Une prostituée déchire Tinseltown la veille de Noël à la recherche du proxénète qui lui a brisé le coeur.Une prostituée déchire Tinseltown la veille de Noël à la recherche du proxénète qui lui a brisé le coeur.Une prostituée déchire Tinseltown la veille de Noël à la recherche du proxénète qui lui a brisé le coeur.
- Prix
- 24 victoires et 42 nominations au total
Richard-Lael Lillard
- Miss Willy
- (as Richie Lillard)
Histoire
Le saviez-vous
- AnecdotesThis film was shot exclusively on three iPhone 5s smartphones, along with the Moondog Labs' anamorphic clip on lens and a $8 app, FiLMiC Pro in addition to Steadicam Smoothee Mounts. Director Sean Baker revealed this at the Sundance Film Festival.
- GaffesThe cameraman and camera's shadow can be seen on the ground and taxi cab as Razmik drags out the vomiting drunks from his cab.
- ConnexionsFeatured in Film '72: Episode #44.9 (2015)
Commentaire en vedette
Really liked 2012's 'Starlet', so 2015's 'Tangerine' was definitely going to be seen. Just in case anybody is wondering what my incentive was for seeing the films, it's for getting acquainted with director Sean Baker's work before seeing his recently released film 'The Florida Project'.
Found myself liking 'Tangerine' even more. A few parts are still a little forced and written and resolved somewhat too neatly, but there is not much to criticise a film that is a little texturally richer and more intimate in detail than to 'Starlet'. Like with 'Starlet', the faults are fairly minor and are eclipsed by everything else that is done right. 'Tangerine' is most interesting for its unique visual style and using real life transgenders for actors, but despite how this sounds this is not a gimmick film and has much more to it than that.
Visually, it won't appeal to all, some may find it amateurish. With me though, the shot entirely on three iPhones look was surprisingly naturalistic and added a high-voltage intensity and realism to a story that is often confrontational in manner. The music has some nice atmosphere too.
Like with 'Starlet', 'Tangerine' really stands out in the writing, with a great balance of funny comedy, charming warmth, understated sweetness and touching drama. The story likewise, it really made me feel warm inside, it made me laugh, it surprised me, it charmed me and it moved me. There is some explicitness and some vulgarity, but it felt raw and any shock drama just added another layer to the drama. The Christmas fairy-tale feel that is at times adopted is not sugary, if anything it's got a lot of attitude which was surprising in a good way.
Once again, Baker's direction is adroit and he paces everything beautifully. Would go as far to say that his direction is even better and more comfortable here than it is in 'Starlet', it's richer, more intimate and more detailed.
'Tangerine's' acting is not quite as good as 'Starlet's', but it is still surprisingly very good. Especially from Mya Taylor who fully succeeds in making her character come over as a real-life person with strengths and flaws rather than a caricature or stereotype.
Altogether, a very good film, very different to 'Starlet' but has many of what made that film as impressive as it was. 8/10 Bethany Cox
Found myself liking 'Tangerine' even more. A few parts are still a little forced and written and resolved somewhat too neatly, but there is not much to criticise a film that is a little texturally richer and more intimate in detail than to 'Starlet'. Like with 'Starlet', the faults are fairly minor and are eclipsed by everything else that is done right. 'Tangerine' is most interesting for its unique visual style and using real life transgenders for actors, but despite how this sounds this is not a gimmick film and has much more to it than that.
Visually, it won't appeal to all, some may find it amateurish. With me though, the shot entirely on three iPhones look was surprisingly naturalistic and added a high-voltage intensity and realism to a story that is often confrontational in manner. The music has some nice atmosphere too.
Like with 'Starlet', 'Tangerine' really stands out in the writing, with a great balance of funny comedy, charming warmth, understated sweetness and touching drama. The story likewise, it really made me feel warm inside, it made me laugh, it surprised me, it charmed me and it moved me. There is some explicitness and some vulgarity, but it felt raw and any shock drama just added another layer to the drama. The Christmas fairy-tale feel that is at times adopted is not sugary, if anything it's got a lot of attitude which was surprising in a good way.
Once again, Baker's direction is adroit and he paces everything beautifully. Would go as far to say that his direction is even better and more comfortable here than it is in 'Starlet', it's richer, more intimate and more detailed.
'Tangerine's' acting is not quite as good as 'Starlet's', but it is still surprisingly very good. Especially from Mya Taylor who fully succeeds in making her character come over as a real-life person with strengths and flaws rather than a caricature or stereotype.
Altogether, a very good film, very different to 'Starlet' but has many of what made that film as impressive as it was. 8/10 Bethany Cox
- TheLittleSongbird
- 11 nov. 2017
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- How long is Tangerine?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Tangerine: chicas fabulosas
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 $ US (estimation)
- Brut – États-Unis et Canada
- 702 354 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 60 683 $ US
- 12 juill. 2015
- Brut – à l'échelle mondiale
- 840 099 $ US
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