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enochsneed

A rejoint juin 2005
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Évaluation de enochsneed
Sur la côte du pacifique

Sur la côte du pacifique

7,1
7
  • 13 juin 2020
  • Fondly remembered from childhood

    The Beachcombers was broadcast on UK children's television in the mid-1970's and I grew to be quite fond of it. Even then I thought Bruno Gerussi seemed a bit long in the tooth to play an action-based role, but there seemed to be good chemistry between him and Pat John as his boat hand, Jesse. Seeing a few episodes which have been posted on the internet recently I find the performances quite wooden, and the character of Relic is such a caricature he's embarrassing. One particular episode I remember had Jesse saving all his money for a potlatch (a Native American ceremony where every guest much receive a gift, however small), then giving it away to someone down on their luck. Chief Dan George (who was the go-to actor for wise Native American elders after his role in "Little Big Man") turned up to say maybe this was a new way of potlatching, giving all you could for your friends. Thanks for the memories Beachcombers, but I think I will let you stay a fond memory.
    Les heures de gloire

    Les heures de gloire

    6,7
    7
  • 15 janv. 2020
  • Thrilling story sunk by conventional script

    As someone who has lived at various places on the British coast all his life I have tremendous respect for the men of our Royal National Lifeboat Institution - all volunteers - who are willing to risk their lives to rescue others, and I love sea stories. The US Coastguard is managed by the government and has salaried officers, but on the evidence of this film they have more than their own share of guts and determination.

    The best scenes in this film are undoubtedly those set at sea, the crew of the Pendleton jury-rigging a helm and nursing the hulk along until she can be run aground, and the men of CG 36500 fighting their way out to sea to save them (even if CG 36500 does develop the characteristics of a submarine a couple of times. I know lifeboats are designed to be non-sinkable, but not *that* non-sinkable). These scenes are truly edge-of-the-seat thrilling.

    Unfortunately, in order to make a film, the story has to be 'dramatised'. So the Coast Guard station is commanded by an outsider mistrusted by locals who matter darkly over every decision he makes, and the hero is partly shunned as a Jonah after a failed rescue the previous year. (Is everyone around Cape Cod so sour and miserable? Just asking). On the Pendleton there is some Alpha-Male tussling for supremacy among the crew until they accept the "it's so crazy it might just work" ideas of the Chief Engineer. These back stories feel very forced and detract from the true drama of the rescue itself.

    The film tells a good story, but not always in a good way. Worth watching once, but not a film to keep coming back to.
    Sign It Death

    S2.E7Sign It Death

    Thriller
    7,2
    8
  • 5 oct. 2019
  • Beautiful but deadly

    Another trip down memory lane for me - something I saw over 40 years ago that has stayed with me until the internet gave me the opportunity to see it again.

    What can you say about a thriller which opens with a triple murder and builds to a climax? This is another classic episode of the 'Thriller' series which still keeps the nerves stretched for over an hour, even if the production values and filming techniques are dated and studio-bound.

    There are good performances by the supporting cast, and two solid appearances by Patrick Allen and Edward Judd as business partners with totally contrasting personalities.

    However, the whole episode centres on Francesca Annis. If the actress playing Tracy had not been convincing the result would have been a laughable flop. I cannot praise this performance highly enough, Francesca Annis brings so many facets to the role. Tracy is manipulative, calculating, devious, mendacious and downright psychotic (shown by the malevolent snipping of the scissors when Tracy feels she has been crossed). At the same time we can see that she is deluded by romantic fantasies, probably very lonely and insecure, and occasionally frightened of herself when she fails to control her own behaviour. The fact that she doesn't really understand how life and relationships work (when her boss gives her a cheap promotional toy she sees it as the start of his falling in love with her), and that she is obviously mentally ill and divorced from reality, make her oddly sympathetic, despite her murderous intentions.

    Another excellent 'Thriller' episode with a superb central performance; still worth watching.
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