- Date de naissance
- Nom de naissanceSheryl Ann Fenn
- Surnom
- Sherri
- Taille1,63 m
- Sherilyn Fenn est née le 1 février 1965 dans le Michigan, États-Unis. Elle est actrice. Elle est connue pour Des souris et des hommes (1992), Sailor & Lula (1990) et Mystères à Twin Peaks (1990). Elle a été mariée avec Toulouse Holliday.
- ConjointToulouse Holliday(4 décembre 1994 - 1997) (divorcé, 1 enfant)
- EnfantsChristian James
- ParentsLeo Fenn Sr.
- ProchesSuzi Quatro(Aunt or Uncle)Art Quatro(Grandparent)Leo Fenn(Sibling)Sibling(Sibling)
- Classic beauty of the old Hollywood film stars that led her to be compared to such actresses as Marilyn Monroe, Ava Gardner, Audrey Hepburn, Elizabeth Taylor and Vivien Leigh.
- Arched eyebrows, beauty mark next to her left eye and porcelain skin
- Although actress Elizabeth Taylor fought the unauthorized biography L'histoire d'Elizabeth Taylor (1995), she found that Fenn aptly portrayed her.
- Was engaged to Johnny Depp, whom she met on the set of the 1985 short student film "Dummies". Their relationship lasted three and a half years.
- Her father Leo Fenn was the personal manager of Alice Cooper for 13 years. He also managed "The Billion Dollar Babies" and Suzi Quatro's "The Pleasure Seekers".
- Dita Von Teese said Fenn's Playboy pictorial was the original inspiration for dying her hair from blonde to black.
- Sherilyn's name is scrawled across Johnny Depp's helmet in the movie Platoon (1986).
- [in "Orange Coast", 1/99, on the subtext that attracted her to the role of Helena in Boxing Helena (1993)] Women do feel like they're in a box. Society, Hollywood, some men . . . they want to wrap women up in a neat little package.
- [in "Orange Coast", 1/99] I've never wanted to do the same thing twice. If a script doesn't surprise me in some way, I simply can't commit to the project.
- [in "Orange Coast", 1/99] I'm honest. I say what I feel. I try to be tactful, but I can't not say what I feel. I have a really big problem with that.
- [interviewed by M.J. Simpson, 10/1/97, on portraying Elizabeth Taylor in L'histoire d'Elizabeth Taylor (1995)] I fought to keep the integrity of the story because the producer was bringing in a writer that was making it very soapy. They wanted many scenes of her when she was very overweight. I said, "I'm not doing that. I'll do one. That's not this woman's life". For me it was just, I didn't want to make an impression. I just tried to play the truth of the woman. Not the legend, not the stories that we hear about her. Because even when she was a child, you were seeing a version of her that was manipulated by the studios, so you didn't really see her. I thought the closest she ever came to revealing herself was Qui a peur de Virginia Woolf? (1966), and she lost herself in that role. It was cathartic for her to do that in a lot of ways, to let herself be that wild.
- [in "Orange Coast", 1/99] When I was a kid I saw Kansas City Bomber (1972), and I remembered thinking how beautiful and how strong Raquel Welch's character was. So I went home and dressed up my Barbie like her character. I borrowed one of my brother's little toy plastic football helmets and I made Barbie a "Kansas City Bomber" outfit.
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