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Hlynur Pálmason’s The Love That Remains will represent Iceland as its official entry in the best international feature film category for the 2026 Oscars. The Icelandic jury, formed by the Icelandic Film and TV Academy, unveiled its selection on Wednesday.

It marks the third time that a film by Pálmason is submitted for the Academy Awards by Iceland, following A White, White Day (2020) and Godland (2024). The latter reached the shortlist for the Academy Awards.

The film captures “a year in the life of a family as parents navigate their separation,” reads a synopsis. “Through playful and heartfelt moments, it portrays the bittersweet essence of faded love and shared memories amidst the changing seasons.”

The movie is “visually arresting and bittersweet,” said THR’s review.

“The Love That Remains captivates with strong and effortless performances and a simple yet powerful visual narrative,” said the Icelandic jury that selected the film for the Oscar race.

The Icelandic Film and TV Academy has selected Hlynur Pálmason’s “The Love That Remains” as Iceland’s entry in the best international feature film category of the Academy Awards.

The film, which had its world premiere in Cannes’ Premiere section, captures a year in the life of a family as the parents navigate their separation.

The Icelandic selection committee stated: “’The Love That Remains’ captivates with strong and effortless performances and a simple yet powerful visual narrative. It moves seamlessly between social realism and artistic imagery, captivating the viewer from the very first frame. The interactions and interpretations of the actors are so authentic that the viewer feels almost as if looking through a peephole into the life of a real family, rather than witnessing a predetermined structure or staged performance.”

New Europe Film Sales handles international sales. North American rights for the film are with Janus Films.

The cast includes Saga Garðarsdóttir,...

Over three features set in his native Iceland, Hlynur Pálmason has established a distinctive feel for the power of landscapes and elemental forces to shape human relationships, positioning them in stark relief. A feeling as intimate as isolation can take on epic dimensions under the writer-director’s gaze, notably in his 2022 head-turner Godland, an austerely beautiful study of man vs. nature whose spirituality is pierced by shards of wily humor and Lynchian strangeness. Similar qualities are evident in The Love That Remains (Ástin sem eftir er), albeit on a smaller canvas of domestic breakdown.

Serving as his own Dp — and shooting on 35mm in Academy ratio — Pálmason’s expansive sense of composition remains striking in this drama of a ruptured marriage, which is never less than compelling even at its most frustrating. His untethered imagination generates images that can function as visual metaphors or abstract enigmas. But as the film...

Exclusive: Curzon has acquired UK-Ireland distribution rights to Hlynur Palmason’s The Love That Remains.

The film will launch in Cannes Premiere on Sunday, May 18.

The Love That Remains captures the year in the life of a family as the parents navigate their separation. Saga Garðarsdóttir and Sverrir Gudnason lead the cast, alongside Ída Mekkín Hlynsdóttir, Þorgils Hlynsson, Grímur Hlynsson, Anders Mossling and Ingvar Sigurðsson.

Anton Mani Svansson of Iceland’s Still Vivid and Katrin Pors of Denmark’s Snowglobe produced the film. Co-producers are are Mikkel Jersin and Eva Jakobsen at Snowglobe, Nima Yousefi at Sweden’s Hobab, Didar Domehri...

The new live-action satirical TV series “Whiskey On The Rocks”, created by Henrik Jansson-Schweizer, stars Rolf Lassgård, Anders Mossling and Artur Svorobovich, streaming December 22, 2024 on Hulu:

“…the series is inspired by the events of the 11-day standoff in 1981…

“…between Sweden and the ‘U.S.S.R.’ when a ‘Soviet’ U-137 'Whiskey'-class submarine…

“…ran aground on rocks deep inside Swedish territorial waters…”

Click the images to enlarge…...

My Eternal Summer. Sylvia Le Fanu on the writing process: 'The way we write, we work a lot from memories and that's where we start' Photo: Courtesy of San Sebastian Film Festival Denmark-based British director Sylvia Le Fanu’s debut My Eternal Summer (Min Evige Sommer) draws on her own experience of losing her mum at a young age to paint a vivid and poignant picture of a family spending a last summer together, with all its emotional ups and downs. Fanny (Kaya Toft Loholt) is a typical teenager and those emotions don’t stop even though her mum Karin (Maria Rossing), is terminally ill. Le Fanu and her co-writer Mads Lind Knudsen unsentimentally chart the last weeks of Karin’s life as she, Fanny and Fanny’s dad Johan (Anders Mossling) navigate them as best they can. We caught up with Le Fanu after the film’s premiere in...

Told through the eyes of 15-year-old Fanny (Kaya Toft Loholt), the intimate, deeply moving My Eternal Summer (Min Evige Sommer) observes an eventful vacation spent waiting for Fanny’s terminally ill mother, Karin (Maria Rossing), to die. In delicately balanced scenes filled with poignant detail, Denmark-based director Sylvia Le Fanu (making her feature debut) and her co-writer Mads Lind Knudsen unfurl a very Scandinavian portrait of a highly cultured bourgeois family facing a terrible trauma with stoicism, humor and quite a bit of drinking, often in tastefully decorated rooms.

After premiering in the New Directors strand at San Sebastian, the drama takes a short break to play in the BFI London Film Festival in another competitive strand. Its accessible depth of feeling could help it win distribution beyond the Nordic realms.

Although Fanny appears in practically every scene in the film, the camera does occasionally break away to spend moments...

Sylvia Le Fanu, a Danish filmmaker, will premiere her first feature film “My Eternal Summer” at the San Sebastian International Film Festival in Spain. The festival is known for showcasing new talent in movies from around the world. “My Eternal Summer” tells the story of a family spending one last summer together at their beach home. Le Fanu co-wrote the screenplay with Mads Lind Knudsen.

The film focuses on 15-year-old Fanny and her parents as they go about familiar routines like reading, swimming, and walks along the shore. However, beneath the surface is an unspoken sadness—the mother has a terminal illness and this will be her final summer with her family. “As they seek to treasure the time they have left together, the family navigates balancing cherishing the present and facing the future,” the synopsis says.

In a teaser trailer, Fanny asks her mother to describe herself in three words for a personality test.

Sylvia Le Fanu‘s feature debut My Eternal Summer, which is set to have its world premiere in the New Directors lineup of the San Sebastian International Film Festival, now has a teaser trailer.

“Fifteen-year-old Fanny and her parents retreat to their summer house, embracing familiar routines: reading, swimming, and walking,” a synopsis of the movie from the Copenhagen-based writer and director with British roots explains. “Beneath the quiet simplicity, an unspoken grief lingers — they know it will be her mother’s last summer. As they try to seize the days they have left together, the family navigates the delicate balance between cherishing the present and facing what’s to come.”

In the trailer, Fanny is shown asking her mother, for a personality test, which three words describe her best. After the mother proposes some options, Fanny’s father chimes in with an unwelcome contribution.

Le Fanu wrote the screenplay...

Paramount+ Greenlights ‘The Road Trip’ Based On ‘The Flatshare’ Scribe’s Novel

Paramount+ has greenlit another UK series from 42 and Ptis based on a novel by The Flatshare scribe Beth O’Leary. The Road Trip is being helmed by Everything I Know About Love lead Emma Appleton, who plays Addie, heading out on a road trip to a friend’s wedding in Spain when she and her sister are forced to share the ride with her ex Dylan, his irrepressible best friend Marcus, and complete stranger Rodney. With nowhere to hide but a creaky campervan, the group must confront their buried history as secrets and revelations cause many a bump in the road. Starring alongside Appleton are Laurie Davidson (Mary & George, Guilty Party), David Jonsson, Isabella Laughland and Angus Imrie (The Crown, Fleabag). “42 and Paramount+ were the dream team behind The Flatshare series, so...

Max (Nikolaj Coster-Waldau) is an insurance adjuster who just told his latest client that her claim wouldn’t be approved since her husband’s six-month disappearance isn’t confirmation of death. It’s a revelation that leaves her distressed not because she won’t be getting the money, but because she’ll have to continue living with the possibility he might still be alive. She wishes for a body because it would provide answers. She wishes Max would sign-off on the plan anyway because doing so would supply a legal document declaring him dead that she can use to finally move on. The arrival of a videotaped suicide note is therefore received as a godsend. It’s the lead Max needs to open an investigation and officially discover the truth inside The Aurora’s euthanasia-themed hotel.

It’s an intriguing set-up for a suspense thriller where Max infiltrates the organization...

"The kids have no confidence in me. I know nothing about soccer." Cohen Media Group has released the official Us trailer for a Swedish drama called Britt-Marie Was Here, an adaptation of the bestselling novel by Fredrik Backman ("A Man Called Ove"). This premiered at the Göteborg Film Festival earlier this year. Directed by Swedish actress / filmmaker Tuva Novotny, the film tells the story of a woman who leaves her husband after 40 years to find some new meaning in life. Backman's "particular brand of witty humor and inspiring themes of self-discovery have effectively been captured," with a stand-out lead performance by Pernilla August in the main role. It also stars Peter Haber, Malin Levanon, Vera Vitali, Olle Sarri, Mahmut Suvakci, Lancelot Ncube, and Anders Mossling. This looks fun! Even if you're not someone who is leaving their marriage after 40 years, there's still some charming entertainment to be found in here.

Haber plays the husband of Pernilla August’s character Britt-Marie.

Peter Haber has joined the cast of Tuva Novotny’s Britt-Marie Was Here, which has now started shooting in Goteborg, Sweden.

Haber plays the husband of Britt-Marie, who as previously reported is played by Pernilla August. Other new cast members joining the production are Anders Mossling (The Bridge), Malin Levanon (Drifters) and Vera Vitali (Arne Dahl - Misterioso).

The Sf Studios production is adapted from another bestselling novel from Fredrick Backman, the author of A Man Called Ove.

The drama/comedy is about a 63-year-old woman who leaves her husband...

Nearly a decade has spanned between Joachim Trier‘s three features to date, but the good news is he’s picking up the pace. The Norwegian filmmaker has his next film ready to go, “Thelma,” and it sounds like a fascinating new direction for the director who until now has focused on intimate character dramas.

Read More: Director Joachim Trier Goes Supernatural For His ‘Louder Than Bombs’ Follow-Up ‘Thelma’

Starring Eili Harboe, Okay Kaya, Ellen Dorrit Petersen, Henrik Rafaelsen, Vanessa Borgli, Ingrid Giæver, Anders Mossling, Jonas Jörgensen, Steinar Klouman Hallert, Grethe Eltervåg, Marte Magnusdotter Solem, Oskar Pask, Ludvig Algeback, Vidar Fransson, and Ian Twedmark, the supernatural thriller follows a young woman who suddenly discovers she has terrifying, mysterious powers after she falls in love.

Continue reading First Trailer For Joachim Trier’s Supernatural Thriller ‘Thelma’ at The Playlist.

Other winners at Swedish film awards include The Yard, Martha & Niki and My Aunt In Sarajevo.

Johannes Nyholm’s The Giant (pictured) was the big winner at the 2017 Guldbagge Awards in Sweden.

Produced by Garagefilm International and Beo Film, it won best film, best screenplay (for Nyholm) and best make-up (Eva von Bahr, Love Larson and Pia Aleborg).

The Yard also won three awards, including best actor (Anders Mossling), best cinematography (Ita Zbroniec-Zajt) and best sound/sound design (Patrik Strömdahl).

Goran Kapetanović won best director for the unusual My Aunt In Sarajevo, which had a theatrical release despite being only 58 minutes long. The film’s Sadžida Šetić also won best actress in a supporting role.

Maria Sundbom picked up best actress for The Girl, The Mother And The Demons, while Michael Nyqvist won best supporting actor for his role in A Serious Game.

Martha And Niki won best editing (Tora Mkandawire Mårtens and Therese Elfström) and best...

Notable world premieres include Mads Matthiesen’s Teddy Bear follow-up The Model and Avalon director Axel Petersén’s Under the Pyramid.

Måns Månsson’s The Yard will open the 2016 Goteborg Film Festival (Jan 29 - Feb 8), which will screen some 450 films from 84 countries.

The film, which will have its world premiere at the Swedish festival’s Jan 29 opening, is adapted from Kristian Lundberg’s autobiographical novel about moving from cultural work to becoming a day laborer in Malmo harbour. Anders Mossling stars.

The festival’s closing film will be Henrik Ruben Genz’s Satisfaction 1720, Erlend Loe has written the manuscript for the film, about the post-war exploits of the “rock star of his day”, Vice-Admiral Tordenskjold.

Goteborg, the largest film festival in the Nordics and running for 11 days, is devoting special programmes to Italian cinema, Nigeria’s Nollywood and a new section on TV drama.

The eight films competing for the Dragon Award for Best Nordic film (which...