Recherche détaillée

In the absence of her sister Rim, what was Yasmina doing in a car park with their boyfriends Salim and Majid? Rim knows nothing about it, but that's because Yasmina is doing her utmost to prevent her from finding out. What was it, then? The unmentionable... the worst thing ever... supersize shame - and it was all captured by Salim in a potentially highly volatile video...

The story of 45-year-old journalist Nacer, who has been monitoring the emergence of bizarre yellow sandstorms in and around Algiers.

A club in Paris. Driving techno beats sweep everyone away. People dance, consume and talk. Félicie meets Saïd and takes him to her place for an afterparty. On the cusp between night and day, different lives and views collide.

La prison leur a accordé une permission de sortie. Pour la première fois depuis longtemps, trois détenus vont se retrouver dehors pour le weekend. 48h pour atterrir. 48h pour renouer avec leurs proches. 48h pour rattraper le temps perdu.

As an opening, we slowly approach an urban area from above, in an aerial view of unremarkable apartment blocks sparkling in the quiet of the night. Next is the same city in the daytime, looking hollowed-out. A sweet sidestep, such is Dania Reymond-Boughenou's challenging approach as she films the Rougière, a neighborhood in Marseille, beyond the predictable clichés, the social unrest and the picturesque. She aims at filming what is never shown, at capturing what makes the density and the flesh of the place, and at conveying the spirit that enlivens it. Off-screen, we can hear a succession of old memories shared by the inhabitants, like this woman who remembers the shock she felt when she arrived from Algeria, or that man who recalls slices of life from his childhood. Their stories accompany the slow descent of words and memories towards the bodies that we can finally see and hear, at human height. Dania Reymond-Boughenou sets out, in slight touches and successive layers, to film the invisible, like vibrating waves echoing the violence of the stories that are shared, alongside major developments in History - war in Algeria, AIDS in the 80's, or lately the devastating effects of drugs. These are vibrating presences, like the wind shaking tree foliage as shown in long, hypnotic and caressing tracking shots. Paying no heed to film genres, mixing time lines, indulging in fantasy, the director thwarts codes and shifts assignments. With unexpected lyricism, carried by discreet and melancholic musical surges, she endeavours to loosen and link up bodies and voices, to make what happened palpable. To give body to a haunted world and, as indicated by the constellation in the film's title, to shine a light on the voids and the missing, whose pale light illuminates the place.

19,000 years ago - Guilty of a hunting accident which could have cost the life of a child, Py'ro is banned from his tribe and finds shelter in a cave, close to the camp.

Lucie rêve d'être actrice, chez sa grand-mère.

Vincent raconte l'histoire d'un personnage qui est en partie lui, sans être lui. En 2015, dans le onzième arrondissement de Paris, l'alter ego de Vincent, Jean, un cinéaste au creux de la vague, rencontre Stacy, une actrice en devenir.

An unusual young woman, Marie, lives under strict maternal rules. One day when she escapes to the beach, she meets an unusual young man and his grandfather. After a radical turn of events, she takes control of her own life.

Nadim, age 13, is questioned by French police and examined by a doctor. A flashback to the Calais "jungle" shows how Nadim ended up in that situation and got injured, and subsequent events reveal Nadim's role in the family and thus the meaning of "bacha posh".

In an experimental comedy blending wit with intimacy, we follow two characters as they film their way through Paris.