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Get ready for a culinary showdown on “Beat Bobby Flay” with the season’s latest episode, “News You Can Use,” airing at 9:00 Pm on Thursday, July 18, 2024, exclusively on Food Network. This time around, Chef Geoffrey Zakarian and CNN’s Kate Bolduan deliver the news to chefs Zack Roth and Milena Pagán: they’re facing off against the renowned Bobby Flay himself.

In this thrilling competition, Zack and Milena must bring their A-game to the kitchen as they attempt to outcook and outwit Bobby Flay. With their reputations and culinary skills on the line, the pressure is on to create dishes that impress the judges and stand up to Flay’s expertise.

Hosted with flair and expertise, “Beat Bobby Flay” promises viewers an evening of intense culinary battles, where each chef puts their own unique spin on the challenge ingredients. As the clock ticks down and tensions rise, audiences can expect drama,...

Andy Garcia was much more of a gentleman with Bridget Fonda in “The Godfather Part III” than he was with Joe Mantegna.

Garcia said during “The Pete and Sebastian Show” that his co-star Fonda was “nervous” to be fully nude for a scene in the 1990 Francis Ford Coppola feature. Garcia instead suggested that she wear his coat, which is what we see on film.

“Bridget Fonda was extraordinary to work with, and that’s my coat she’s wearing,” Garcia recalled. “That’s my coat. And initially, you know, they wanted her to be, you know, naked. And she was very nervous. And I said, ‘No, no. She’s not gonna be naked, no. Come on.'”

Garcia continued, “I said to [costume designer] Milena Canonero, I said, ‘Milena, why doesn’t she just wear my leather coat. It’s on the bed, it’s on the floor. Let her come out in my coat.

As both his first western and first time with sci-fi, there’s never been an entry into either genre that looks quite like what Wes Anderson conjured with Asteroid City. With its dreamlike, milky textures captured under the blazing sun of Spain (standing in for a fictional desert town of 1950s Americana) and extraterrestrial sequences that have a uniquely otherworldly touch, I was eager to speak with cinematographer Robert Yeoman about his process. For having first collaborate with Anderson on his debut Bottle Rocket and subsequently worked on all of his live-action features since, he’s been with the director every step of his evolution, honing the craft with a beautifully persnickety preciseness simply otherwise absent in American filmmaking.

Ahead of Asteroid City‘s NY/LA release this Friday, followed by a wide expansion next week, I spoke with Yeoman about the exacting details of his workflow with Anderson, how...