DrScore

A film sensitive to the plight of Mexican immigrants coming to the US for a better life.

Savalas plays a border agent with a compassionate heart. Savalas is really great in this role, and the production/writing nearly rises to his level. When he's not on-screen, the film is two dimensional. The other agents are hateful Americans, the immigrants are sentimentalized heroes. I like the heartfelt understanding, but I wish it wasn't so "good guy/bad guy".

Savalas somehow makes it all credible, but he's not always the focus. When he is, good flick.

Directorial Debut of Rich Riedel is a winner. A minuscule budget doesn't hamper the fun as a group of friends head out to the woods for a little r & r and run into the unexpected. Yeah, we've seen this type of story played out before in the action and horror genres (this one , strictly action), but Riedel's version puts a fresh twist on it. He keeps you guessing as the woods seem to be more populated with friends turned enemies turned friends then one would imagine.

For a group of unknowns, the actors deliver believable performances. The camera is always in the right place and Riedel ratchets up the tension effectively.

It seems like these type of straight ahead action pieces are a thing of the past, what with everyone trying to blend genres and "Tarantino" the story lines and dialog (often with unwatchable results). In many ways, Target Practice is a valentine to the action films of yore. He doesn't try to reshape the genre, he just hits all the right beats at the right times. A blast.

This early talkie (so early I understand there was a silent version shot simultaneously) introduced me to the actor Lowell Sherman. Sherman plays drunken cad/best friend to leading man Ralph Graves, who portrays a rich artist. Barbara Stanwyck plays a roaring twenties-esque party girl who ends up modeling for Graves.

Stanwyck is excellent and captivating. This was early in her career, and it must've been clear that she was destined to become a star after this film came out. Ralph Graves, on the other hand, turns in one of the worst performances I've ever seen. Stiff, wooden, he almost sinks the picture. He doesn't connect emotionally with his own character or anyone else's. His career seemed to tank after this film. No surprise there.

Lloyd Sherman plays your proto-typical cad, and he's the best thing in the movie. He's a scoundrel, overtly trying to get down Stanwyck's pants while still maintaining his charm. Though you're supposed to root against him, you kind of like this ne'er do well. He fully embodies the role, and as far as talkies are concerned, I'd say he invented the drunken cad, the inebriated sophisticate. Actors as disparate as William Powell (think Thin Man) to Dudley Moore (think Arthur) owe Sherman a debt of gratitude.

Like Ralph Graves, Sherman is kind of forgotten today. It's not because, like Graves, he didn't have the goods to last and make his mark. It's because Sherman died a few years later, of pneumonia. At the time of his death, he was just starting to direct as well. If you love charming movie scoundrels, raise a glass in Mr. Sherman's honor. He would approve.