Recherche détaillée

Jacques Laurent a fait des films pornographiques dans les années 70 et 80, mais avait mis cela de côté pendant 20 ans. Ses idées artistiques, nées de la culture des années 60, avaient élevé tout un genre.

A man lives in parallel worlds, falling in love with the same woman, while the police hunt down a serial killer who steals brains.

Lucie Champagne is given the role of the victim, Marie-Claire, in a film of a true, unsolved murder. By coincidence, Lucie's neighbour Francois, was Marie-Claire's boyfriend. He is a suspect in the continuing investigation and is unsure of his own innocence although he has an alibi from his previous girlfriend, Claude. Francois' polygraph (lie detector) test proves inconclusive and while he awaits his second test, Lucie's film is completed with its own ideas on who killed Marie-Claire.

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

This Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities.