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With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.

Yorgos Lanthimos’ career has long displayed a morbid fascination for the contours of the body, mind, and spirit, in all their ugliness. Well before “Dogtooth” shook the international film scene and “The Favourite” won Olivia Colman an Oscar, the Greek filmmaker made his debut with “Kinetta.” While this head-scratching puzzle box may at times feel like a sketchpad draft for his films to come, it nevertheless exerts a hypnotic power that makes it easy to see why Lanthimos quickly became a director to watch.

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Most of Lanthimos’ movies include self-flagellation of some sort, whether the literal acts of torture inflicted by the women of “The Favourite” on themselves,...

For all of his seemingly out-there ideas and distinctive obsessions, Oscar-nominated Greek filmmaker Yorgos Lanthimos is one of world cinema’s most consistent creators. Even in his earliest solo feature, the hard-to-find “Kinetta,” Lanthimos’ unique aesthetic and worldview takes center stage. In the 2005 feature, bound for a U.S. release after all these years, Lanthimos’ panache for building out disturbing self-contained worlds that are bound by their own wild logic and weirdo rules is clear.

Though the film screened at various festivals in 2005 and 2006, it was never released stateside. Thanks to New York’s Museum of the Moving Image, the film will finally be available to American audiences, care of an upcoming run at the Queens institution. The film stars Aris Servetalis, Evangelia Randou, and Costas Xikominos.

Per the film’s official synopsis: “In a desolate Greek resort town, three tenuously connected people are motivated by mysterious impulses. A plain-clothes...