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Willie Morris in Tell About the South: Voices in Black and White (1998)

Actualités

Willie Morris

Ron Perlman Launches Watrfall Content Finance Platform for Creators and Fans
Image
Actor Ron Perlman and a handful of other entertainment and tech leaders are teaming up to launch a business platform called Watrfall. The enterprise aims to be a financing and development platform for film and television projects, fueled directly by fan input and investment. The site goes public on Aug. 22.

Watrfall works by creators submitting scripts and pitches, and then fans who invest in the platform vote on which ones get funded and developed, according to the company. Creators retain creative control throughout while using Waterfall’s team to manage production finances. Meanwhile, the fans retain a stake in the platform and its content, allowing them not only to enjoy the films they help greenlight, but share in their successes. Reportedly, investors will be entitled to 100% of the first slate of films Watrfall produces, and 5% of its profits in perpetuity. The platform aims to create additional revenue through tiered memberships,...
Voir l'article complet sur Variety Film + TV
  • 19/08/2025
  • par Andrew McGowan
  • Variety Film + TV
Ron Perlman Launches ‘Creator-Led, Fan-Focused’ Media Development Platform ‘Watrfall’
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“Hellboy” star and Guillermo del Toro regular Ron Perlman is helping launch Watrfall, a new company that allows movies and TV fans to help invest and take part in upcoming projects from various creators.

A press release described Watrfall as a “creator-led, fan-focused platform” meant to change the funding and development processes of film and television. Perlman is a co-founder of the self-proclaimed “disrupting” project alongside Michael Donovan, Dana Landry and Willie Morris Roundout.

On top of giving fans the avenue to finance projects they are interested in, Watrfall will connect users with both on- and off-screen talent. It will additionally allow investors to take part in multiple steps of the creative process, including voting on productions and gaining access to financial information.

“We built Watrfall to realign the entertainment value chain—where creators are in control, where the people who make content actually benefit from its success, and where...
Voir l'article complet sur The Wrap
  • 19/08/2025
  • par Casey Loving
  • The Wrap
Film review: 'My Dog Skip'
Willie Morris in Tell About the South: Voices in Black and White (1998)
"My Dog Skip" is a story easily understood in just about any culture. This memoir of a boyhood in a Mississippi backwater town during World War II and how one dog changes a boy's life touches on things elemental to all coming-of-age experiences.

But it's unclear if a theatrical market exists anymore for such a movie. Seemingly better suited to cable TV, "My Dog Skip" should at least receive encouraging pats on the head by critics, which will help once it reaches ancillary markets.

The film derives from the 1995 memoir of the same name by Willie Morris, a Rhodes scholar and former editor of Harper's magazine. Written by Gail Gilchriest and directed by Jay Russell, the story that unfolds, at a leisurely pace befitting its rural Southern roots, concerns young Willie (Frankie Muniz), a shy and awkward only child growing up in Yazoo, Miss.

His dad (Kevin Bacon), who lost his leg in the Spanish Civil War, tends to be overprotective of his son, but a knowing mom (Diane Lane) is determined to compensate for her husband's tendencies. So for his ninth birthday, Willie receives Skip, a Jack Russell terrier puppy, from his mom over his dad's protestations. This proves to be the key to unlocking his personality.

As Willie recalls those days (in a superb voice-over narration by Harry Connick Jr.), the dog "teaches" him many lessons in life as they grow up together. Skip brings Willie out of his shell to become one of the guys and gain confidence to speak to girls or to spend a night in the cemetery on a dare.

Most crucially, Skip becomes what this young boy needs most -- a steady, true friend. His first friend, Dink (Luke Wilson), the sports hero who lived next door, has gone overseas to fight Hitler, and many of his male classmates prefer to pick on Willie rather than bring him into their inner circle. But with Skip by his side, the world feels different to Willie. He ventures outside, even crossing into the colored section of Yazoo in those days of segregation, since dogs, "being smarter than people," see no boundaries.

These lessons are touched on lightly in the course of the two pals' adventures. In fact, this light touch while keeping the movie from veering into an "After School Special" also softens and mutes the environment. This is an idealized, hospitable Mississippi where backward attitudes do not exist and no one would dream of using the "N" word in referring to its black citizens.

The main actors -- meaning Muniz and the various canines who play Skip -- are terrific. Willing to take roles that recede into the background from time to time, Bacon and Lane make for well-meaning, good-hearted parents. Wilson's sports hero-turned-war coward gives the film its only darkness, more of which could have been explored.

Production designer David Bomba is blessed in the town of Canton, Ohio, subbing for Yazoo. Here is a place that has changed little since midcentury, and he has the town nicely decked out with old cars and billboards. Cinematographer James Carter films all this so you almost forget the ferocious heat and biting bugs.

This is, of course, a memoir, and as Willie Morris himself notes, memory plays tricks on the mind. A man who grew up to become a top editor could scarcely have not noticed, even at age 9, the ruthless injustices that permeated his society. So things may not have happened this way. They do so in memory.

MY DOG SKIP

Warner Bros.

Alcon Entertainment

Producers:Mark Johnson, John Lee Hancock, Andrew Kosove and Broderick Johnson

Director:Jay Russell

Writer:Gail Gilchriest

Based on the book by:Willie Morris

Executive producer:Marty Ewing, Jay Russell

Director of photography:James Carter

Production designer:David Bomba

Music:William Ross

Costume designer:Edi Giguere

Editors:Harvey Rosenstock, Gary Winter

Color/stereo

Cast:

Willie Morris:Frankie Muniz

Jack Morris:Kevin Bacon

Ellen Morris:Diane Lane

Dink Jenkins:Luke Wilson

Rivers Applegate:Caitlin Wachs

Big Boy Wilkinson:Bradley Coryell

Henjie Henick:Daylan Honeycutt

Spit McGee:Cody Linley

Running time -- 93 minutes

MPAA rating: PG...
  • 10/01/2000
  • The Hollywood Reporter - Movie News
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