such a short time to convey complicated ideas, this film is put together well and shoots and hits at more of those targets than one would expect.
Presentation is good on all fronts. The lead role could have been written for anyone really, male or female and they had to choose one particular lifestyle to represent the story and the one they chose was OK, but some wont like it.
This is a movie that could have gone longer in many directions. The actual science of it all was done well and can serve as an example of a direction that could have gone longer. That's what a good movie does. Makes you want more.
A once watch flick that makes an impact. I'll buy it for the box art and put it on my recommend list.
Le saviez-vous
- AnecdotesThe protagonist reminisces about a movie he'd seen, in which Lazarus resents being brought back to life by Jesus. For this flashback, the movie uses a clip from the 1988 film "The Last Temptation of Christ," starring Willem Dafoe. Later, during the fundraising scene at the garden party, Dafoe can be spotted in a cameo as one of the applauding patrons.
- Citations
Marc Jarvis: I don't know.
Marc Jarvis: There is only one thing I can see clearly now.
Marc Jarvis: Life is nothing more than state of matter.
Marc Jarvis: Like a gas. Or liquid.
Marc Jarvis: A form of molecular organisation.
Marc Jarvis: And there's nothing transcendent or devine about it.
Marc Jarvis: It's only objective is to perpetuate itself through motion, change, adaptation.
Marc Jarvis: Life isn't worried about any species. Much or less, any individual.
Marc Jarvis: We are nothing more than the chunks of mud that uses it as a vehicle.
Marc Jarvis: Life is what's scary. Not death.
Marc Jarvis: But it's always on the verge of extinction.
Marc Jarvis: But it exists wherever it shouldn't.
Marc Jarvis: And the soul, you may ask, what about the soul?
Marc Jarvis: Well, maybe the soul is the bit that gets lost when you freeze the meat and then thought out again.
- Bandes originalesDeep Blue
Lyrics & Music by Mark Peters, Elliot Ireland and Alessandro Rizzo
Meilleurs choix
- How long is Realive?Alimenté par Alexa
Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut mondial
- 125 680 $US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.39:1