Juraj Herz(1934-2018)

Juraj Herz est né le 4 septembre 1934 à Kezmarok, Czechoslovakia [aujourd'hui Slovakia]. Il était réalisateur et acteur. Il est connu pour Habermann (2010), L'incinérateur de cadavres (1969) et La Belle et la Bête (1978). Il était marié à Therese Herz. Il est mort le 8 avril 2018 en République Tchèque.

7,0

8,0

7,5

4,7

Cesta do Ríma
6,3
- Antikvár
- 2015
Slovensko 2.0
5,2
- 2014
The Collected Shorts of Jan Svankmajer: The Early Years Vol. 1
8,2
Vidéo
- Visitor
- 2003
Císarovy nové saty
5,7
- Plafond
- 1994
Die dumme Augustine
6,7
- Magician
- 1993
Gagman
7,8
Mini-série télévisée
- Mack
- 1988
Galose stastia
6,2
- Secretary
- 1986
Zastihla me noc
6,9
- Film director (voix)
- 1986
Le vampire de Ferat
5,8
- Dracula in silent film
- 1982
Bouledogues et cerises
4,9
- Dirigent
- 1981
Krehké vztahy
6,4
- 1980
Le neuvième coeur
6,7
- Count Merlini
- 1979
Coz takhle dát si spenát
7,0
- vedoucí kosmetického salónu Netusil
- 1977
Pacho, hybský zbojník
7,9
- Kunzt
- 1976
Holka na zabití
6,1
- Host (non crédité)
- 1976

Autre nom
- Georg Herz
Date de naissance
- 4 septembre 1934
- Kezmarok, Czechoslovakia [now Slovakia]
Date de décès
- 8 avril 2018
- Prague, République tchèque(non divulguée)
Conjoint
- Therese Herz1989 - ? (1 enfant)
Autres œuvres
Unproduced screenplay "Nadsamec" ("Supermale") co-authored with Milos Macourek, based on novel by Alfred Jarry. A provocative dark sci-fi comedy that counted on the surprising casting of Macourek's and Herz's mutual friend, screenwriter Pavel Jurácek, in the title role. After the Communist Party found Jurácek to be 'persona non grata', the project was dropped. A few years later, the writers tried to pitch the script again, and at one point Macourek was supposed to be the director as he seemed to be less controversial than Herz, but even that time the script was not produced.

Citations
[on Morgiana (1972)] the head dramaturg Ludvík Toman said that it was a sadomasochist film and it had to be banned. Then he also told me that he thought I would make a romantic film, so I tried to explain to him that it is romantic, but he couldn't understand that because he thought that I made it too scary. He couldn't catch that in romanticism the writers also used lots of scary, eerie moments. I was forbidden to make films for the next two years.