Recherche détaillée

Celine seeks to legalize her husband Arto's death in Armenia, uncovering his lies about war service and desertion. Her quest through war-scarred lives reveals a deeper truth: how to properly lay a ghost to rest.

A village where women, children and elderly reside. Men leave 9 months of the year to Russia to work. Summer, a slow and friendly atmosphere; women do the hay, cut the grass and store for the winter. Fruits will be canned to be eaten during the cold winter. The sun arouses a certain laziness, a sensual relaxation. Autumn, with it's different shades of red, is the season of birth and potato harvest. Women and men find intimacy in the coldness of winter, hence women give birth in October and November. Fathers meet their children in December. Preparations start now to welcome men, waiting is long and tiring. Winter is near, a form of suspense sets in: whose husband will come first ? The men arrive with the snow. The women are shy, they need time to exist in the presence of men. The children are happy to be close to their fathers. Spring sets in, the atmosphere becomes tensed. Men depart for the land of tsars. She is weak and sad, but needs to find strength to take care of the children.

In an Armenian village with a patriarchal tradition, five women who are daughters, mothers and grandmothers debate together about life and war while they prepare lavash the Armenian traditional bread.

The puppets in the storage room of a small Palermo theater lament their fate. Between mass tourism and human heritage, no one seems to listen to the Pupi anymore. True, things in Europe could hardly look worse. Already in 1975, Pasolini was announcing the Disappearance of the Fireflies and the impending triumph of the Castle of Lies. 40 years later, a French filmmaker travels to Sicily for the first time in search of new political hope. Little by little, his personal narrative blends with a puppet drama marked by the melancholic Pupi prince Orlando, suffering from a mysterious festering wound. Mafia, shameful homosexuality, general non-involvement, despite his realistic view of contemporary Sicily, the filmmaker's journey turns into a magical extravaganza. As Georges Didi-Huberman has intimated, perhaps we have reason to believe in the Survival of the Fireflies?

Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.

Documentary following the 2011 Tour du Faso cycle race in Burkina Faso. Focusing on local stars and a German team.

Native American from Northern California, Al Moon lives on his tribe's reservation, yet he remains solitary. Surrounded by daily violence and haunted by new ecological threats affecting his people, Al feels the weight of buried anxieties resurfacing from his time in Vietnam. Driven by an urge to confront his past, he embarks on a cross-country journey to reconnect with the men from his battalion whom he hasn't seen since the war. Along the way, Al meets a diverse range of people with whom he engages in deep dialogues about contemporary America, uncovering shifting perspectives on friendship, conflict, and identity. As he moves closer to a long-hidden truth, Al nears a revelation that has haunted him for decades.

On the secret like-mindedness between old Caledonia (the Latin name used by the Roman Empire to refer to most of the land area of Scotland) and New Caledonia (the French territory comprising dozens of islands in the South Pacific).

The journey of young Jeanne through mountains and faith, from the lonely forests to the plains of Rome.

Covers outstanding personalities of their time and in their discipline, who are only too rarely seen in the media today. Philosophers, artists, activists, researchers, all have contributed to forging and enriching contemporary thinking.

January 2018. In the mountains of Nagorno-Karabakh, 5 women are demining meter by meter the "Lachin Corridor", a former combat zone where thousands of mines have been planted. This film deals with the great thoroughness of their labor, the tension that results and the humanity at work to ward off fear.

She came to see. I have no photo of Simon to show her, no trace except for these stolen shots, taken from the windows of his home overlooking the Jaures metro station: the canal, cars, neighborhood life and this handful of Afghan refugees beneath the Lafayette arch... She watches with me, She questions me, we watch the seasons of this last year of my life with Simon pass, the final months of the refugees' wearying battle to find a place here in Paris. Of course, it's over now, the camp and the love affair, but She and I know that from here on, quite naturally, the world has been ever so slightly... transformed

The real life of crack dealers and users. From dealers chasing customers to addicts waiting for product, everyday life on the street is about surviving, or dying.

The film documents 12 years in the life of Mehrez, a gifted dancer and actor from Mohamedia, Tunisia, who struggles with his addiction to gambling and betting on horse races.

In a seemingly quite Medina, the facade of this house looks out onto the street and worries the inhabitants. Everyone agrees to envisage the destruction of this house except one, two then three teachers from the Nantes school of architecture who find this house sufficiently architectural in character to wish it a destiny other than condemnation.

A collection of seven documentary films on the memories of Portuguese people who fled to France in the 1960s, including a feature film, La photo déchirée, chronique d'une émigration clandestine (2002), and six previously unreleased short films produced by the same director, José Vieira.

A teenage conscious MC speaks about bleak life in Paris projects and holds classes for immigrant kids interested in hip hop to help them master the language.

Sainkho Namtchylak, vocals, Hamid Drake, drums and percussion, and William Parker, bass, recorded live on March 25, 2004, at the Salle Jacques Brel, Pantin, during the 21st Banlieues Bleues Festival.

At one of the many checkpoints in the city, policemen take turns, exposed to all dangers, far from their families, sheltered in containers where they share their meagre meals, and try to steal a few hours sleep.

April 1999, D-Day minus 275 in the Kalahari Desert, like everywhere on earth. In 8 months, the year 2000. In the village of Auru, Emmanuelle, an ethnomusicologist, has five Bushmen musicians rehearse. In 2 weeks, they are giving a series of concerts in Paris. In Paris, hunters and women with ocher painted faces and scarified legs are transformed for a few days into consumer tourists, fascinated by roller skates, the Eiffel Tower and the slaloms on motorbikes of pizza delivery men. The music of hunting or healing rituals becomes for a time a staged show, through which the bushmen question their own culture. At what price do these music and money transactions take place? What will be the impact when returning to the village? Contrary to popular belief - the gods fell on their heads? - it may well be that the bushmen have their own idea about it.