Citations

I was in a need of money at the time, I had done about six pictures for MGM at the time and my agent called. I said, 'Yes?' and he said 'Maggie, they want you to play a part on the Wizard.' I said to myself, 'Oh Boy, The Wizard of Oz! That has been my favorite book since I was four.' And I asked him what part, and he said 'The Witch' and I said 'The Witch?!' and he said 'What else?'

Almost always they want me to laugh like the Witch. And sometimes when I go to schools, if we're in an auditorium, I'll do it. And there's always a funny reaction, like Ye gods, they wish they hadn't asked. They're scared. They're really scared for a second. Even adolescents. I guess for a minute they get the feeling they got when they watched the picture. They like to hear it but they don't like to hear it. And then they go, "Oh..." The picture made a terrible impression of some kind on them, sometimes a ghastly impression, but most of them got over it, I guess... Because when I talk like the Witch and when I laugh, there is a hesitation, and then they clap. They're clapping at hearing the sound again.

[on Judy Garland] Judy kept us all going. When she came on the set, it was as though the lights got brighter. Her freshness and vitality are things I will never forget.

My only mistake was wanting to do everything; it was so exciting to be in Washington in those days. I don't regret a minute of it, not even when Dorothy kept the Ruby Slippers. If I had it to do over, I'd do the same.

[on her role as the Wicked Witch] I don't look on it as any great shakes of acting, it's not subtle or restrained. It isn't any of the things you like to think might apply to your acting.

Le Magicien d'Oz (1939) keeps coming back every year... because it's such a beautiful film. I don't think any of us knew how lovely it was at first. But, after a while, we all began to feel it coming together - and knew we had something. I can watch it again and again and remember wonderful Judy, Bert, Ray, Jack, Billie, Frank and how wonderful they all were. The scene that always gets to me, though, and I think it's one of the most appealing scenes I've ever seen, is the one where the Wizard gives the gifts to them at the end. Frank (Morgan) was just like that as a person. And every time I see him do it, the tears come to my eyes. I listen to the words. I think of Frank, and I know how much he meant what he said, and how much the words themselves mean.

[on being burnt on the set of Le Magicien d'Oz (1939)] When I looked down at my right hand, I thought I was going to faint... the fire had singed my eyebrows off and burned my cheeks and chin.