- Date de naissance
- Date de décès14 juillet 2015 · Santa Monica, Californie, États-Unis (insuffisance cardiaque congestive)
- Nom de naissanceOle Krohn Pooley
- Olaf Pooley est né le 13 mars 1914 à Dorset, Angleterre, Royaume-Uni. Il était acteur et scénariste. Il est connu pour The Corpse (1971), Star Trek: Voyager (1995) et The Adventures of Ben Gunn (1958). Il était marié à Gabrielle Beaumont et Irlin Hall. Il est mort le 14 juillet 2015 en Californie, États-Unis.
- ConjointsGabrielle Beaumont(1982 - 1993) (divorcé, 1 enfant)Irlin Hall(1946 - ?) (divorcé, 2 enfants)
- Enfants
- ProchesJuliet Holland-Rose(Grandchild)
- With the death of Ellen Albertini Dow on May 4, 2015, he became the oldest surviving "Star Trek" actor. He held the title until his own death on July 14, 2015 when it was passed on to Norman Lloyd.
- At the time of his death, he was the oldest surviving actor to have appeared in either the "Star Trek" or "Doctor Who" franchises.
- He was a close friend of Sir Alec Guinness for many years.
- He is one of only 25 actors to have speaking roles in both the "Star Trek" and "Doctor Who" franchises. He played Professor Stahlman/Director Stahlman in Inferno: Episode 1 (1970) and an elderly cleric in Blink of an Eye (2000).
- He is an Artist and paints at the Santa Monica Art Studios at 3026 Airport Avenue at the Santa Monica Airport.
- It seems to me that the art of painting must be one of the most difficult forms of art there is - though I hasten to add they are all difficult. How many truly great works are produced in this medium per century, let alone per annum - particularly considering the miles of canvas that receives its quota of expensive pigment each year? It has to be admittedly, mighty few. I have personally witnessed an artist whose early etchings rank with those of Rembrandt, and who was in his day one of the most sought after English portrait painter, banging his head with his fist and moaning over and over again "my work is not good enough, my work is not good enough! And indeed stories of artists similarly expressing this sort of despair are innumerable. I have personally acted out that scene, but perhaps the knowledge that one's work is not good enough is the very thing that keeps one on a tether to one's easel for six hours or so a day! It is a privilege to be an artist and I am fortunate in this respect.
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