Chicago – Halloween just isn’t the same without an Onryō. Thanks to America’s tireless remakes of Japanese horror films, the materialization of Onryōs in pop culture has become as much of a seasonal tradition as witches and goblins. They’re often characterized by long black hair, white robes, bodily contortions, tragic backstories and an unquenchable thirst for vengeance beyond the grave.
In short, Onryōs unnervingly embody the old adage that “Hell hath no fury like a woman scorned…even a dead one.” It’s easy to see how spine-tingling modern classics like “Ringu” and “Ju-on: The Grudge” followed in the ghostly footsteps of Kaneto Shindô’s overlooked 1968 masterwork, “Kuroneko” (“Black Cat”). Though the film is more hypnotic than scary, it still manages to creep under the skin as it spins a tale of real emotional and erotic power.
Blu-Ray Rating: 5.0/5.0
As in Shindô’s better-known 1964 classic, “Onibaba,” this film...
In short, Onryōs unnervingly embody the old adage that “Hell hath no fury like a woman scorned…even a dead one.” It’s easy to see how spine-tingling modern classics like “Ringu” and “Ju-on: The Grudge” followed in the ghostly footsteps of Kaneto Shindô’s overlooked 1968 masterwork, “Kuroneko” (“Black Cat”). Though the film is more hypnotic than scary, it still manages to creep under the skin as it spins a tale of real emotional and erotic power.
Blu-Ray Rating: 5.0/5.0
As in Shindô’s better-known 1964 classic, “Onibaba,” this film...
- 25/10/2011
- par adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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