Robert Benton’s Bad Company does for the western what Bonnie and Clyde, Benton’s earlier collaboration with screenwriter David Newman, did for the gangster movie, only without that film’s veneer of star-powered sex appeal. The scrappier Bad Company consistently undermines the romanticized notions of the frontier that underpinned several generations of genre filmmaking. The film especially takes direct aim at two of our nation’s dearest held myths: the Horatio Alger notion of economic self-sufficiency, and the destiny of political expansion manifest in Horace Greeley’s famous dictum: “Go west, young man!”
The film is also decidedly of a piece with the year of its release in 1972, evident from the very first scene, wherein we see a young man dragged kicking and screaming from his home by blue-clad Army soldiers to be conscripted into the Union cause. The moment is given a surreal punchline by the fact that...
The film is also decidedly of a piece with the year of its release in 1972, evident from the very first scene, wherein we see a young man dragged kicking and screaming from his home by blue-clad Army soldiers to be conscripted into the Union cause. The moment is given a surreal punchline by the fact that...
- 15/08/2024
- par Budd Wilkins
- Slant Magazine
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