ThrownMuse
A rejoint juill. 2003
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Évaluation de ThrownMuse
I cannot remember the last time a horror movie irritated me to this degree...SHROOMS is about a group of American friends (who actually don't appear to like each other much) who go to Ireland for vacation. They're obviously spoiled brats because the only thing on their mind when they're in freakin' IRELAND is getting their hands on some magic mushrooms ASAP. They meet up with some Irish friend (who is obviously British faking a bad Irish accent) that the lead girl (played by the creepy little girl from JC's VILLAGE OF THE DAMNED--the rest of her face has now caught up with her forehead, thank goodness) is creaming over. They immediately go camping in the woods and searching for shrooms. VotD girl gnaws on a mushroom that the Irish-but-British guy specifically said not to eat because it's poisonous. Soon she starts flipping out and having flash-forwards about her friends dying. It's up to her to save her friends from the ominous backwoodsmen, the creepy black-hooded ghost that pops up between people legs and/or above their heads, and the obvious overused plot twists in the script.
It seems like every line of dialogue spoken by the obnoxious 20-somethings in this movie features the word "shrooms." And you thought JUNOisms were annoying! If you took a sip of your Irish coffee every time someone in this movie said "shrooms," you'd be dead before the first jump scare.
The only good thing about SHROOMS is the movie poster, which features a skull shaped out of SHROOMS in the moonlight. Cool!
It seems like every line of dialogue spoken by the obnoxious 20-somethings in this movie features the word "shrooms." And you thought JUNOisms were annoying! If you took a sip of your Irish coffee every time someone in this movie said "shrooms," you'd be dead before the first jump scare.
The only good thing about SHROOMS is the movie poster, which features a skull shaped out of SHROOMS in the moonlight. Cool!
A young woman reluctantly returns to her home town to oversee her dying grandmother's final days. While staying in the house where she witnessed her mumsy's murder thirteen years earlier, she finds more than a few secrets from her past have come back to haunt her. I appreciate that this movie has such strange execution. It's structure is very different from the typical low-budget horrors of this era, completely eschewing things like mystery (the killer's identity is obvious from the get-go) and resolution. Plot-wise, it borrows from proto-slashers BLACK Christmas and SILENT NIGHT, DEADLY NIGHT. While it's lesser than both of those films in terms of quality, I did find it undeniably charming, entertaining, and even creepy at times. While the acting in the movie is generally amateur, Susan Bracken is a hoot as the spunky lead who gets to spout some amusing dialogue. She quickly flips the switch from headstrong heroine to full-on basket case and there's not a moment she's on screen where my eyes weren't on her face. It's one of the most memorable horror performances I've watched lately. The movie's biggest downfall is the irritating soap opera-ish theme song in the opening credits that pops up way too often throughout the movie. The freaky dolls in the opening sequence (who also pop up at other points in the movie) sort of make up for it. DON'T OPEN THE DOOR doesn't make much sense and it isn't going to be for everyone, but I found it to be a bizarre and unique viewing experience.
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