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- Two solicitors open shop--literally!--in a low-income quarter of Hamburg. Assisted by a secretary with migration background and a cleaning-woman-turned-private-investigator, they take care of people who need help in court but can't afford it. Quite often, their cases can be resolved out of court thanks to the wit and common sense of this team.
- Jews who want to live kosher not only have to learn the religious rules of every day life. They also have to face up to questions about just what constitutes proper thinking, speaking and acting. A whopping 613 commandments are laid out to regulate Jewish life. But sometimes an 'appropriate interpretation' is allowed. BEING KOSHER is a sensual film about the curious contradictions and concepts of everyday Jewish life, followed at times freely and at times stringently by liberal and orthodox Jews in Germany - familiar neighbors with an unfamiliar way of life. Over the course of a year we capture our main protagonists as they shuttle between the highs of the holidays and the necessities of everyday life. The director is on the lookout for authentic Jewish life - whether it concerns love, food or money - she is there to get the answer.
- The German translation of the show was: The Music Shop. It was a West German music television programme that ran from 13 December 1972 to 29 November 1984. The show continued the 1960s Beat-Club under a new name, and in turn was replaced by Extra-Tour. As stated, 90 episodes were aired. All episodes were produced by Radio Bremen and directed by Michael Leckebusch. A normal episode of the show, usually featured several live performances by guest musicians, and ran around 45 minutes. Some episodes were longer, and a few were shorter. In the 1980s, music videos were shown along with live performances. .
- Another series of sappy stories set against a Scandinavian backdrop: In the fjords of Norway, Hanna Eliassen (Jutta Speidel) is searching for the biological father of her son Daniel, who is suffering from a serious illness. The meteorologist Leif Sörensen, who lives on a remote island, is the only one who can save him through an organ donation. But to find him, Hanne needs the help of her husband, who, however, has withdrawn, deeply hurt, after learning that he is not the biological father of her son.
- Martin Sommer, Mayor of Lauterbronn, has problems. The small town in the Tauber Valley is idyllic, but structurally weak and heavily dependent on agriculture. As more businesses are lost, the single father of a teenage daughter worries about the future of the town and community finances. The silver lining is the offer of an international beverage manufacturer. Because Lauterbronn has a resource that can be used commercially: extensive groundwater deposits of very good quality. The company PureAqua, represented by its German representative Rainer Gebhard, makes a lucrative offer for extraction rights, secures jobs and is supported by state politics, for which Julia Roland, water officer at the Ministry of the Environment, is on duty. With an expert report, which certifies Lauterbronn's virtually inexhaustible deep water reserves, possible objections are calmed, including those of Martin. He supports the deal and releases land for a test well. Nevertheless, resistance forms, which becomes more and more violent. Ava, Martin's daughter, vehemently opposes her father's plans and becomes the front figure of a citizens' initiative. The protest against the sell-off of water rights is vocal and combative. He is particularly embittered with the farmer Bernhard Schultz, who could not prevent the well from being drilled on the land he leased. His farm is already suffering from the increasing drought, and the privatization of groundwater resources is a scandal for him, which he uses drastic means to draw attention to. Martin didn't expect so much headwind. And he feels let down by Julia Roland and politics. Martin considers rowing back. But is that still possible?
- They are among the last living witnesses of flight, expulsion and deportation at the end of the Second World War. Today they are well over 80; back then they were children. Never before have they reported so emotionally and mercilessly in public about their traumatic experiences at the end of the war and in the early post-war years. Infested with lice and half-starved, they camped in the open air, in the rubble of big cities or along the railway lines. Some lost their parents and wandered around as orphans. Others narrowly escaped death themselves, through luck, coincidence or an unexpected helping hand. All of them are scarred by the events for their entire lives. They recognize themselves in the children who are now fleeing the war in Ukraine.
