heszyfilm
A rejoint juill. 2002
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Commentaires7
Évaluation de heszyfilm
This movie was a thoroughly entertaining spoof of the PiS party, a certain church leader, and the PO. The several chapters definitely leaned towards the PiS caricatures. Unbalanced? Perhaps, but since PiS has been in control of the government in Poland for years, they obviously would be able to do more that would be worthy of spoofing and mocking. It would have been funnier if it wasn't based on real people who have done real damage to Poland.
It was disappointing to see all the other bad reviews which were obviously written by PiS supporters. Based on how little they actually wrote, I wonder if any actually even saw the movie.
It was disappointing to see all the other bad reviews which were obviously written by PiS supporters. Based on how little they actually wrote, I wonder if any actually even saw the movie.
A very powerful movie. The acting and cinematography were excellent. Michalina Labacz especially shines in her lead role. Although the movie is two and a half hours long the pacing keeps your attention throughout.
As many have noted, this film has a great deal of graphic violence. Not only quick killings, but also gruesome torture. It is a testament to the director that for the most part he does not linger on such scenes. For me, it was not always the case, and there were several times that I had to look away.
The characters are numerous and of many nationalities and religions, but the movie rarely casts anyone as black and white caricatures. No side comes out as pure and innocent, or completely evil. Along with the massacres by Ukrainians, we also see the arrogance of Polish upper class village residents, and even protection by some German soldiers.
The swirl of death on all sides and by all sides leaves one numb by the end, but it important story. In addition to telling the story of an often overlooked part of East European history, it also is a more general warning of how easily the dark side of humanity can come forward in times of adversity.
As many have noted, this film has a great deal of graphic violence. Not only quick killings, but also gruesome torture. It is a testament to the director that for the most part he does not linger on such scenes. For me, it was not always the case, and there were several times that I had to look away.
The characters are numerous and of many nationalities and religions, but the movie rarely casts anyone as black and white caricatures. No side comes out as pure and innocent, or completely evil. Along with the massacres by Ukrainians, we also see the arrogance of Polish upper class village residents, and even protection by some German soldiers.
The swirl of death on all sides and by all sides leaves one numb by the end, but it important story. In addition to telling the story of an often overlooked part of East European history, it also is a more general warning of how easily the dark side of humanity can come forward in times of adversity.
The previous reviewer obviously didn't know that this is a true story. The specific victims were fictionalized, but the overall story of what was happening and what Rachel Wiesz's character went through are true. They are not a contrived, or "generic" "CSI" story.
That said, as a movie, Whistleblower delivers in telling about this difficultand important event. Some of the scenes were hard to watch, but, as the director mentioned at the Q&A after the screening I saw, it was just scratching the surface of what was going on. Vanessa Redgrave's character, though her scenes were relatively brief, really shined. I appreciated that the cinematography didn't involve any fancy styles or overly dramatic music. The director let the impact of the story itself, and Rachel Wiesz's fine acting, carry the movie.
That said, as a movie, Whistleblower delivers in telling about this difficultand important event. Some of the scenes were hard to watch, but, as the director mentioned at the Q&A after the screening I saw, it was just scratching the surface of what was going on. Vanessa Redgrave's character, though her scenes were relatively brief, really shined. I appreciated that the cinematography didn't involve any fancy styles or overly dramatic music. The director let the impact of the story itself, and Rachel Wiesz's fine acting, carry the movie.