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4,9/10
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Ajouter une intrigue dans votre langueA couple on a trip through the Irish countryside find themselves hunted by a creature who only attacks at night.A couple on a trip through the Irish countryside find themselves hunted by a creature who only attacks at night.A couple on a trip through the Irish countryside find themselves hunted by a creature who only attacks at night.
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I am a huge fan of the horror genre.I look at other peoples reviews and it seems to me some people expect too much from movies they like realism which is fine but its horror folks it is suppose to be fiction. This movie is a survival horror it uses the typical survival formula but the director and production crew do great job building tension with the soundtrack and some clever camera work. The actors do a decent job in there roles.I watch movies to be entertainment if I want to watch realism I will watch a documentary it is after all a horror movie and a pretty decent one for me.Everyone has opinions that is the great thing about the movie world I just feel people sometimes expect a little too much.
I'm not certain why the bad reviews. Yes, there are cliches, yes there are plot holes, yes there are some questionable choices made, but they are not Entirely stupid as in so many horror movies. I quite enjoyed it. And some of the cinematography was quite nice as well.
From the Dark does not adopt a new premise nor does it have a big budget and yet its still a darn good Irish scare fest.
The key characters are played with likable ease by Niamah Algar and Stephen Cromwell. Their natural genuineness in the opening scenes and the amusingly familiar predicament they find themselves in, heightens the sense of dread when things take a terrifying turn for the worse.
The setting is a suitably remote farmhouse miles from anywhere and anyone, where the couple are stalked by a creepy creature inadvertently exhumed by the farmhouses owner. The creature itself never quite comes into focus but what you do see and what is hinted at,actually makes the creature, for me at least, far more frightening.
All of these elements come together to give this film a pervading atmosphere of desperate isolation and an ever building sense of dread, in the form of something unspeakable lurking in the dark.
All in all a solid horror with a subtle and cleverly managed ending. A well deserved eight out of ten from me.
The key characters are played with likable ease by Niamah Algar and Stephen Cromwell. Their natural genuineness in the opening scenes and the amusingly familiar predicament they find themselves in, heightens the sense of dread when things take a terrifying turn for the worse.
The setting is a suitably remote farmhouse miles from anywhere and anyone, where the couple are stalked by a creepy creature inadvertently exhumed by the farmhouses owner. The creature itself never quite comes into focus but what you do see and what is hinted at,actually makes the creature, for me at least, far more frightening.
All of these elements come together to give this film a pervading atmosphere of desperate isolation and an ever building sense of dread, in the form of something unspeakable lurking in the dark.
All in all a solid horror with a subtle and cleverly managed ending. A well deserved eight out of ten from me.
Haven't we seen this film before? FROM THE DARK has almost exactly the same set-up as the overrated IN FEAR, in which a young and bickering couple get lost in the Irish countryside and come up against something or somebody nasty. Thankfully, FROM THE DARK has supernatural elements and is thus interesting because of that, and better than IN FEAR, although it's still not a good film.
The problem with these lo-fi movies is that anybody can make them, they're that cheap. Grab a video camera and go out for a drive in your car - you've got a film. Thus, I think the script and direction have to be really special to make films like this work, and they're not that special here. FROM THE DARK feels like it wants to be a found footage type film, with lots of shaky-cam work all the while, but what it is is dull.
The script is the culprit here, failing to garner interest by keeping the foe in the shadows for 90% of the running time, and muddling the scenes when it is in the foreground. The opening scene, which brought to mind BLOOD ON SATAN'S CLAW, was the best part for me. For most of the time we're stuck with annoying and/or whiny characters that the actors can do nothing with. The last third of the film feels particularly repetitive and uninteresting, a low stakes game where the viewer doesn't really care what happens.
The problem with these lo-fi movies is that anybody can make them, they're that cheap. Grab a video camera and go out for a drive in your car - you've got a film. Thus, I think the script and direction have to be really special to make films like this work, and they're not that special here. FROM THE DARK feels like it wants to be a found footage type film, with lots of shaky-cam work all the while, but what it is is dull.
The script is the culprit here, failing to garner interest by keeping the foe in the shadows for 90% of the running time, and muddling the scenes when it is in the foreground. The opening scene, which brought to mind BLOOD ON SATAN'S CLAW, was the best part for me. For most of the time we're stuck with annoying and/or whiny characters that the actors can do nothing with. The last third of the film feels particularly repetitive and uninteresting, a low stakes game where the viewer doesn't really care what happens.
A couple on a trip through the Irish countryside find themselves hunted by a bog creature who only attacks at night.
Director Conor McMahon has been moving up in the world of horror over the last decade. He was the first recipient of a new funding scheme from the Irish Film Board, and this allowed him to make the successful zombie film "Dead Meat" (2004). He really caught people's attention in 2012 with "Stitches", a horror-comedy with a bigger (yet still small) budget that was picked up by MPI and Dark Sky. With "From the Dark" (2014), he is again working with Dark Sky, and possibly releasing his best film yet...
For "From the Dark", he may have found his muse. Niamh Algar is a Dublin-based actress from Mullingar, County Westmeath, Ireland. In 2014, she graduated from the Programme for Screen Acting at Bow Street (formally known as The Factory), a program led by directors John Carney, Shimmy Marcus, Kirsten Sheridan, Lance Daly and casting director Maureen Hughes. She is not only a great actress, but capable of some impressive physical feats -- she both swims and boxes.
The film has been described as "taut", and that is not a bad summary. The two best things about this are the cinematography and the simplicity. The cinematography covers all the bases, from nice wide landscape shots of the Irish countryside (a special treat for those of us foreigners) to very close, very claustrophobic filming in the dark. The variation in styles really gives the film a broad range.
But then we also have the simplicity. For almost half the film, Algar's character is alone and in the dark. She has no one to bounce lines off of and must present herself with facial expressions. This is an actor's dream and nightmare. Luckily, she pulls it off with flying colors and is now poised for bigger roles. (Hopefully she does not abandon us horror folk, though).
Director Conor McMahon has been moving up in the world of horror over the last decade. He was the first recipient of a new funding scheme from the Irish Film Board, and this allowed him to make the successful zombie film "Dead Meat" (2004). He really caught people's attention in 2012 with "Stitches", a horror-comedy with a bigger (yet still small) budget that was picked up by MPI and Dark Sky. With "From the Dark" (2014), he is again working with Dark Sky, and possibly releasing his best film yet...
For "From the Dark", he may have found his muse. Niamh Algar is a Dublin-based actress from Mullingar, County Westmeath, Ireland. In 2014, she graduated from the Programme for Screen Acting at Bow Street (formally known as The Factory), a program led by directors John Carney, Shimmy Marcus, Kirsten Sheridan, Lance Daly and casting director Maureen Hughes. She is not only a great actress, but capable of some impressive physical feats -- she both swims and boxes.
The film has been described as "taut", and that is not a bad summary. The two best things about this are the cinematography and the simplicity. The cinematography covers all the bases, from nice wide landscape shots of the Irish countryside (a special treat for those of us foreigners) to very close, very claustrophobic filming in the dark. The variation in styles really gives the film a broad range.
But then we also have the simplicity. For almost half the film, Algar's character is alone and in the dark. She has no one to bounce lines off of and must present herself with facial expressions. This is an actor's dream and nightmare. Luckily, she pulls it off with flying colors and is now poised for bigger roles. (Hopefully she does not abandon us horror folk, though).
Le saviez-vous
- AnecdotesWriter/director Conor McMahon doubled Gerry O'Brien for several pick-up shots in the scene in which the farmer gets attacked by the creature.
- GaffesAt 12.05, the reflection of a crew member holding a boom microphone can be clearly seen as Sarah opens the car door.
- ConnexionsFeatured in WhatCulture Horror: 10 Criminally Underrated Monster Movies (2021)
- Bandes originalesREVENGE
by Loverats
Performed and composed by DOUG SHERIDAN AND RAY HARMAN
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- How long is From the Dark?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 65 057 $US
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was From the Dark (2014) officially released in India in English?
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