Savageland

This was a good mockumentary, I was a little bored during a good portion. I liked the way it was presented, but it could have been a lot more effective if more of the film dealt with a broader scope of events. Something like this would have had much more of an effect on the surrounding areas, if going by the way the film portrays they happened. Still good though. Just a little slow paced.

It seems like whenever I'm about to call it quits and give up on the whole tired deluge of mediocre "found footage"/"fake documentary" movies that have flooded the horror genre in recent years, one will come along and win me back by effectively using that narrative platform in clever and inventive ways that help better reveal their stories and characters.

As easy as it is to find dozens of bad examples of these kind of movies over the past few years, there have also been a few gems like THE CONSPIRACY and AFFLICTED that stand head and shoulders over the others and serve to demonstrate how much potential these kind of movies can have if they're done correctly.

I caught SAVAGELAND tonight as part of the New Orleans Horror Film Festival and, I'm happy to report, that it is definitely counts as another one of these "found-footage"/"fake documentary" gems that has, at least temporarily, restored my faith in that overplayed genre.

Told in news-footage/documentary style with the use of interviews, stock footage, etc., SAVAGELAND tells the story of the fictional massacre of an entire small Arizona border town and the one man, an illegal immigrant, arrested for the crime. But as more information and evidence comes to light, the audience is forced to delve deeper into the mystery of what really happened that night.

While I found the movie to be a little too long and repetitive in places, it is generally gripping and very intense. I also think the filmmakers may have given the answers away to the audience a little too easily and a little too soon in the movie, but as a whole, SAVAGELAND succeeds at using its' documentary format to draw you into the story and identify with the characters.

If you're like me and are constantly looking for a beacon of light at the end of the long tunnel of mediocre found-footage horror movies, I recommend checking out SAVAGELAND.

Man, was I rooting for this one. Probably one of the best found-footage horror films - great build-up, great performances, wonderfully unsettling. Until the story ends and you're left wondering what the monsters were.

The fact that you never get a clear shot of the danger works really well. The out-of-focus, blurred images of the attackers prove much more unsettling than any direct shot might have done. The problem comes in when the viewer keeps watching in the hope of an explanation or something that at least ALLUDES to where the evil came from, just to be left with nothing when the credits roll.

The racism of the townsfolk compounds an already horrifying story. Well worth a watch, just don't expect to come out with anything resembling a sense of satisfaction. Great script let down by nameless evil.

This film started out well and I'll have to say it looks close to a usual documentary. However the story lags and leaves too many unanswered questions to be as good as it could have been. An average film.

I didn't expect nearly as much as I got, particularly with such a low budget, but it delivered. The film actually doesn't spend much time with the man charged in the murder of an entire town, but instead we get to see what he saw that night using a set of blurry, yet unsettling photos depicting the carnage that went on as he made his way through town. There is no shortage of plot holes that can't be so easily filled in with the racism theme the movie is going for, but the creep factor is dialed to 11. You catch on to what is happening fairly early into the movie, but the most interesting thing is the way it makes an old trope feel new. You'll have a much better experience with it if you avoid any and all spoilers.