O Pátio das Cantigas

First of all let me clarify one thing: I am not a big fan of the original film or of the whole genre. That being said, there is something seriously wrong when something made on a low budget in a poor country in 1942 under an authoritarian regime (which had a strong Censorship Board - that was not an issue for films like the 1942 original as most of the people involved were strong supporters of said regime) still manages to amuse and entertain here and there while the 2015 loosely based remake has descended to the lowest for of humor and looks like a soap opera, mostly because all those involved in making it have know experience of making movies or if one or two do they show a complete disregard to the medium.Not all films appealing to the masses are this crass. Most do treat the audience as a bunch of teenagers which is tells us more about society in general than about any specific studio, producer or actor. This "film" is on a different scale of disaster. It's not funny, it's offensively unfunny. I might add racist and misogynist and homophobic but those "isms" are there as background social context so that Lisbon (and Portugal in general) appears to have been stuck in the first half of the last century only with product- placement and gadgetry. I have not seen anything quite so dumb in my life so the announcement that as soon as this runs its course big screen-wise it'll be shown as a TV miniseries is no surprise but even for TV this simply too bad. I have no doubt many people will like it. Much as many.. well, some people like Vietnamese soap operas and Nazi-era German musicals (both of which have better production values and at least some kind of plot - they also, like the 1942 original of this have some ideological agenda subtle or blunt, the only agenda I see here is.. none). I'd give this 2 if I had fond memories of the 1942 film. I don't.

First, I cannot tell about how good this remake is in comparison to the old one because i didn't see the entire old one, just some parts that are very popular. Despite of that, i can say that the idea of the film is not being a strict remake but a remake that shows a society of the 21th century and their behavior. The film is full of young actors that are already famous from national TV series and programs, but that are starting to do the first steps in cinema. And i really liked their first steps, i think they can do more interesting things like this. About the story, is a typical neighborhood of Lisbon with very characteristic people and behaviors. Its good because the action takes part on the popular parties of the city and shows a bit how can the good mood of everyone transforms quickly in a little street wrangle. The film have a lot of funny parts that made the entire room(full!) laughing. Besides it shows Fado, that is also a good point to promote the city and the country. I think will be fun, not just to all Portuguese to watch this movie, but also to foreign people. Because after that they can travel to Lisbon in June and feel the amazing atmosphere of popular parties.

This movie was a huge disappointment. It had everything to be good, but it turned out bad, really, really bad. There may be spoilers ahead, although no specific movie scene is referred. On the original the Narciso character is the main character, and here it is like a supporting role. Cesar Mourao, who should be the lead and carry out the movie, turned out doing a poor job, mostly by director choice, and not his performance as an actor. To someone who has never seen the original movie, it was not made clear that Narciso is the main character. Miguel Guilherme is a wonderful actor who spent the whole movie doing a bad and forced accent. It turns out not funny at all. I've always loved his work on TV, but his Evaristo is annoying as hell, and not in a good way. Then the humor: with Rui Unas, Aldo Lima, Manuel Marques, and José Pedro Vasconcelos this could have smarter and funnier humour, but it turned out to be "Malucos do Riso" and "Batanetes" humour. Maybe I am not the target, as being a 31 male that usually goes to the movies. Maybe this is a movie for kids or a really old citizen that remembers seeing the 1942 original in the movies. There are xenophobic jokes, which had a potential to be funny and bold, but are overall just bad taste. And what to say about the stupid ending? Everything was rushed and then from the sudden, it pops out with all the silliness and no clear conclusion. The director and writers had no idea how to end, or it could probably be for editing purposes, as the movie's length could be becoming an issue.

Overall, this was a big box office success, but mostly because of all the investment in advertising it had. It could be a great success selling tickets and be a good movie like for example "A Gaiola Dourada" managed to be. But in conclusion it didn't deserve to wear the "o Pátio das Cantigas" title as it is shameful inspired movie (please do not call it a remake) from the 1942 classic.

This is one of the worst movies of 2015, it's a bad comedy, with unfunny jokes, NOT FUNNY AT ALL, i will never get back my 120 minutes of my life back, it's a nightmare all over, Portuguese movies still suck, i'm tired of the same old, bring back cool story's with lots of action, follow the example of other countries like : France or Germany.

it's poorly written, bad acting, i'm a fan of the original, and that's a classic, not this one, do not waste your precious time on this movie and save your money for something else. I promise you that this movie is not worth it, this was a painfully unfunny and incredibly lazy movie, don't go see this, you have been warned !!!!

What a pleasant surprise... followed by absolute dismay. The film starts well indeed, photography is warm and inviting, and acting is accomplished. Some of the dialog is quirky, and you get a decidedly modern French (rather than old Portuguese) cinema feel. But then cracks start appearing in the canvas: certain character decisions seem to be outright obscure (why did Evaristo snap on Carlos after the party? How does Amália feel regarding, well, everyone else?) while others appear to no use at all (Oceana Balisio's character being the most obvious culprit). But the real clencher is the inordinate amount of scenes that seem to have been edited out for (I assume) brevity's sake, with complete disregard for cohesiveness or understandability. I won't elaborate so as to not give any spoilers but you will find them in the final third of the movie, a cardinal sin that leaves you with a bitter aftertaste when the credits roll. What a crying shame. 5/10