Biographie
Tim Powers
- Date de naissance
- Nom de naissanceTimothy Thomas Powers
- Tim Powers est né le 29 février 1952 dans l'état de New York, États-Unis. Il est scénariste et acteur. Il est connu pour Pirates des Caraïbes: La Fontaine de jouvence (2011), Captain Jokes Parrot's Finding the Lost Atlantis et LEGO Pirates des Caraïbes, le jeu vidéo (2011). Il est marié avec Serena Batsford.
- ConjointSerena Batsford(1980 - présent)
- Neighbor and friend of Philip K. Dick.
- Powers is famous for his knotty plots, his remarkable erudition, his exhaustive research into historical detail (every one of which, evidently, finds a home in his fiction), his specializing in the Romantic Poets and Arthuriana, his ebullient capacity for writing fantasy, science fiction, and horror - but is most loved because he creates totally believable characters and suspenseful, truly WEIRD action-adventure.
- Novel, 'Last Call', was optioned by FreakShowFilms in 2000.
- I suppose that what September 11th did was not so much change how we think of the world or humanity as remind us of a lot of things we already knew about humanity. (We could have done without the reminder.) It reminds us that any time of peace and prosperity is a fortunate exception to the way the machinery ordinarily works, and in retrospect it makes you appreciate that time.
- Compared to fantasy, science fiction is almost a branch of mainstream. Fantasy is based on things that are logically impossible, going in directions that apparently can't exist. Let's say mainstream fiction would be a straight, one-dimension high-speed highway rushing along between trees. Fantasy is more like a perpendicular look down a corridor of trees to a clearing. It's rotating 90°, it's a fresh dimension - and it's that perpendicular look, that dislocation or vertigo or disorientation that's the fun. It doesn't so much matter what's in the clearing over there, whether it's a unicorn or Cthulhu; it's the fact of the new dimension. The attraction of fantasy is experiencing the impossible as real, but we wouldn't bother to do it if there wasn't a kind of resonance that happens in our heads too, if there wasn't this wiring in our heads that, like an induction coil, picks up a current from it. There has to be a response in the reader's head, which implies that Jungian archetypes are in some sense real.
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