Mohammad Rasoolollah
- 2015
- 2h 42m
ÉVALUATION IMDb
7,2/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueThe events, trials and tribulations of the city of Makkah in 7th century AD.The events, trials and tribulations of the city of Makkah in 7th century AD.The events, trials and tribulations of the city of Makkah in 7th century AD.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 2 nominations au total
Baharak Salehniya
- Thowaiba
- (as Baharak Saleh Nia)
Avis en vedette
100U
Beautiful movie.
A story of love and pain,of hope and fear,of life and death and of family,it's values and traditions.
The creator of this universe protected the Prophet Muhammad (PBUH) from the early childhood.
In this movie young Prophet Muhammad (PBUH) is shown minus his face,that point could create some controversy.So be aware of this fact before watching the movie.
I do cry at few occasions and smile when the small kid was named as "Muhammad"(PBUH).
Majidi is a king within the realm of art film, and he sure faced immense challenges managing the first Iranian cinematic project of this scale. The film immerses the audience in an orchestra of beautiful colors, Majidi's specialty, and an outpouring of sublime tunes. Juxtaposed with masterful cinematography of Storaro (although occasionally overdone), Majidi delivers imagery that satisfies aesthetic palates superbly.
The historical period drama, said to be the first part of a trilogy, focuses on prophet Muhammad's childhood. It is of note that, the filmmaker, working within the confines of Islamic conventions, cannot show Muhammad's face, which undeniably renders the project formidable. Hence, the point of view must be shifted, the story must unfold from distributed viewpoints, that must gel together skillfully in order to retain coherence. Though the story does justice vis-à-vis this challenge, it is far from perfection; the script does not mesh well with the visual artistry. The second act is stale, and the last act, though adequate, could be substantially improved. The CGI was noticeably weak; understandable, since it was the very first experience Iranian cinema went through, but still, within the given bounds, could be trimmed down and could easily be improved significantly. This evinces an odd feature of this film: the sense of perfectionism in this film is oddly inconsistent; some parts are perfected masterfully with amazing care, and a few are not even average. In addition to the CGI, the voice of Muhammad is an illustrative example: letting alone professional actors, I am sure that even among Iranian children doing TV commercials there are who are by far better voice actors, both in terms of enunciation and acting, than the kid chosen in this film for the role of Muhammad. What happened to the sense of perfection of the whole team there, I am not sure.
The film strives towards Shia-Sunni neutrality, and succeeds remarkably---unless viewed with absolute cynicism (anything can be deemed as biased if viewed from that lens). The focus is predominantly on the commonalities of the Shia-Sunni accounts, and the chosen story time---Muhammad's childhood---is certainly helpful towards that end. All in all, the film can be best characterized as "promising" (especially when held against the technological status quo of the Iranian cinema) regarding the potentials of cinema for engendering harmony and peace in our ominous and volatile times. It is definitely a must-see.
The historical period drama, said to be the first part of a trilogy, focuses on prophet Muhammad's childhood. It is of note that, the filmmaker, working within the confines of Islamic conventions, cannot show Muhammad's face, which undeniably renders the project formidable. Hence, the point of view must be shifted, the story must unfold from distributed viewpoints, that must gel together skillfully in order to retain coherence. Though the story does justice vis-à-vis this challenge, it is far from perfection; the script does not mesh well with the visual artistry. The second act is stale, and the last act, though adequate, could be substantially improved. The CGI was noticeably weak; understandable, since it was the very first experience Iranian cinema went through, but still, within the given bounds, could be trimmed down and could easily be improved significantly. This evinces an odd feature of this film: the sense of perfectionism in this film is oddly inconsistent; some parts are perfected masterfully with amazing care, and a few are not even average. In addition to the CGI, the voice of Muhammad is an illustrative example: letting alone professional actors, I am sure that even among Iranian children doing TV commercials there are who are by far better voice actors, both in terms of enunciation and acting, than the kid chosen in this film for the role of Muhammad. What happened to the sense of perfection of the whole team there, I am not sure.
The film strives towards Shia-Sunni neutrality, and succeeds remarkably---unless viewed with absolute cynicism (anything can be deemed as biased if viewed from that lens). The focus is predominantly on the commonalities of the Shia-Sunni accounts, and the chosen story time---Muhammad's childhood---is certainly helpful towards that end. All in all, the film can be best characterized as "promising" (especially when held against the technological status quo of the Iranian cinema) regarding the potentials of cinema for engendering harmony and peace in our ominous and volatile times. It is definitely a must-see.
10hlogun
This is what i call an "Epic" movie . you might say well , meh , this guy is Iranian and after all this movie is Iranian too . i could edit my location to any other place and you wouldn't know , but here is the point : seldomly i like a movie to a point that i cry . this movie made me cry .
as the first part of a trilogy , it perfectly balances itself not to cross any line in regards to both "Sunni" and "Shia" sects . Majid majidi for me is the Christopher Nolan of Iran . only 8 years after his last movie , he has once again astonished his fans with a touching and aspiring movie .
ALCON , this movie is well capable of wiping the floor with other movies in all international events .
This is the most expensive and sophisticated movie any Muslim country has ever created and i hope it can effectively show the real side of Islam to foreign audience .
A.R Rahman and the great staff only add to the greatness of this movie .
my Rate : 10
as the first part of a trilogy , it perfectly balances itself not to cross any line in regards to both "Sunni" and "Shia" sects . Majid majidi for me is the Christopher Nolan of Iran . only 8 years after his last movie , he has once again astonished his fans with a touching and aspiring movie .
ALCON , this movie is well capable of wiping the floor with other movies in all international events .
This is the most expensive and sophisticated movie any Muslim country has ever created and i hope it can effectively show the real side of Islam to foreign audience .
A.R Rahman and the great staff only add to the greatness of this movie .
my Rate : 10
8 years after his last film , once again Majid Majidi has done it.this time with the cooperation of some big names behind the camera. he has made a great film about the childhood of the holy profit , Muhammad.
the story is told in different episodes just like the way Quran tells stories , but here episodes don,t match perfectly and it could be more integrated.
the cinematography is one of the best i have ever seen.it seems that the camera flies everywhere along with the young hero.watching this film is just like watching beautiful paintings in a gallery.
the whole city is actually made in real size and it takes us to 7th CAD. the visual effects ,also is believable and beautifully illustrates a story told in Quran.
the best aspect of the film seems to be the music, made by A.R Rahman. it is really unique and impressive. 3 hours is too much for this drama and it could be shorter.
after all, this is a great film to watch. it,s just a long lovely poem.
the story is told in different episodes just like the way Quran tells stories , but here episodes don,t match perfectly and it could be more integrated.
the cinematography is one of the best i have ever seen.it seems that the camera flies everywhere along with the young hero.watching this film is just like watching beautiful paintings in a gallery.
the whole city is actually made in real size and it takes us to 7th CAD. the visual effects ,also is believable and beautifully illustrates a story told in Quran.
the best aspect of the film seems to be the music, made by A.R Rahman. it is really unique and impressive. 3 hours is too much for this drama and it could be shorter.
after all, this is a great film to watch. it,s just a long lovely poem.
This is the first time i write a review in this website, i was so excited after seeing the movie that i really wanted to share my joy with you. I saw the movie yesterday in cinema of Iran, it was really great. The cinematic were incredible. The musics used on the film (by A.R.Rahman ) bring it to the next level! I was a fan of Hobbit and Lord before this movie, but i can tell you that this movie in almost all aspect is as good as them with a simple difference which is that the history behind it is totally true! that makes a really great feeling specially for Muslims. I cried in a lot of scenes of it and goosebumps in the miracles scenes. I repeat that the best positive point of the movie is the music which has been successfully joined with the film.
Sorry for my bad English.
Sorry for my bad English.
Le saviez-vous
- AnecdotesThis movie will be part of a trilogy. Muhammad will never be shown in any of the three films for the respect of his character. This is specifically done in all media in Islam countries to avoid idolization of a renown character to an actor's face. Instead, he is meant to be known by his religious and historical personality profile.
- Citations
Abdul Muttalib: There is nothing futile in the sight of God.
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Détails
Box-office
- Budget
- 120 000 000 000 IRR (estimation)
- Brut – à l'échelle mondiale
- 1 440 044 $ US
- Durée
- 2h 42m(162 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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