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IMDbPro
John Lithgow at an event for The 62nd Primetime Emmy Awards (2010)

Biographie

John Lithgow

Modifier

Présentation

  • Date de naissance
    19 octobre 1945 · Rochester, New York, États-Unis
  • Nom de naissance
    John Arthur Lithgow
  • Surnom
    • Jiggles
  • Taille
    1,93 m

Biographie

    • John Lithgow est né le 19 octobre 1945 dans l'état de New York, États-Unis. Il est acteur et producteur. Il est connu pour Le monde selon Garp (1982), Cliffhanger : Traque au sommet (1993) et Les Aventures de Buckaroo Banzaï à travers la 8e dimension (1984). Il est marié avec Mary Yeager depuis le 12 décembre 1981. Lui et Mary Yeager ont deux enfants. Il a été marié avec Jean Taynton.

Famille

  • Conjoints
      Mary Yeager(12 décembre 1981 - présent) (2 enfants)
      Jean Taynton(10 septembre 1966 - 1980) (divorcé, 1 enfant)
  • Enfants
      Ian Lithgow
      Phoebe Lithgow
      Nathan Lithgow
  • Parents
      Sarah Jane Lithgow (Price)
      Arthur Washington Lithgow III

Marques commerciales

  • Distinctive dramatic voice
  • Towering height and slender frame
  • In his earlier roles, often played villains or mentally unstable characters
  • In his more recent work, often plays fathers and family men
  • Wild, over-the-top acting

Anecdotes

  • He attended Harvard College and graduated with a Bachelor's degree magna cum laude in history and literature (1967). He lived in Adams House as an undergraduate. Lithgow later served on Harvard's Board of Overseers.
  • Despite being known for playing characters who are often pompous and unlikable or outright villainous, he has been described by many of his co-stars as an extremely kind and friendly man and a pleasure to work with.
  • Even though his parents were both actors, he was inspired to get into acting by Peter Sellers.
  • He is an accomplished guitar player.
  • The role of Frasier Craine (first on Cheers then the spin-off) was written with Lithgow in mind. He's said years later, "Kelsey [Grammer] did a fine job!".

Citations

  • [on the constant time-slot changes and ultimate cancellation of 3e planète après le soleil (1996)] If NBC had set out to ruin it, they couldn't have done a better job. They kept trying to use us as a weapon instead of a show to be taken care of. It would have been nice to have stayed a big hit, but I'd rather be a great show that nobody was watching than a lousy show that was a big hit, which is the case for most of the others.
  • In general, my basic rule of thumb is just act in things you would want to see yourself in. I have a taste for all kinds of movies. Usually, it's a question of whether it will be fun, whether I respect the people behind it, whether I would like to work with them. I'm sure I'm a serious-minded actor, but I still value the frivolity of acting. It's a real exuberant, entertaining thing to do. I never lose track of that.
  • I've had parallel careers in the theatre and in movies. In the theatre, I often play characters with a strong sense of innocence who aren't as intelligent as I am. The reason: my size. I seem sort of big and good-natured on stage. It would be too much for a big man to play a forbidding character on stage. So I play big people who are fairly gentle. It's a wonderful thing to build a career on. What I offer to movie-makers is that I can put a tremendous amount of theatrical background and technical equipment at their disposal. I can make believable the over-the-top characters.
  • [from a 1984 interview] My career just happened to me. I didn't manage it. My plate is full all the time, but I never have the opportunity to choose from ten parts. I do turn down junk. I've played important parts in movies but I haven't yet played the person the story is about. The joy is in the work. You can get too hung up on where you are. I'm not preoccupied with the desire to be top banana, but I do want to play bigger parts.
  • We deal in very volatile chemicals. We're in the business of using real emotions to bring pretend emotions to life. We all have our secrets and we all have our deceptions. Acting, at its best, is all about deceiving people, and that makes it all the more interesting to us.

Salaires

  • 3e planète après le soleil (1996) - $75,000 /episode (1996-1997 season)
  • 3e planète après le soleil (1996) - $200,000 /episode (1999-2000 season)

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