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Carl Halling

A rejoint déc. 2001
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Évaluations43

Évaluation de Carl Halling
10
The Racket
Follow a Star
6,510
Follow a Star
Breathe
4,31
Breathe
Hellzapoppin'
7,410
Hellzapoppin'
The Chaser
7,81
The Chaser
La vengeance aux deux visages
7,110
La vengeance aux deux visages
School for Scoundrels
7,310
School for Scoundrels
Une place au soleil
7,710
Une place au soleil
Crash
7,71
Crash
Busy Bodies
7,610
Busy Bodies
The Swimmer
7,610
The Swimmer
Agents troubles
8,51
Agents troubles
L'enfant
7,410
L'enfant
Poor Little Rich Girl: The Barbara Hutton Story
6,910
Poor Little Rich Girl: The Barbara Hutton Story
Histoire de jouets 2
7,910
Histoire de jouets 2
Le conte de Noël
7,410
Le conte de Noël
Les triplettes de Belleville
7,710
Les triplettes de Belleville
Regard dangereux
5,31
Regard dangereux
À ma soeur !
6,41
À ma soeur !
Les gens de Dublin
7,210
Les gens de Dublin
Shooting Fish
6,53
Shooting Fish
Quatre gars dans le vent
7,510
Quatre gars dans le vent
Beauté américaine
8,31
Beauté américaine
Gatsby le magnifique
6,410
Gatsby le magnifique
Way Out West
7,610
Way Out West

Commentaires7

Évaluation de Carl Halling
Follow a Star

Follow a Star

6,5
10
  • 4 avr. 2012
  • Classic Norman Wisdom comedy with a beautiful song and a touching romance at its heart

    Norman Wisdom was an English comedian much loved during much of the Fifties, and while his success persisted well into the Swinging Sixties, it did so in a spirit redolent of the previous far more innocent decade. His image was that of a perilously naive and inept, yet wholly adorable little man whose sweetness of nature could be said to somehow put the pretensions of souls less humble and self-sacrificing than he to shame. The "Norman" character being a pure-hearted soul for a time when the West's traditional moral values, rooted in its Judeo-Christian foundation, yet possessed considerable influence. And while "Follow a Star", directed by Robert Asher in 1959, with Wisdom appearing as worker and aspiring singer Norman Truscott, is perhaps among his less well-known movies, few are quite so successful in showcasing his incredible talents. While among its many delights are the melodic and moving title song, written by the great man himself, and sung by him in a surprisingly mature baritone crooning voice. Also starring are superb Wisdom regular Jerry Desmonde as irasible fading singer Vernon Carew; Hattie Jacques as Norman's well-meaning but somewhat over-enthusiastic singing teacher Miss Dobson; and the lovely June Laverick, as his sweetheart Judy, who provides Wisdom with the opportunity to present his more serious and romantic side. And who can blame him. While several stalwarts of a classic age of British comedy also appear, including Richard Wattis, as the pompous psychiatrist Dr Chatterway; John Le Mesurier, as the redoubtable waiter Birkett; Fenella Fielding as the elegant Lady Finchington; and Pat Coombs uncredited as a young woman in a theatre. But the movie as a whole is a joy from a simpler time, when Rock and Roll had been more or less shorn of its initial threat, and Beatlemania almost half a decade away.
    Titanic

    Titanic

    7,9
    4
  • 25 déc. 2001
  • Star-making blockbuster

    Until "Titanic", Kate Winslet and Leo DiCapprio had been the most gifted young actors of their generation, both capable of quite extraordinarily profound insights into the human soul, given their tender years. In James Cameron's Oscar-winning film, they constitute one of the most attractive couples in movie history. And so they became world superstars. But as I see it, they deserve their fame. It is a tragic thing to see acting greatness remain more or less unsung, or underrated. And in "Titanic" Kate Winslet supplies a magnetic and powerful performance. Moreover, The scenes depicting the sinking of the ship are thrilling to behold. "Titanic" is in short a fine film, which made megastars out of two magnificent young artists, a compromise between artistic integrity and commercial clout.
    My Name Is Bill W.

    My Name Is Bill W.

    7,3
  • 25 déc. 2001
  • Career-best performance by James Woods as the founder of A.A.

    James Woods puts in the most magnetic performance of his career in this stunning neglected classic. Normally known as a tough guy, Woods is profoundly affecting, and heartrendingly vulnerable as the charming and brilliant young stockbroker who succumbs to alcoholism, before going on to found AA, and help so many to find the strength to stay sober. It is wonderfully well directed, but of course the subject matter would prevent it from being a "classic" in the commercial sense. Artistically however, it is a triumph, well-paced and almost hypnotically powerful, with an Oscar-meriting performance.
    Voir tous les commentaires

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