FightingWesterner

Cavalry deserters, led by Rory Calhoun, run afoul of treasure-seeking Confederate hold-outs, who've captured a Union fort deep in hostile Indian country, a location that forces the two sides into a confrontation with angry natives.

Barren Spanish locations are about the best thing about this grim pseudo- spaghetti western, full of unsympathetic characters. Of course, the unsympathetic characters themselves are the second best thing, giving this so-so movie an edge it really doesn't deserve. There is a good climax though.

Better known for sci-fi B-movies like Reptilicus, Angry Red Planet and Journey To The Seventh Planet, director Sidney Pink follows his usual formula of casting a Hollywood has-been and filming things on the cheap in Europe.

Christopher Walken is an enigmatic stranger wandering the west. Geoffrey Lewis is a scalp-hunter, turned prospector, with a serious case of gold fever, while Margot Kidder is the indentured servant of emotionally-stunted ship captain Bo Bundin. The four collide in and around Mexican-controlled Santa Fe as they dig for gold and search for the lost treasure of Montezuma.

Though mostly character-driven and not for everyone's taste, this independent western looks great, with nice location photography and and the presences of Walken and Kidder, right on the cusp of their breakthrough performances in The Deer Hunter and Superman: The Movie respectively, though Walken is a bit out of place.

Of the cast, the late Geoffrey Lewis is the most game (as usual), delivering some amusing lines, his eulogy for a treacherous henchman especially memorable. Familiar faces, A. Martinez and Sacheen Littlefeather (on the final seconds of her fifteen-minutes of fame) round out the cast.

Action scenes are clumsy and the score is all over the place, with spaghetti western horns one minute, pulsing rock the next, traditional string instruments a few minutes later, with some prints featuring a title song by Kinky Friedman!

The lone survivor of the Battle Of Bitter Creek, an Apache massacre of U.S. cavalrymen, Chuck Conners is falsely court-marshaled for cowardice and desertion. Dishonorably discharged, he's forced to roam the west, taking on odd-jobs, while enduring cruel taunts and unprovoked violence, proving his manhood time and again.

Branded is pretty high-concept for a fairly low-budget thirty-minute show, with a lot of early episodes (under the supervision of series creator Larry Cohen) dealing with the nature of cowardice and what exactly makes a man a man, as well as Connors' attempts to keep the secrets of Bitter Creek, his encounters with various friends and relatives of his deceased men and the inevitable vengeance-seekers among them.

The first season is the more cerebral and ambitious of the two, with much of the action taking place primarily in town and leading to some anticlimactic conclusions to some of the episodes. The second season finds the series upgraded to color, with a bigger budget and better- staged action scenes. It's a bit of a trade-off though, with Connors' past (and the participation of Cohen) pushed to the back-burner. There's still some quality scripts, though in the spirit of a more conventional western series. It does however, provide a serviceable ending to the series.

One of the show's strengths, over only two seasons, is it's virtual army of old and new guest stars: Johnny Crawford, Burt Reynolds, Bruce Dern, Noah Beery, Beau Bridges, Lee Van Cleef, Dick Clark (!), Jay Silverheels, L.Q. Jones, Warren Oates, Ben Johnson, Cesar Romero, Iron Eyes Cody, James Best, Pat O'Brien, John Carradine, John Ireland, Claude Akins, Burgess Meredith, Martin Landau, Angelo Rossito, Pat Wayne, Dick Miller, Victor French, etc.

As the show ended, the producers gathered much of the crew, Connors and Branded guest stars Michael Rennie and James MacArthur for the feature, Ride Beyond Vengeance. Fans of this should definitely check it out.