Recherche détaillée

The story concerns a hapless civil servant who gets more than he bargained for when he moves into an apartment with a gay fashion student and finds himself on the catwalk. The film sets out to explore the difficulties young people have in keeping their identities in a fast-moving culture of drugs and clubs.

A German soldier goes AWOL and returns home to more problems than he left.

A little bit of life, love, and wisdom come together over one night in the culinary underbelly, where life is a buffet and everything is "Short Order".

Children act as adults and adults behave like children. A neglected French castle, its surroundings and 18th century music are the stage for a costume comedy adapted from Carlo Goldoni.

Baran (Cagdas Bozkurt) is a young Kurd who was sent to Hamburg after his parents, who had helped Kurdish rebels, were betrayed and subsequently killed by the Turkish militia. Now that Baran is 16, he is no longer allowed to stay in Germany and faces the bleak prospect of getting deported back. Baran meets Chernor (Leroy Delmar), an African boy who has the same problem and traffics drugs to make some money. Chernor is openly gay and their friendship has sexual overtones from the beginning. Baran also has very little interest in girls, even though a marriage might solve his immigration-related legal trouble. Things get even more complicated when Baran spots the traitor of his family and wants to kill him. However, the man pleads for his life and Baran spares him. After this act of forgiveness, Cherno and Baran have sex together for the first time, making it clear to Baran that his interest in Cherno goes beyond friendship. Finally, both Cherno and Baran, who had made a desperate attempt to free Cherno, are arrested by the police.

Park Fiction - The wishes will leave the apartment and take to the streets.

At a flea market, a filmmaker finds old Super-8 film, made by an unknown amateur. He tries to find out, who this man was and what drove him to the passion of filmmaking.

It appears as if the "world's loss of magic" which Max Weber talked about has reached a climax and provoked a counter reaction. The interest in inexplicable phenomena is growing, something which can even be measured by the propensity of those unerring trend barometers, the television stations, to broadcast a fill of material of this nature. Paranormal phenomena manifest a remainder from the factual world which cannot be explained. They represent another dimension which requires a "medium", be it human or technical, in order to be perceived. The film Paranormal undertakes research in the milieu of borderline science as a parallel activity. The filmmakers seek out experts and amateurs in the field of the supernatural and ask them to explain the methods by which they make contact with the "cosmic information web". The necessary apparatus forms the central part of the report. In their search for "units of sense" in the chaos, the researchers use, interestingly enough, those techniques which are presently central to popular culture ­ de-construction, sampling and scratching. Parallel to this Lampalzer / Oppermann also undertake their own experiments by various cinematographic means, ranging from single frame photography to a manipulated Super 8 camera. The failure to make contact is shown ­ partly ironic and partly laconic. The end is left open to interpretation ­ unexposed film material hung in a tree becomes an ambiguous sign.

The young girls Kate and Echo live in their own land of make believe. When one of them stumbles across the real world, their friendship faces a serious challenge.

This film follows retired Russian aircraft carrier, relic of the Cold War, on its last journey.

Kazuo Ohno is a documentary about the 97year-old dancer Kazuo Ohno, the founder and living legend of the Butoh-dance.