Le Bureau des Légendes

The reviews I've read here about Canal+'s 'Le Bureau Des Legendes' seem to cover it. I'd only add that its more nuanced non-sensationalist approach works better than many similar political-spy dramas I've seen recently. The apparently ordinary people working out of an office go about their everyday lives as extraordinary events unfold around them. Eric Rochant's series builds the tension gradually, which gives the big 'moments' greater impact. And at the heart of things is a beautiful love story, of course! Don't know how accurate 'Le Bureau' is as regards DGSE and the French intelligence network it portrays, but found it credible and gripping as a series. Still can't find it in myself to award it a '10' (think it would have to be in my native English so I could follow all the verbal stuff to do that), but I'm certainly looking forward to more of 'Le Bureau Des Legendes' (they're making a 4th season, right?).

Oh. My. Lord. This is good!! The happiness and joy I feel when series is so well done and acting of cast so totally flawless. Thank you France!!!

This series, the second season especially, seems almost perfectly made. It is much in little in every scene, and it makes haste slowly. Intellectually and emotionally satisfying, the writing, the acting, and the filming rarely make a false move. Rarely, because the scenes of the prime spy's writing alone, shirtless, at his desk, in voice-over, strike me as unnecessary, and the American CIA chief, who was so good in "Friday Night Lights," is made to play here as if he were an Anglophile precisian: it doesn't come off. The immediate superior of the main spy plays his part brilliantly, and there isn't a weak actor in the French cast and Middle Eastern cast. So many details are funny and telling at the same time, and yet never detract from the wide scope and long narrative of the series. Nor does the Syrian connection, seeming to come right out of the headlines or even ahead of them, hurt. This is yet another series that makes so many feature films seem a waste of time and money.

You will love this series. It is brilliantly written, the actors are skillful and the realism is quite close to what you see in current geopolitics. This series establishes a new standard for spy thrillers upon which other series will be compared.

I cannot praise this show enough. I agree with other reviewers on the high bar this show sets for the genre. It is the French Homeland, but more credible, low-keyed and deeper.

Everything distills quality here: a really, really superb script which is intelligent, sensible and gripping to the end; extraordinary characterisation and performances from the main to the last character; tremendous production and attention to detail; credible information about the metier; an impeccable direction which keeps extreme suspense and intrigue, only without the flamboyant, explosive special effects so inevitable in American series, but it is still very action- and field-oriented.

Season 4 is really fantastic, it has not decayed in the least. The addition of Mathieu Amalric makes an extra bonus, with the talent he brings to fore in every performance. Marie-Jeanne acquires more weight in the show in the most positive sense. Florence Loiret Caille is such a superb, nuanced actress! And the priceless Kassowits recreates his complex Malotru, the antihero always full of surprises which you respect, admire and love as the seasons go by. He is the perfect spinal cord for the show.

In short, this is the most exciting show in the year. I really hope it will maintain the high quality and the cast in years to come, to the delight of all the genre lovers. Kudos to everyone involved in the production!