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Does Gwyneth Paltrow have what it takes to embody the legendary Marilyn Monroe?

In this new Max Factor video, Gwyneth transforms into the sexy icon in order to represent the "Femme Fatale 40's," right down to the tousled short blonde hair and the retro peddle-pushers and cropped cardigan combo.

"It's fun to dress up for work," she says about her eyebrow-raising transformation. "You know, it's always nice to be in New York, in a little convertible Mercedes, and it's good."

Photos: See Gwyneth Paltrow Channel Fashion Icons Madonna, Audrey, Brigitte and Farrah

Gwyneth also rocks dramatic lashes and a bright statement lip a la Marilyn.

"I think I like the lipstick the best," she says. "I think it's my favorite of the look."

But Marilyn is not the only beauty icon Gwyneth has transformed into as the face of Max Factor. In July, she recreated the famous looks of Madonna (representing the 80s), Audrey Hepburn (the 50s), Brigitte Bardot...

Miley bares it all, yet again! This time, Miley is nude on the cover of German ‘Vogue’ in a Marilyn Monroe-inspired photo shoot. What do You think of the cover?

Miley Cyrus, 21, loves the skin she’s in, and she’s reminding us with yet another nude photo shoot for a magazine! We would say Miley’s new March 2014 cover of German Vogue is racy, but really, she’s just being Miley and we’re used to it now. Don’t you agree that Miley looks gorgeous on the cover?

Miley Cyrus Topless On German ‘Vogue’

We are somewhat taken aback at how much Miley resembles Marilyn Monroe on the new cover, shot by famous photographer Mario Testino. Miley also tweeted the cover on Feb. 6 with the caption “blonde angel.” She’s photographed, completely topless and covering her breasts with her perfect, red manicured hands. Her platinum bob is in curls,...

The odds of having your short film included in this year’s Sundance Film Festival are .008 percent. Out of the 66 short film line-up (selected among 8,161 submissions) we find actress Rose McGowan move behind the camera for her directing debut (Dawn), we have Ain’t Them Bodies Saints producer Toby Halbrooks shovel out Dig (see pic above) and Todd Rohal (The Guatemalan Handshake) returns to the fest in between features with Rat Pack Rat. Filmmaker Magazine New Faces of Independent Film director Dean Fleischer-Camp rolls up his shirt sleeves with Catherine, Matthew Lessner returns to Park City with the helping hand Chapel Perilous while The Strange Ones (’11 accepted short) co-helmer Christopher Radcliff won’t be making a dissappearing act with Jonathan’s Chest. Finally docu feature-film helmer Lucy Walker moves into The Lion’s Mouth Opens. I’ll of course be covering several of these – look out for our coverage.

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Short films can go a long way. Especially when they’re showcased at the Sundance Film Festival. The festival’s Shorts program, which was announced today, has a tradition of identifying remarkable filmmakers as well as introducing stories that ultimately make it to the big-screen as features. For example, David O. Russell brought his first film, a short titled Bingo Inferno to Sundance in 1987, while Half Nelson, which earned Ryan Gosling his first Oscar nomination, grew out of Ryan Fleck’s 2004 Sundance short titled, Gowanus, Brooklyn. “If you look back at the directors who got their start by having a short at Sundance,...