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Andrew Prine

Biographie

Andrew Prine

Modifier

Présentation

  • Date de naissance
    14 février 1936 · Jennings, Floride, États-Unis
  • Date de décès
    31 octobre 2022 · Paris, France (causes naturelles)
  • Nom de naissance
    Andrew Lewis Prine
  • Surnom
    • Andy
  • Taille
    1,88 m

Biographie

    • Andrew Prine est né le 14 février 1936 en Floride, États-Unis. Il était acteur et scénariste. Il est connu pour Gettysburg: la dernière bataille (1993), Lords of Salem (2012) et Miracle en Alabama (1962). Il était marié à Heather Lowe, Brenda Scott et Sharon Farrell. Il est mort le 31 octobre 2022 à Paris, France.

Famille

  • Conjoints
      Heather Lowe(14 février 1986 - 31 octobre 2022) (son décès)
      Brenda Scott(19 août 1973 - 19 octobre 1978) (divorcé)
      Brenda Scott(6 avril 1968 - 24 mars 1969) (divorcé)
      Brenda Scott(28 décembre 1965 - février 1966) (divorcé)
      Sharon Farrell(24 mars 1962 - 9 avril 1963) (divorcé)
  • Proches
      John Paul Riviere II(Half Sibling)

Marque commerciale

  • Frequent supporting player in western and war films

Anecdotes

  • Cousin of John Prine.
  • Posed nude for Viva, a women's magazine, for its May 1974 issue.
  • Attended the University of Miami (FL) on a theater scholarship but dropped out to pursue an acting career in New York City.
  • Graduated from Andrew Jackson High School in Miami, FL, in 1954.
  • The August 19, 1970, issue of Variety, in the Hollywood Production Pulse section, announced that the movie We're Running Out of Heroes would start filming on August 3 and be directed by Richard Bailey (II), with Prine, Diana Hyland and Brenda Scott (Prine's wife at the time), for Group Four Enterprises. There is no evidence the film was completed or released.

Citations

  • [on the 70s exploitation films he starred in] Then I did a couple of headrollers, and I did them for the money - they paid me a lot of money to do them. I was never a guy who was unhappy on a set. I enjoyed the game, the circus - and I enjoyed the girls. We always had a bunch of fun girls on those movies. The only one I regretted making - I didn't regret The Centerfold Girls (1974) or Le couloir de la mort (1978), which turned out to be pretty good. But I didn't like Nightmare Circus (1973) [a.k.a "Barn of the Naked Dead"]. When I got into that I thought, "You've gone too far, my boy." I couldn't imagine my way out of it, though they paid me a lot of bucks. I thought, "Let's not do this again."
  • [on being known as a Western actor] My career is so long, I have been tagged as everything. You have to slip genres. I was originally the "boy weeping along the river" . . . that's what I call it, the Thomas Wolfe types. I was doing that in New York. And I did 80, 85 Westerns, movies and TV.
  • [on moving to New York to pursue acting] My father was a Pullman conductor, and he had a guy sneak me onto the train to New York. So, I had $100 and I thought, "That ought to be enough." I'd never had $100 before. So I said, "Hello Broadway!" The greatest thing in the world is ignorance. You know, people should never want to know too much, and I didn't know a thing. And if I'd known - five years later, I thought, "How'd I do that?"
  • [on how be became an actor] I saw a play when I was, I think, 14 in Jacksonville, Florida. My mother had divorced and moved down there and married another fellow. And they took me to a professional play, a summer stock traveling tent, which I'd never seen before. They were doing "Showboat", and when I saw them all on the stage, I said, "Oh, I'm an actor!" And when I told my mother and stepfather as we walked out to the car afterwards, they looked at each other like [aghast] "Oh my God!"
  • [on posing nude for Viva magazine] The Centerfold Girls (1974) had no release yet, and the magazine wanted to do something with me. I'd been in a photo in Playboy, just one of many photos. It was nothing. And I said, "Well, I'll do this, and we'll see if this can help get the movie sold" - which it did. And I did it for my ego. I was at the peak of my physical condition. I didn't have any problem with it. They wanted the full Monty and it was a classy woman's magazine. And I gave all the money to Save the Children so I wouldn't profit in any way. It wasn't a lot of money, but it was something. And we had a good time.

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