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- Andrei is a Romanian student who attends a course in foreign languages at the University. Every evening he works in a pizzeria and, when called, to the police station where he translates interceptions of his countrymen. He does everything it takes to keep a promise he made to his girlfriend, that in some way he would gain the residence permit to let her come to Italy. His University tutor, puts him in touch with a friend of her who wants to translate the diary of the German husband who died recently. With this delicate task Andrei is catapulted into a world that he has not even dared to dream.
- Antonio and Agostino grew up together in a small town in Sicily; they dreamt of living a different life, somewhere else. Now thirty-year-olds, they both live abroad but they lost touch years ago. When Antonio discovers that the house he grew up in, which had been empty for a long time, is about to be sold at auction, he decides to leave and reconnects with his childhood friend. But their lives have changed a lot. Old conflicts and new revelations bring them through Europe on a truck journey.
- The story's protagonists are three people: Anna, a wealthy middle-class 35-year old woman who owns, together with her mother and her brother, a factory in the northeast of Italy; she has a love affair with 25-year-old Mara, who works in the factory; then there's Anis, a young man from Maghreb who suddenly storms into their lives.
- Inspired by a true story LIKE THE WIND narrates 15 years of Armida Miserere's life, a woman who with determination and grit, but also personal suffering, was one of the first woman to become governor of prison. Armida Miserere, after suffering the loss of her loved one, found herself on the front line in the fight against crime, governing the most dangerous jail in Italy, while struggling to find the truth and to get justice. The film is conceived as long flashback that highlights the most important moments of her life in the attempt to unveil her mystery.
- The story takes place in the summer of 1980 in Brindisi, Italy. Martino is a young man whose father isn't giving him enough attention. His older brother and his friends, including Silvia, a young northern Italian who spends her holidays in the south of the country and has a romance with Martino. Young people tend to enter an American military base north, and Martino ends up finding a US military officer, a good friend who teaches him how to surf.
- Mattia, an almost eighteen-year-old boy, just out of the reformatory, is with his mother, Gabriella with the principal of the it.i.s. G. Armellini, the school the boy attends. Mattia was caught by some plainclothes policemen with a large quantity of drugs that he also used to sell at school. The principal, out of pity for his mother, an honest woman, managed through his old acquaintances to leave the boy with a clean criminal record and to convert Mattia's sentence into social services: cleaning both at the school, where he studies, and in a cancer hospital whose patients are his peers who are fighting against cancer. In the hospital he will discover love with Alessia, a terminally ill girl. Unfortunately for him and Francesco, his dirty partner and business partner, the troubles aren't over: the boss wants back the drug money that was seized from Mattia. So the two friends, Mattia and Francesco, frightened, look for a solution to be able to scrape together some money to pay off the debt, and the only solution they can find is to snatch Ilary, a classmate of theirs who they have discovered is a baby call. The story is set in a school in the Roman suburbs where some students, not having solid families, live by their wits and in order to scrape together some money to survive, they enter into larger circles than themselves, putting themselves at the service of local gangs who use them to drug dealing and prostitution. The street will be their teacher of life, often cruel because it easily deceives them with money.
- November 5th, 2025. Western metropolis. Young inspector Abel is grappling with the umpteenth disappearance: Angela, a 9-year-old girl, of whom there has been no news for two days. For more than ten years there have been many disappearances of children . Numbers assume alarming proportions; the police are indicted. Ada is a young woman of thirty whose daughter was kidnapped some years before. From that day on she has led a personal investigation searching for the truth. Eddi, a transsexual in his sixties, is the host of a late night radio programme. Together with Agnes, he founded an association that through various propaganda activities, including the radio, struggles to find the truth. On the night of November 5th the stories of these characters will be inexorably intertwined, leading us to a bitter and shocking discovery.
- The artistic and existential parable of the Swedish origins artist Lou Castel. An experienced 'trapped' between two characters directed by Marco Bellocchio: the Alessandro of I pugni in tasca (1965) and Giovanni of Gli occhi, la bocca (1982). Crossing a Rome suspended between post-industrial archeology and Pasolini wrecks, Castel starts a long stream of (un) consciousness on his role as actor and at the same as time political activist, in a generous act of love towards what is left of his trade today.
- The True Story of Luisa Bonfanti is a particular film that moves on the border between the documentary and the fictional film. In fact, using the narrative mechanism of the "mockumentary", La Vera Storia by Luisa Bonfanti wants to tell the golden age of Italian cinema and a season of political struggles between the sixties and the early eighties. Luisa Bonfanti is a fictional character who wants to represent the many women who dreamed of success in the glittering world of film. In her path, Luisa meets some of the real protagonists of that unrepeatable season such as Ettore Scola and Citto Maselli. The film mixes original footage, with repertoire material from film archives to reach the truth of an era and an unforgettable character.
- BODY/IMAGE Synopsis: Lara Torre is a reputed art photographer who is preparing an exhibition. She is dissatisfied with her work until she starts working with the young and clueless Walter. Lara gets obsessesed with the image of her young model and create an intimate and affectionate realtionship to him. When she feels betrayed she invites him for a final and dangereous photo session. At the art opening Lara will free herself from her obsession.
