shlotov

A bit rushed and not always consistent, but still a witty exercise in the crime comedy genre. The division into chapters is executed well, giving the film a necessary structure and allowing the audience to appreciate the story from different angles, creating a sense of control over time. The plot unfolds rapidly, enriched by exceptional acting performances. The energetic nostalgic soundtrack deserves special mention, seamlessly integrated into the fabric of the film. Particularly fitting is the theme of the "dad" character played by Vitaly Khaev, which isn't surprising given his extensive acting experience. The clever nod to the "Ivanushki" (a popular Russian pop group) hits the mark, and it's encouraging to see Russian cinema increasingly using such techniques. Anton Lapenko and Aglaya Tarasova deliver the right energy and drama, though at times their performances feel slightly strained, possibly due to the script losing some momentum towards the end, leaving the characters with somewhat weak final motivations.

In a crime comedy, the balance between dark humor and outright bleakness is crucial, and this film nails it. The creators couldn't resist adding a few quintessentially Russian clichés, for which they're to be thanked, but perhaps the film could have done without them. Visually, the movie is impressive: the cinematography is top-notch, with skillful use of creative filming techniques, making the film even more engaging. Final score: 8.6/10.

Absurd comedy is a rare and challenging genre where the line between art and vulgarity can easily be crossed. This genre in Russian and world cinematographic history has iconic examples from famous Russian directors such as Leonid Gaidai, Vadim Abdrashitov, Vladimir Menshov, and Georgiy Daneliya. Some of these directors have achieved international success and nominations.

The creators of the comedy series "Polupanovy," led by Aleksei Smirnov and his team, delve deeper into exploring how the surreal world intersects and communicates with our present "normal" reality. The plot's development offers the audience a unique form of entertainment through the collision of the experiences of a simple, yet quirky, rural family with those who appear to be "normal people" from our world or city. The peculiar perspective through which the Polupanovy family perceives reality provides an extremely pure absurdity, distinct feelings, and entertainment.

The showrunners, including Artyom Molokanov, Anton Prosvirnin, and Dmitriy Stepashin, create deep characters and utilize their talents to bring them to life, delivering an engaging performance that weaves in contemporary issues and discussions.

The use of music, costumes, and script decisions enhances the surrealism of the narrative. The television reporting genre allows for a heightened degree of empathy and inclusion, creating a sense that the events are unfolding in reality; actors often break the fourth wall to further intensify this effect.