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A film about the career of the notorious punk rock band, the Sex Pistols.

A chronological account of the influential late 1970s English rock band.

Haru works at a part-time job for a bookstore. Her dream is to become an illustrator and she also loves cats.

Takako (Akiko Kikuchi) is going steady with the man of her dreams who surprises her with the news that he is married. Hurtled into shock by the startling news, Takako takes up her uncle's invitation to work at the Morisaki book store. While uninterested at first, she gradually comes to like and read books and get to know the neighbourhood and the people who work in it.

In Tokyo, a Goth girl and an Internet voyeur connect in the post 9-11 world of surveillance and paranoia.

Based on stories collected throughout Japan by writers Hirokatsu Kihara and Ichiro Nakayama, and japanese horror TV show: 'Kaidan Shin Mimibukuro'. It compiled eight stories by seven directors.

Ce troisième volet de la trilogie sur le pouvoir de Bakhtiar Khudojnazarov, après Moloch (1999) et Taurus (2001) se concentre sur l'empereur japonais Hirohito et la défaite du Japon à la fin de la Seconde Guerre mondiale, lorsqu'il est finalement confronté au général MacArthur qui lui propose d'accepter diplomatiquement la défaite en échange de sa survie.

The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.

Tomoko is sick and tired of her relationship with unpopular talented writer Shingo, who is married and has children. Tomoko then enters into a sexual relationship with younger man Ryota, but Tomoko is still not satisfied.

Documentary on the London punk-rock scene, circa '78.

Hiroko is a young, alienated woman "in love" with a blow-up male torso. Tension rises when her sister discovers her secret desire.

After leaving her career as a stage designer, Mari (Akiko Kikuchi) returns to her hometown to open an ice flakes store with Hajime-chan (Azusa Mine) who has a large burn scar on her face.

Documentary about the art of Japanese bondage.

Two young women and a sex date who turns out to be an alright guy. What follows is a classic love triangle, however so skillfully played that most of it comes out rather fresh.

Aogeba Totoshi is a film about mourning and coping with loss.

A 50-year-old unmarried milkwoman Minako one day delivers milk to the house of her first love Takanashi, who is now married and whose wife is terminally ill. This meeting will bring unexpected changes into their lives.

'We have to kill him', the wife and her lover thought. When three childhood friends reunite, it doesn't take long before two of them feel the woman's husband is in their way. They push him into a lake, but the boat capsizes and all three are thrown into the water. The lovers reach the shore, but the husband is nowhere. Has he drowned? They decide to wait at a lakeside hotel for his body to be found. Based on Emile Zola's masterpiece 'Therese Raquin', mismatched emotions of women and men are conveyed via 16mm film. Coarse sensuality.

Based on the director's own experience, Our Homeland follows a Korean family living in Japan, of which the father (Masane Tsukayama) decided to take North Korean nationality because of his strong belief decades ago. In 1997, Sonho (Arata Iura), the son of the family who was sent to North Korea under a "repatriation program" with the promise of a "paradise" free of discrimination, returns to Japan for the first time in 25 years to seek treatment for his brain tumor due to the difference in medical technology between the two countries. Allowed to stay for only three months and closely monitored by a North Korean officer (Yang Ik-Joon), Sonho is welcomed and embraced by his family and old friends but his father, who is still sticking to the belief but also feeling guilty about sending his son to North Korea at the same time, while Sonho's younger sister Rie (Sakura Andô) develops the aversion to North Korea and its political ideas.

Ken (Shinji Takeda), who was abandoned as a child, is mistakenly picked up by an alien who is staying illegally on Planet Earth. Ken, who grew up with a lullaby for professional wrestling, turned 10 and made a living by selling "medicines".

Kazuki wanders Shibuya, where her house used to be. She hates her mother's new husband and hopes her father will return. After spending time with men her father's age, she meets Mitsuya, a man obsessed with his promiscuous ex-girlfriend.

A powerful portrait of the leaders of the reggae music Movement, and how Reggae has become a worldwide phenomenon. The film showcases performances by the best Reggae and Dance Hall artists ever assembled.

A young man writes a novel about his forbidden love with his sister, who works overtime in the office on a holiday. Based on the manga of the same name by Naoki Yamamoto, and covering the manga's inspiration source, Juro Kara's "Anjuko's Shoes" and Ogai Mori's "Sansho Dayu".

Akane moves from Tokyo to a small island where she works as a waitress serving the fishermen. People like her and glad she has made the move. Satsuki, however, is a local having grown up, married and given birth in the area. She has a foster son and after obtaining her man's permission decides to adopt him legally. Unfortunately it is the son's biological mother who has arrived on the island and is living nearby now.

15-year-old Hatsuko lives with her elder brother in a humble townhouse. Their mother died when they were young, and the father disappeared. The brother left high school before graduation to work at a factory, but spends their meager house-keeping money on adult entertainment. Hatsuko, who is poor and has no friends, finds emotional support in Mishima, a boy in her class, who helps her with her study to go to a high school together. However, Hatsuko's brother causes trouble at the factory and gets the sack. Hatsuko gives up her dream of going to high school. In spring, the modest relationship continues between Mishima, now a high school student, and Hatsuko who works at a biscuit factory. One day, Hatsuko's long-gone father reappears. In a drunken frenzy, he sets fire to the house to go and rejoin the mother, leaving Hatsuko without a place to live. Hatsuko leaves the town on her own, drawing strength from the promise of marriage with Mishima.