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Raveen is the son of big gangster Jeeta and they have an illegal business in Kuala Lumpur. Sandeep is a young man who owns a small cows milk business and Jasroop is his girlfriend. Jasroop's father wants to unite the relationship between Raveen and Jasroop on the basis of property. Jasroop was bequeathed her grandfather's estate conditionally after she turns 18 and gets married. Raveen uses various tactics to win Jasroop's heart. Raveen plans the kidnapping of Jasroop and Sandeep with his gangster father Jeeta. To rescue the kidnap victims and arrest Jeeta's gang, the police are deployed to the hiding place and a shootout breaks out.

A couple goes through a harrowing experience when they are kidnapped by a group of human trafficking gangsters.

Fast food despatch boys Aiman (Nabil), Belon (Shah R) and Joe (Ngasrizal Ngasri) live in the hustle-bustle of the capital and are involves in all the trappings of urban youth. Their lives turn upside down when they fall into debt with Ah Longs. Romance is also on the cards - Aiman falls for Dayana (Diana Danielle), a girl whose boyfriend is an Ecstasy pusher. Belon has a thing for older women and falls for single mother Salmah (Sheila Mambo). Meanwhile, Joe takes a fancy to Salmah's daughter Yati (Yatt).

Kerat 14 "Kerat 14" is a suspenseful mystery and action film that begins with the love story of Haziq and Nuzara. Haziq and Nuzara is a couple who love each other dearly, despite Nuzara's discomfort with Haziq's involvement in social activities. In comes Aril, who is attracted to Nuzara's beauty when he sees her at a club in Kuala Lumpur. Flash forward to a tragedy in the lovers' story, and ASP Razman is head of the team of investigators of the crime. Who is the victor and who is the victim in Haziq and Nuzara's love story?

Based upon an old Malay myth, it tells the story of Arman (Iqram Dinzly) and Melati (Fouziah Ghous) who chose to live in a bungalow built since the Japanese occupation as both of them wanted to live in a peaceful environment without the hustle and bustle of city life. Mysterious things start to occur after Melati accidentally knocks a marked stone in the vicinity of the house and collapses. Melati's mother, Zaiton (Fauziah Nawi) came to visit but then passed away unexpectedly, shocking both Arman and Melati. Melati frequently day dreams, but in fact she have been possessed by an evil ghost that wants to exact revenge after being awaken by Melati. Eventually, Arman suspects that Pak Mail (Sidek Hussain) is responsible for all the strange occurrences.

"Akhirat" is a copy of the black ink scribbles that surround the life of a holy woman Mira (Vanidah Imran) because of the greed of evil people. As a result of the unfortunate tragedy, Mira's life faded even more after she was diagnosed with a terrible disease.

Guided by his Bradshaw's 1913 Handbook of Indian, Foreign and Colonial Travel, Michael Portillo embarks on a classic rail journey from Amritsar to Shimla. Along the way he helps to feed the thousands at the world's largest free kitchen and travels the railway routes used by millions of migrants during Partition. He gives his trademark colourful wardrobe an Indian twist, and reaches the foothills of the Himalayas, where the epic Kalka to Shimla hill railway carries him to the former summer seat of the British rulers of the Raj. Published when the British Raj was at its height, Michael's guide leads him to some of the key locations in India's 20th century story, from the massacre in Amritsar in 1919 to the bloody events of Partition. Beginning in the Sikh holy city, Michael is dazzled by the beauty of the Golden Temple and awed by the scale of its langar - the world's largest free kitchen. His route then takes him through the Punjab, India's breadbasket. Michael samples traditional chapattis, has a colourful kurta made up in one of the Punjab's biggest cloth markets, and can't resist the foot-tapping rhythms of Punjabi bhangra dancing, made famous by Bollywood. Portillo's journey also reveals surprises. He uncovers a pioneering women's medical college in Ludhiana, before plunging into Chandigarh, designed by Le Corbusier as a modernist expression of India's post-independence future. At Kalka, Michael glimpses the Himalayas for the first time and joins the 1903-built mountain railway for a stunning climb to Shimla. There, he relives the days when the crème de la crème of expatriate society went to socialise and rule - their exploits recorded by a young Rudyard Kipling.