Suburra

Stefano Sollima Suburra is astounding and remarkable with a plot revolving around many lives and organized crime in Rome.

Suburra was the name of a suburb of Ancient Rome. Many mafia families, politicians and gangsters covet for an ambitious project to be passed by the law which will fill their pocket with money and lives of their next generation will be in complete leisure. In order to achieve this goad everyone has to surpass the basic rule of humankind and go on a rampage of deceit and treachery.

The screenplay and narration is top notch, it gives a motivation and development for each character. As the repercussion is going to affect many lives, the deeds of characters are well defined.

Every actor has done a tremendous job as we see right emotions and expressions at the right place. The background score adds a great feel to the scenes and it flows with the emotions of the audience. The production value and technical area of the film is of high quality.

Overall, it is a tale love, treachery, corruption and betrayal. Stefano Sollima has done a noteworthy direction putting several lives together and entangling them into each other.

"Behind every fortune there is crime"-Balzac A must watch movie.

Boy, was that a good film. Italian. Neo-noir. Dark. Masterfully shot. Omnipresent debauchery and depravity of all sorts have rarely looked this good on screen. What's not to love?! I have a soft spot for Italian cinema of the good kind, and that leaves me constantly hungry for more, considering the fact that except for Maestro Tornatore's magnificent opus the last few decades have been... Well, disappointing to say the least. Enter Sorrentino (I firmly believe "La grande bellezza" is one of the top 5 Italian films ever made, with "Youth" not so far behind), and now Sollima too. The only reason to give "Suburra" 9 stars instead of 10 is the microscopically imperfect acting in a few instances, but other than that the film is practically perfect. No need for a wordy review, just go see it. It grips you by the innards and doesn't let go. If you happen to be fluent in Italian and especially the Roman dialect, that adds at least 30% more enjoyment. A big, heartfelt THANK YOU to everyone who worked on this fantastic film!

It looks pretty realistic how the story goes in this mafia story. It's disgusting and frightening how the story goes, but it feels also realistic in a bad way. The dirt, the intrigues, the milieu, the politics. The death of people in this movie looks realistic. If 'The Godfather' would be remade these days, I guess it would look like this movie. It might look sober in some scenes. But I guess even this is realistic. A recommendation for people who like mafia movie that feel realistic.

This is the first time I happen to be writing the first review for a film on IMDb and it is so fitting I am doing it for a film on which I have so many thoughts to throw out there.

Finally Italian cinema has something to boast really proudly after the two slightly underwhelming years that followed the masterpiece that is "The Great Beauty", of which we will speak more later. Talking solely about cinema "Suburra" is such a great addition to the Italian canon, it takes into account everything that came before it and quotes it really respectfully, especially some of Fellini's work and even more Sorrentino's.

This film's review can be summed up in one phrase in my opinion: it takes you by the throat from frame one and never lets go until the end, gripping it slightly too hard sometimes. Now let me explain this statement with all the positives and negatives it takes into account.

Firstly, there is no denying how intense this film is. It is some of the darkest stuff I've seen in quite a while. People might contradict this, but to those I would respond that they don't actually understand what dark stuff is. We are not talking about murder, drugs or graphic violence, even though here there are aplenty. Truly dark stuff is what makes you feel dirty or dead inside, it is what makes you twitch, it is what makes you doubt your beliefs. Now that can often go hand in hand with violence etc., and it does here, but lets not forget why it works in the first place, which is because it goes deep into exploring human nature and behavior and what goes behind it. In the same way, even if not to the same extent, something like "Requiem for a Dream" uses the drug background to rip your soul apart, "Suburra" uses its story to explore themes that will not leave a smile on your face, even more so if you're Italian.

To this I might add that I felt the movie to be slightly too heavy hitting at times. It really is pessimistic, or at least that is what I caught from it. It is engaging to be offered such an interesting and passionate point of view though such a well crafted film, but honestly sometimes it was a little too much. There isn't one single element that tries to counter what is going on and because of this the result is absolute, pitch blackness. It isn't necessarily a negative element of the film, but it is one that I noted and got uncomfortable with.

It is wonderful to see a true story told this fantastically right. By that I mean that it doesn't put the emphasis on TRUE. It uses it as a background and never shoves down your throat emotional beats that feel manipulative, wrong or educational. Furthermore it tells its story perfectly, never loosing you even if you have no idea beforehand what the film is about.

Stylistically the film does have many clear inspirations and for the most part they are welcome, never being over-emphasized. I think it is impossible to make an Italian film after "The Great Beauty", especially if set in Rome, and not in anyway quote it. Sollima takes a lot, really a lot, from it but handles it really well and manages to give a truly personal stamp on the movie. Especially the opening which is a directorial triumph. With amazing photography, editing and even better use of music the director, at least for the first half of the film, manages to convey so much with actual cinema, through visual medium. He adds really a lot of subtext and makes the first hour a riveting and almost scary experience, because of what is being implied.

Talking about the second half of the film, it is where it kind of gets to caught up into its plot and forgets what it was doing so well earlier on which is the thematic aspect of what is going on. It becomes really one note and mechanic, leaving you slightly hungry for what you had been given earlier on, even though it partially picks back up in the conclusion. Don't get me wrong, it hits that one note really well, performances, characters, technical and story are all fine, but it just misses what it is about.

Still I beg you to check this film out and support good Italian cinema, you will not be disappointed to do so and will come out with quite some thoughts to stir in your head.

I went into this movie with a friend having only read the summary and we were not disappointed. The movie, although over two hours long, did not feel as such and was intense and gripping from start to finish.

The movie is set in Rome over 7 days and shows how the paths of people from various walks of life come together in an all too catastrophic and tragic way. This includes corrupt politicians, a hooker, and warring mafia gangs. The movie plays out like a snowball effect,starting with one event descending into the tragedy to become.

The movie does not shy from graphic sex scenes and excessive violence, but it is not done in poor taste. In fact, it actually makes the film so much more potent. The acting is of course superb, and the actors really embody their roles. Production is excellent from all aspects.

Definitely worth a watch, especially in a theatre.